{"title":"Day","description":"","products":[{"product_id":"bwxx-double-x-36exp-135-black-and-white-motion-picture-negative-film","title":"BwXX Black and White Negative Film, 35mm","description":"\u003ch3\u003e\u003cstrong\u003e\u003cspan\u003eA modern classic — now with DX codes!\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCineStill BwXX 35mm\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis a classic, panchromatic B\u0026amp;W negative film for both outdoor and studio use. It has a variable base sensitivity of ISO 250 under daylight (5500K) and ISO 200 under tungsten lighting (3200K), and can be rated up to EI 1600 with the appropriate processing compensation (push-processing). \u003c\/p\u003e\n\u003cp\u003eIdeal for low light situations, \u003cmeta charset=\"utf-8\"\u003ethis film delivers rich blacks, a broad tonal range, high sharpness, and a fine grain structure. It is an excellent choice for those looking for a classic, cinematic B\u0026amp;W film stock. \u003c\/p\u003e\n\u003cp\u003eSome of the iconic movies filmed on this classic B\u0026amp;W motion picture film emulsion include:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eOppenheimer (2023), \u003cmeta charset=\"utf-8\"\u003eMalcolm \u0026amp; Marie (2021), The Lighthouse (2019), \u003cmeta charset=\"utf-8\"\u003eFrantz (2016), \u003cmeta charset=\"utf-8\"\u003eAferim! (2015), \u003cmeta charset=\"utf-8\"\u003eAmerican Horror Story (2011-2017), \u003cmeta charset=\"utf-8\"\u003eI'm Not There (2007), \u003cmeta charset=\"utf-8\"\u003eCasino Royale (2006), \u003cmeta charset=\"utf-8\"\u003eCinderella Man (2005), \u003cmeta charset=\"utf-8\"\u003eKill Bill: Vol. 1 (2003), \u003cmeta charset=\"utf-8\"\u003eMemento (2000), \u003cmeta charset=\"utf-8\"\u003eSchindler's List (1993), \u003cmeta charset=\"utf-8\"\u003eKafka (1991), \u003cmeta charset=\"utf-8\"\u003eStranger Than Paradise (1984), Raging Bull (1980), Manhattan (1979), and many many more.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eRecommended development:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e \u003ca rel=\"noopener noreferrer\" href=\"https:\/\/cinestillfilm.com\/products\/d96-bw-motion-picture-developer\" target=\"_blank\"\u003eCineStill D96 B\u0026amp;W Motion Picture Developer\u003c\/a\u003e or \u003ca rel=\"noopener noreferrer\" href=\"https:\/\/cinestillfilm.com\/products\/df96-developer-fix-b-w-monobath-single-step-solution-for-processing-at-home?variant=7367677247522\" target=\"_blank\"\u003eCineStill Df96 \"Developer\u0026amp;Fix\" B\u0026amp;W Monobath\u003c\/a\u003e, but is compatible with almost all other B\u0026amp;W film developers. For more detail, reference the \u003ca rel=\"noopener noreferrer\" href=\"https:\/\/cinestillfilm.com\/pages\/bwxx-dev-times?_pos=3\u0026amp;_sid=84bfe763d\u0026amp;_ss=r\" target=\"_blank\"\u003eCineStill BwXX Developing Times Chart\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStorage and handling:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eLoad and unload film in subdued light. Store unexposed film in a refrigerator at 13°C (55°F) or lower in the original sealed package. To avoid moisture condensation on film that has been refrigerated, allow the film to warm up to room temperature before opening the package. Process film as soon as possible after exposure. Protect processed film from strong light, and store it in a cool, dry place.\u003c\/p\u003e","brand":"CineStill","offers":[{"title":"Roll","offer_id":31389476880458,"sku":"bwxx-36exp","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/MOD01388-Edit_24af5dbe-2baa-4ff8-939c-a2f22b3bc8ec.jpg?v=1737131526"},{"product_id":"cs41-simplified-color-processing-at-home-quart-kit-c-41-chemistry","title":"Cs41 \"Color Simplified\" 2-Bath Kit","description":"\u003cp\u003e\u003cstrong\u003eProcessing ANY color negative film at home is easy with these 2 simple chemistry mixtures. No special equipment needed!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eProcessing your own color film doesn't have to be complicated or expensive! These two bath processing kits can be used at a variety of temperatures with the same equipment you already process your black and white film with at home. No darkroom or automated processor required! \u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eIf you already process your own black and white film, with this kit, there is no reason not to process C-41 color negative film at home as well! It is specially formulated without compromise for modern color films, not requiring a stabilizer bath. Modern emulsions were designed so that one-hour photo labs wouldn't need haz-mat training for formaldehyde, and have built-in dye stabilizers and hardeners that are released through this simplified 2-bath process. You can have beautifully developed, bleached and fixed color negatives, ready to scan or print. All you need is water, a thermometer and any simple tank and reel system! \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003eThis chemistry is classified as \"Limited Quantity Hazardous\" (ORM-D) and can only be shipped via Ground within the Continental United States due to DOT regulations. \u003c\/em\u003e\u003cem\u003e\"Limited Quantity Hazardous\" (ORM-D) items cannot be shipped to PO boxes.\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CS41_Liquid_Insrructions.pdf?v=1591402967\" title=\"Cs41 Complete Instructions\" target=\"_blank\"\u003e\u003cstrong\u003eDownload Cs41 Quart Kit Complete PDF Instructions\u003c\/strong\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CS41powder_Instructions_Complete.pdf?v=1679586212\"\u003e\u003cstrong\u003eDownload Cs41 Powder Kit Complete PDF Instructions\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Cs41_Color_Simplified_2-Bath_C-41_Quart_Kit_Safety_DataSheet.pdf?v=1757447096\"\u003e\u003cstrong\u003eDownload Cs41 Quart Kit Safety Data Sheet\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Cs41_Color_Simplified_2-Bath_C-41_Powder_Kit_Safety_DataSheet.pdf?v=1757446706\"\u003e\u003cstrong\u003eDownload Cs41 Powder Kit Safety Data Sheet\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/pages\/photo-waste-management\" title=\"Photochemical Waste Management\" target=\"_blank\"\u003e\u003cstrong\u003ePhotochemical Waste Management\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"CineStill","offers":[{"title":"Liquid Concentrate \/ 1000ml\/Quart (24 rolls)","offer_id":30376678593,"sku":"Cs41-quart","price":29.99,"currency_code":"USD","in_stock":true},{"title":"Powder Concentrate \/ 1000ml\/Quart (24 rolls)","offer_id":15996175810594,"sku":"Cs41-P-1000ml","price":29.99,"currency_code":"USD","in_stock":true},{"title":"Powder Concentrate \/ 500ml\/Pint (12 rolls)","offer_id":42235824472236,"sku":"Cs41-P-500ml","price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/MOD04259-Edit_fab0007c-9f32-4304-9355-1eedf77ce98d.jpg?v=1737065909"},{"product_id":"df96-developer-fix-b-w-monobath-single-step-solution-for-processing-at-home","title":"Df96 “Developer\u0026Fix” B\u0026W Monobath","description":"\u003cp\u003e\u003cem\u003eThe tried and true Df96 Monobath formula is now available in lightweight powder form, for economical shipping, indefinite shelf-life and home processing simplicity! Still the same motion picture quality solution that guarantees high-resolution, fine grain, a long density scale, and uniform development latitude. Now formulated for mail-order efficiency! \u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eFor Simplified B\u0026amp;W Processing At Any Room Temperature. \u003c\/b\u003e\u003cstrong\u003e68\u003cspan\u003e-82\u003c\/span\u003e\u003cspan\u003e°F (20-28°C)\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003eProcesses: 16+ rolls of B\u0026amp;W film with 1 liter of just one chemical. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe worries of too much development, dilution, time or agitation are gone. Stop bath? Fixer? Hardener? Gone the way of One-Hour-Photos and formaldehyde. Meet the labtender’s best friend, served neat. It may be clear and odorless but please do not drink it. ☠️😵👨🏻🔬\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe single-step solution is now available in powder concentrate or ready-to-use liquid. \u003c\/span\u003eProcessing all of your B\u0026amp;W film at home is easier than ever with this magical and versatile Single-Step BW “Developer-Fix” monobath solution, akin to D96 motion picture developer but with no need for stop bath, fixer, or any other chemicals, is perfect for processing CineStill BwXX along with any other black \u0026amp; white film. \u003cspan\u003eNo special charts, timers or apps needed! Just a processing tank and water. Fool-proof, self-completing process that guarantees motion picture quality, the smoothest grain structure and crisp tonal curve. Flexible processing in 3-6 minutes at any room temperature (70-80F). Just wash with water and hang to dry. No more complicated measurements or strict margins to deal with. Process all your black and white films in one chemical with absolutely wonderful results!\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/jwaK_NaDCCg\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch1\u003eProcess all B\u0026amp;W Film:\u003c\/h1\u003e\n\u003cp\u003eDf96 monobath easily processes any standard black and white film at its native ISO. It is designed with traditional cubic-grain emulsions in mind, like BwXX, TriX and HP5, with high silver content. Tabular grain films with color dye technology, like Tmax, also work well but require double the processing time to clear, and may come out of the bath with pink\/purple dyes in the emulsion. This is normal and will fade away. High speed films such as P3200 and Delta3200 can be processed at their native ISOs between 1000-1600 by the instructions on the label, or pushed to 3200 by adding 10°F \u003cspan\u003e(6\u003c\/span\u003e\u003cspan\u003e°C)\u003c\/span\u003e. All films can be pushed or pulled by adjusting temp. +\/-10°F \u003cspan\u003e(6\u003c\/span\u003e\u003cspan\u003e°C)\u003c\/span\u003e.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2 style=\"text-align: center;\"\u003eFilm rating chart for Df96: \u003c\/h2\u003e\n\u003cp\u003e(Box speeds in bold)\u003c\/p\u003e\n\u003ctable cellspacing=\"0\" cellpadding=\"0\" width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cstrong\u003e FILM TYPE\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cstrong\u003ePULL 65-70°F \u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003e(18-21°C) +1MIN\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cstrong\u003eNORMAL 70-80°F \u003cbr\u003e(21-27°C)\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cstrong\u003ePUSH 80-90°F \u003cbr\u003e(27-32°C)\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/DfBwXX.jpeg?7161606786470015405\" target=\"_blank\"\u003e\u003cb\u003eCineStill BwXX\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 100-125 \u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003eISO 200-400 \u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 500-800 \u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/DfTriX-400.jpeg?7161606786470015405\" target=\"_blank\"\u003e\u003cb\u003eKodak Tri-X\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 200\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003eISO 400\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 800\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/DfTMX100.jpg?7161606786470015405\" target=\"_blank\"\u003eKodak Tmax 100\u003c\/a\u003e*\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 25-50 (2x min)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003eISO 80-100 (2x min)\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 125-200 (2x min)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/DfTMY400.jpg?7161606786470015405\" target=\"_blank\"\u003eKodak Tmax 400\u003c\/a\u003e*\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 200 (2x min)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003eISO 400 (2x min)\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 800 (2x min)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Dfp3200-1600.jpg?7161606786470015405\" target=\"_blank\"\u003eKodak Tmax P3200\u003c\/a\u003e**\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 1000 (2x min)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 1600 (2x min)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003eISO 3200 (2x min)\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cstrong\u003eKodak Plus-X\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 50-60\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003eISO 100-125 \u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 200-250\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/DfFP4.jpg?7161606786470015405\" target=\"_blank\"\u003e\u003cstrong\u003eIlford FP4 Plus\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 60\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003eISO 125 \u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 250\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/DfHP5.jpg?7161606786470015405\" target=\"_blank\"\u003e\u003cb\u003eIlford HP5 Plus \u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 200\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003eISO 400\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 800\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Dfd100.jpg?7161606786470015405\" target=\"_blank\"\u003eIlford Delta 100\u003c\/a\u003e*\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 50 (2x min)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003eISO 100 (2x min)\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 200 (2x min)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Dfd400.jpg?7161606786470015405\" target=\"_blank\"\u003eIlford Delta 400\u003c\/a\u003e*\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 200 (2x min)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003eISO 400 (2x min)\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 400 (2x min)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Dfd3200-1000.jpg?7161606786470015405\" target=\"_blank\"\u003eIlford Delta 3200\u003c\/a\u003e**\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 500 (2x min)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 1000-1600 (2x min)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003eISO 2000-3200 (2x min)\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/DfPanF50.jpg?5845680368084275505\" target=\"_blank\"\u003e\u003cstrong\u003eIlford Pan F Plus\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 25\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003eISO 50\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 100\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/DfJCH-200.jpg?7161606786470015405\" target=\"_blank\"\u003e\u003cb\u003eJCH Street Pan\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 100\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 200\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003eISO 400\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/DfSilverMax.jpg?7161606786470015405\" target=\"_blank\"\u003e\u003cb\u003eAdox Silvermax\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 25-50\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003eISO 80-100\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 125-200\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cstrong\u003eAdox CHS 100 II\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 25-50\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003eISO 50-100\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 125-200\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/DfK100.jpg?5845680368084275505\" target=\"_blank\"\u003e\u003cstrong\u003eKentmere 100\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 25-50\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003eISO 80-100\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 160\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/DfK400.jpg?5845680368084275505\" target=\"_blank\"\u003e\u003cstrong\u003eKentmere 400\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 160-200\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003eISO 250-400\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 500-800\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/DfRPX25.jpg?5845680368084275505\" target=\"_blank\"\u003eRollei RPX 25\u003c\/a\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 12\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003eISO 25\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 50\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Dfrpx100.jpg?7161606786470015405\" target=\"_blank\"\u003e\u003cb\u003eRollei RPX 100\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 50\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003eISO 100 \u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 200\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003eRollei RPX 400\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 200\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003eISO 400\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 800\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Dfr80s.jpg?7161606786470015405\" target=\"_blank\"\u003e\u003cb\u003eRollei Retro 80S\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 12\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 25-50\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003eISO 80-100\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/DfRetro400s.jpg?7161606786470015405\" target=\"_blank\"\u003e\u003cb\u003eRollei Retro 400S\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 100\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 200\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003eISO 400\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cstrong\u003eFoma RETROPAN 320 \u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 80-125\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003eISO 200-320\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 400-500\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Dfoma100.jpg?7808221844721380221\" target=\"_blank\"\u003e\u003cb\u003eFoma Fomapan 100 \u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 50\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003eISO 100\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 200\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/DfF200.jpg?5845680368084275505\" target=\"_blank\"\u003e\u003cb\u003eFoma Fomapan 200 \u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 100\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003eISO 200\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 400\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Dfoma400.jpg?7808221844721380221\" target=\"_blank\"\u003e\u003cb\u003eFoma Fomapan 400 \u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 200\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003eISO 400\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 800\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/DfBerggerPancro400.jpg?5845680368084275505\" target=\"_blank\"\u003eBergger Pancro\u003c\/a\u003e***\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 125-200 \u003cspan\u003e(3x min)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003eISO 320-400 (3x min)\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 500-800 \u003cspan\u003e(3x min)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Dfedu400.jpg?7161606786470015405\" target=\"_blank\"\u003e\u003cb\u003eArista EDU Ultra 400 \u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 200\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003eISO 400\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 800\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Dfedu200.jpg?11336862127770967490\" target=\"_blank\"\u003e\u003cstrong\u003eArista EDU Ultra 200\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 100\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003eISO 200\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 400\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Dfedu100.jpg?7161606786470015405\" target=\"_blank\"\u003e\u003cb\u003eArista EDU Ultra 100\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 50\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003e\u003cb\u003eISO 100\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp\u003eISO 200\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\u003cem\u003e\u003cstrong\u003e*\u003c\/strong\u003eTabular grain films with color dye technology, like Tmax or Delta, require double the processing time on the label to clear, and may come out of the bath with pink\/purple dyes in the emulsion. \u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\u003cem\u003e\u003cstrong\u003e**\u003c\/strong\u003eHigh speed films like P3200 and Delta3200 can be processed at their native ISO between 1000-1600 by the instructions on the label. These are designed to be pushed to 3200 by adding 10°F (6°C). All films can be pushed or pulled by adjusting temp. +\/-10°F (6°C) per stop.\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\u003ci\u003e\u003cstrong\u003e***\u003c\/strong\u003eBergger Pancro requires at least double the processing time and the \u003ca href=\"http:\/\/bergger.com\/media\/wysiwyg\/Fiches_techniques\/Pancro400_en.pdf\" target=\"_blank\"\u003emanufacturer calls for additional steps\u003c\/a\u003e to the traditional developer-stop-fix process.\u003cbr\u003e\u003cbr\u003e\u003c\/i\u003e\u003c\/div\u003e\n\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e\n\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003ch2\u003eProcessing Methods for \u003cspan\u003eDf96: \u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/DF96_instructions.pdf?10407520513295392991\" title=\"Download Df96 Instructions\" target=\"_blank\"\u003eDownload Df96 Complete PDF Instructions\u003cbr\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003eDevelopment is increased more than fixing by temperature. Fixing and completion is accelerated by agitation, while decreasing development. Processing over 82°F (28°C) will result in pushed negatives with higher contrast and more pronounced grain. Below 68°F (20°C) renders pulled contrast negatives  \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cspan\u003e\u003cem\u003e*Temp tolerance is +\/-2°F (1°C) and times are minimum. Feel free to extend processing time to ensure full fixing of film or removal of color dyes. Time does not affect development.\u003c\/em\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cstrong\u003eNative ISO development:\u003c\/strong\u003e \u003c\/div\u003e\n\u003cp\u003e80°F (27°C) for at least 3 min • Constant agitation\u003cbr\u003e75°F (24°C) for at least 4 min. • Intermittent agitation\u003cbr\u003e70°F (21°C) for at least 6 min. • Minimal agitation\u003cem\u003e\u003cbr\u003e\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003ePush +1 development:\u003cbr\u003e\u003c\/strong\u003e80°F (27°C) for at least 6 min. • Minimal agitation\u003cbr\u003e85°F (30°C) for at least 4 min • Intermittent agitation\u003cbr\u003e90°F (32°C) for at least 3 min • Constant agitation\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePull -1 development:\u003c\/strong\u003e\u003cbr\u003e70°F (21°C) for at least 4 min • Constant agitation\u003cbr\u003e65°F (18°C) for at least 6 min • Intermittent agitation\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e3200 speed BW films:\u003c\/strong\u003e\u003cbr\u003eAbove 90°F (32°C) for at least 4 min • Intermittent agitation\u003cspan\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eAGITATION METHODS:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eAgitation helps create evenly developed exposures, and prevents over-processed, under-fixed negatives.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConstant agitation:\u003cbr\u003e\u003c\/strong\u003eFluid inversions and\/or rotations, while changing direction.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eIntermittent agitation:\u003c\/strong\u003e\u003cbr\u003e30 sec constant agitation, then 10 sec every min. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMinimal agitation:\u003c\/strong\u003e\u003cbr\u003e10 sec gentile agitation, then 5 sec every min.\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e *Bromide drag lines can occur if left to stand for any more than 1 min.\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eFULLY ARCHIVAL PROCESSING:\u003c\/h3\u003e\n\u003cp\u003eFor any processed film to be fully archival only two things need to occur. Full removal (fixing) of undeveloped silver halide, and removal (washing) of processing chemicals from the film. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArchival fixing\u003c\/strong\u003e occurs in 3-6 minutes with fresh Df96. Feel free to extend processing times to ensure full clearing of film, as it will not affect development. Df96 uses one of the the most effective archival fixing agents and should produce fully archival negatives when processing instructions are followed. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArchival washing\u003c\/strong\u003e occurs at room temperature under running water for 5 min, or fill and empty tank at least 10 times. Washing time after Df96 processing is exceedingly rapid because the solution is alkaline. No more than five minutes is needed for a wash to archival standards. A longer final rinse and rinse aid will help ensure archival negatives. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFor minimal water usage:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e• After negatives are fully fixed, fill the tank with water at the same temperature +\/-10°F \u003cspan\u003e(6\u003c\/span\u003e\u003cspan\u003e°C)\u003c\/span\u003e as the processing solutions. Invert the tank 5 times.\u003c\/p\u003e\n\u003cp\u003e• Drain the water away and refill. Invert the tank 10 times.\u003c\/p\u003e\n\u003cp\u003e• Once more, drain the water. Invert the tank twenty times and drain the water away.\u003c\/p\u003e\n\u003cp\u003e• Then rinse one final time, optionally with a few drops of Wetting Agent added to the rinse water, distilled water helps prevent hard water spots.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eChemical reuse:\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eCan process 16+ rolls of film.\u003c\/strong\u003e Simply recombine used chemistry and add +15sec. for each roll previously processed until you reach 8 min. If a film does not appear fully cleared, process for longer in Df96. I\u003cspan\u003et will not affect development.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eChemistry\u003c\/b\u003e\u003cstrong\u003e lifespan:\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003eExpected shelf life for mixed chemistry is 1 year in a sealed bottle, and once used should be reused within 2 months. Film will still finish processing as chemicals age but will eventually produce thin negatives when developer is exhausted. Store in a tightly capped, full container.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExhaustion indication:\u003cbr\u003e\u003c\/strong\u003eAs chemicals \u003cspan\u003eexhaust\u003c\/span\u003e they will start to yellow and turn dark amber when perished. Oxygen and contaminants cause developing agents to perish. Depending on silver and dye content of film types, you should be able to continue reusing until you reach an unacceptable processing time. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSimple quality control:\u003cbr\u003e\u003c\/strong\u003eBefore reusing opened chemicals it is a best practice to do a daylight snip test. Cut off light struck film from a 35mm leader tongue and process in a cup with a small amount of Df96. The test should come out opaque black to guarantee quality. You can save the snippet to compare to future tests. If the test comes out thin, you can increase temperature and retest, or retire chemistry if transparent.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eExceptions to the rules:\u003c\/h2\u003e\n\u003cp\u003eA couple craft films and surveillance films, which require longer times in standard developers to achieve box speed, will yield a lower native ISO. For example, \u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Dfr80s.jpg?7161606786470015405\" target=\"_blank\"\u003eRollei Retro 80s\u003c\/a\u003e, with it’s impressively fine grain and low contrast, is best rated at ISO 25, and \u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/DfJCH-200.jpg?7161606786470015405\" target=\"_blank\"\u003eJCH Street Pan\u003c\/a\u003e really shines at ISO 200.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/www.adox.de\/Photo\/adox-films-2\/cms-20-ii-adotech-ii\/\" target=\"_blank\"\u003eAdox CMS 20 II\u003c\/a\u003e can produce the sharpest, highest resolving, most fine grained images in the world, but it \u003cem\u003e\"...achieves 20 ASA of usable speed in \u003ca href=\"http:\/\/www.adox.de\/Photo\/adox-films-2\/cms-20-ii-adotech-ii\/\" target=\"_blank\"\u003eADOTECH\u003c\/a\u003e developer... If developed in non dedicated low contrast developers (HC 110, cafenol, etc) it can be exposed at \u003cspan style=\"text-decoration: underline;\"\u003e3 to 6 ASA.\"\u003c\/span\u003e\u003c\/em\u003e - from \u003ca href=\"http:\/\/www.adox.de\/Photo\/adox-films-2\/cms-20-ii-adotech-ii\/\" target=\"_blank\"\u003eadox.de\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/bergger.com\/media\/wysiwyg\/Fiches_techniques\/Pancro400_en.pdf\" target=\"_blank\"\u003eBergger Pancro 400\u003c\/a\u003e requires double the processing time in order to break down the intense \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eanti-halation\u003c\/span\u003e layer, and even \u003ca href=\"http:\/\/bergger.com\/media\/wysiwyg\/Fiches_techniques\/Pancro400_en.pdf\" target=\"_blank\"\u003ecalls for an additional steps\u003c\/a\u003e to standard-multi bath processing. \u003ci\u003e\"...the film must be presoaked in water for 5 minutes, at one degree warmer than developer.\" \"BERGGER PANCRO 400 needs a longer the usual fixing time. In rapid, non hardening fixer...for 6 minutes.\" \"A rinse in a sulphite bath (10 %) will allow to eliminate the chemicals complexes...and also allow the full dissolution of the anti-halation layer.\" \u003c\/i\u003e- from \u003ca href=\"http:\/\/bergger.com\/media\/wysiwyg\/Fiches_techniques\/Pancro400_en.pdf\" target=\"_blank\"\u003ebergger.com\u003c\/a\u003e\u003c\/p\u003e\n\u003ch3\u003eMore about processing with Df96: \u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Df96_instructions_Instructions_Complete.pdf?14374404616962145803\" title=\"Download Df96 Instructions\" target=\"_blank\"\u003eDownload Df96 Complete PDF Instructions\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/blogs\/news\/16-different-rolls-of-b-w-film-in-just-one-bath\" target=\"_blank\"\u003eProcessing 16+ Different B\u0026amp;W Films With Just One Chemical! Df96\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/blogs\/news\/no-compromises-df96-compared-to-the-most-popular-standard-developers\" target=\"_blank\"\u003eNo Compromises - Df96 compared with popular traditional developers\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener\" href=\"https:\/\/youtu.be\/yIawo8UF07Q?si=qwQrWNAMPs6Rb8-L\" target=\"_blank\"\u003e\u003cstrong\u003ePushing and Pulling with Df96\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/20260402_CINESTILL_Df96_B_W_Developer_Fix_MONOBATH_Single-Step.pdf?v=1775262431\" title=\"CineStill Df96 Monobath SDS\" target=\"_blank\"\u003eDownload Df96 Liquid Safety Data Sheet\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CineStill_Df96_Monobath_Powder_SDS.pdf?v=1742227340\" title=\"CineStill Df96 Powder Monobath SDS\" target=\"_blank\"\u003eDownload Df96 Powder Safety Data Sheet\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/pages\/photo-waste-management\" title=\"Photochemical Waste Management\" target=\"_blank\"\u003ePhotochemical Waste Management\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cstyle\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c\/style\u003e","brand":"CineStill","offers":[{"title":"Ready-To-Use Liquid \/ 1000ml\/Quart (16+ rolls)","offer_id":7367677247522,"sku":"Df96-1000ml","price":19.99,"currency_code":"USD","in_stock":true},{"title":"Ready-To-Use Liquid \/ 530ml\/18oz (8+ rolls)","offer_id":31663146205258,"sku":"Df96-540ml","price":12.99,"currency_code":"USD","in_stock":true},{"title":"Powder Concentrate \/ 1000ml\/Quart (16+ rolls)","offer_id":16000208044066,"sku":"Df96-P-1000ml","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Df96Monobath_aeaefa0a-d41d-4771-a221-376b4093c966.jpg?v=1736806649"},{"product_id":"labbox-daylight-developing-tank","title":"LAB-BOX Daylight Developing Tank","description":"\u003cp\u003ears-imago, based out of Italy, \u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eworks to make the at-home film developing process as simple and accessible as possible. Their flagship \u003c\/span\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eLAB-BOX Daylight Developing tank\u003c\/strong\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e allows users to develop their own 35mm or 120 film in full daylight, without the need for a darkroom or changing bag, and is therefore the perfect introduction to home processing.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eFilm Modules \u003c\/h3\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/products\/ars-imago-prod-012569_160x160.jpg?v=1560713003\" data-mce-style=\"float: left;\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003eThe LAB-BOX tank features a multi-format reel that can accomodate both 135 and 120 film for ultimate flexibility. Only a single roll of film can be processed at a time with the tank. A separate, interchangeable film module attaches to the main tank body during assembly and prior to loading the tank. \u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eAgitation Options \u003c\/h3\u003e\n\u003cp\u003eBoth intermittent and continuous agitation are possible with the LAB-BOX, depending on how much solution is poured into the tank, allowing for both experimentation and fine-tuning of your process to best suit your needs. The internal reel is turned by the included agitation knob, but an accessary Crank is available for those who see themselves using constant agitation often. \u003c\/p\u003e\n\u003ch3\u003eDesign\u003c\/h3\u003e\n\u003cp\u003eThe LAB-BOX was designed by VIVO Design Studio in Rome, Italy. Following a careful test-and-review process, ars-imago has been able to optimize the final size of the tank and simplify its construction, in order to deliver a tool that is both sturdy and easy to use. The specialized team created detailed technical drawings, transforming them into 3D models and making use of all the latest digital manufacturing technologies.\u003cbr\u003e\u003cimg style=\"float: none;\" src=\"http:\/\/www.ars-imago.com\/images\/auto\/ars-imago-205560.gif\" alt=\"\" data-mce-style=\"float: none;\"\u003e\u003c\/p\u003e\n\u003cp\u003eFor more information visit \u003ca href=\"http:\/\/www.lab-box.it\/\" target=\"_blank\"\u003ewww.lab-box.it\u003cbr\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca title=\"LAB_BOX Complete PDF Instrcutions\" href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/ars-imago-001306.pdf?v=1618860187\" target=\"_blank\" data-mce-href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/ars-imago-001306.pdf?v=1618860187\"\u003e\u003cstrong\u003eDownload LAB-BOX Complete PDF Instructions\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cstyle\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c\/style\u003e","brand":"Ars-Imago","offers":[{"title":"35mm","offer_id":28877542653986,"sku":"LAB-BOX1MODORANGE","price":189.0,"currency_code":"USD","in_stock":false},{"title":"35mm + 120","offer_id":28877602291746,"sku":"LAB-BOX2MODORANGE","price":258.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Lab-Box_New_2eecb163-0727-4906-b208-9e0d031fc9a3.jpg?v=1737500625"},{"product_id":"labbox-daylight-crank","title":"LAB-BOX Crank","description":"\u003cp\u003e\u003cspan\u003eSince 2004 ars-imago has been on a mission to offer innovative products for analog photography enthusiasts, starting with the \u003ca href=\"https:\/\/cinestillfilm.com\/products\/labbox-daylight-developing-tank?variant=28877542653986\"\u003e\u003cstrong\u003eLAB-BOX Daylight Developing Tank\u003c\/strong\u003e\u003c\/a\u003e. This\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e multi-format tank allows users to develop film in full daylight, without the need for a darkroom or changing bag, and is a great introduction to home processing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe \u003cstrong\u003eLAB-BOX Crank \u003c\/strong\u003eis an optional accessory that can be used instead of the standard knob for more comfortable agitation during film processing, especially when using constant agitation. \u003c\/span\u003e\u003ca href=\"http:\/\/www.lab-box.it\/\" target=\"_blank\"\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cstyle\u003e\u003c\/style\u003e","brand":"Ars-Imago","offers":[{"title":"Orange","offer_id":28880678092834,"sku":"LAB-BOXCRANKORANGE","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/ars-imago-prod-012571_d10082c6-380f-41ff-952f-911b3404e78c.jpg?v=1719609414"},{"product_id":"labbox-daylight-ars-imago-35mm-film-retreiver","title":"35mm Film Retriever","description":"\u003cp\u003e\u003cspan\u003eThis is a useful tool designed for quick and safe retrieval of a 35mm film leader rewound into film cassette. The \u003c\/span\u003e\u003cb data-mce-fragment=\"1\" data-stringify-type=\"bold\"\u003eArs-imago Film Retriever\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ecomes in handy when processing your own film, enabling you to pull out an exposed film (in darkness) without having to crack open the canister.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" class=\"c-mrkdwn__br\" data-stringify-type=\"paragraph-break\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eNote\u003c\/span\u003e: \u003c\/span\u003eRetrieving the film with this tool doesn’t always work on the first attempt! Please follow the included instructions and allow yourself some time to practice until you get it right. \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/303310280?color=fe6600\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" width=\"640\" height=\"360\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e  \u003cbr\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\" data-stringify-type=\"unordered-list\" class=\"p-rich_text_list p-rich_text_list__bullet\" data-indent=\"0\"\u003e\u003c\/ul\u003e","brand":"Ars-Imago","offers":[{"title":"Retriever","offer_id":28884994719778,"sku":"ARSRETR","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Ars-Imago-Retriever_Packaged_d7ba06f2-9bee-4cb0-ba1c-4cfe05f06b03.jpg?v=1737500645"},{"product_id":"cs41-sim-cd41-color-developer-bath-for-color-negative-bleach-bypass-powder-concentrate-c-41-chemistry","title":"Cd41 \"Color Developer\" Bath for Color Negative + Bleach-Bypass, Powder Concentrate (C-41 Chemistry)","description":"\u003cp\u003e\u003cstrong\u003eProcess or Bleach-Bypass ANY color negative film with 2 simple chemistry mixtures. \u003c\/strong\u003e\u003cem\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/collections\/laboratory-supplies\/products\/f96-bw-bleach-bypass-rapid-fixer\"\u003eF96 B\u0026amp;W + Bleach-Bypass Rapid Fixer\u003c\/a\u003e, Not Included.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eReusable solution develops 24+ rolls color film and can be reused alongside the Bf41 Blix bath following the \u003ca href=\"https:\/\/cinestillfilm.com\/collections\/product-catalog\/products\/cs41-simplified-color-processing-at-home-quart-kit-c-41-chemistry\"\u003eCs41\u003c\/a\u003e instructions, or \u003ca href=\"https:\/\/cinestillfilm.com\/collections\/laboratory-supplies\/products\/f96-bw-bleach-bypass-rapid-fixer\"\u003e\u003cspan\u003eF96 Rapid Fixer\u003c\/span\u003e\u003c\/a\u003e for\u003cspan\u003e Bleach-Bypass color process\u003c\/span\u003e. Bleach-bypassed color film requires Rapid Fixer (ammonium thio) to fully clear the color dyes.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe \"Bleach-bypass\" color process\u003c\/span\u003e, also known as skip bleach or silver retention, is a process of skipping the step of bleaching during processing of color films. By doing this, silver is retained in the emulsion along with color dyes. The result is a black and white image over a color image. The images usually have reduced saturation along with increased contrast and graininess. \u003cspan\u003eAnd if you ever want to remove the effect you can simply process it in the Bf41 bath included in our \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/collections\/product-catalog\/products\/cs41-simplified-color-processing-at-home-quart-kit-c-41-chemistry\"\u003eCs41 2-Bath Kits\u003c\/a\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMotion Picture \"Bleach-bypass\" was first used in cinematography by Japanese filmmaker Hiroshi Inagaki in film Rickshaw Man (1957). Kazuo Miyagawa, as Daiei Film's cameraman, invented bleach-bypass for Inagaki's film, inspired by the color rendition in the original release of Moby-Dick (1956), printed using dye-transfer Technicolor, and was achieved through the use of an additional black and white overlay. Actually, this is a throwback to pre-1944 Technicolor, which incorporated a silver-containing \"blank receiver\". Despite this early foray into the technique, it remained overlooked for the most part until its use by Roger Deakins for 1984 (1984). The effect has subsequently become a regular development tool in labwork, and has remained in widespread use. Practitioners include cinematographers Rodrigo Prieto, Remi Adefarasin, Darius Khondji, Dariusz Wolski, Walter Carvalho, Oliver Stapleton, Newton Thomas Sigel, Park Gok-ji, Shane Hurlbut, Steven Soderbergh (as \"Peter Andrews\"), Tom Stern, Vittorio Storaro, and Janusz Kamiński (notably on Steven Spielberg's Saving Private Ryan and Minority Report.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIf you already process your own black and white film, there is no reason not to process C-41 color negative film at home as well! It is specially formulated without compromise for modern color films, not requiring a stabilizer bath. Modern emulsions were designed so that one-hour photo labs wouldn't need haz-mat training for formaldehyde, and have built-in dye stabilizers and hardeners that are released through the simplified 2-bath process. You can have beautifully developed, bleached and fixed color negatives, ready to scan or print. All you need is water, a thermometer and any simple tank and reel system! \u003c\/span\u003e \u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cem\u003eThis chemistry is classified as \"Limited Quantity Hazardous\" (ORM-D) and can only be shipped via Ground within the Continental United States due to DOT regulations. \u003c\/em\u003e\u003cem\u003e\"Limited Quantity Hazardous\" (ORM-D) items cannot be shipped to PO boxes.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CS41powder_Instructions_Complete.pdf?14374404616962145803\" title=\"Cs41 Complete Instructions\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eDownload Cs41 Powder Kit Complete PDF Instructions\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener\" title=\"CineStill Cd41 Color Developer Powder SDS\" href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CineStill_Cd41_Color_Developer_Powder_SDS.pdf?v=1742229054\" target=\"_blank\"\u003e\u003cstrong\u003eDownload Cd41 Color Developer Powder Safety Data Sheet\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/pages\/photo-waste-management\" title=\"Photochemical Waste Management\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e\u003cstrong\u003ePhotochemical Waste Management\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"CineStill","offers":[{"title":"1000ml\/Quart (24 rolls)","offer_id":32222519132234,"sku":"Cd41-P-1000ml","price":12.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Cd41-Powder-bag_6969fe8a-742b-4540-ac89-595e1474eb2a.jpg?v=1735878985"},{"product_id":"cs41-simplified-color-2-bath-kit-for-bleach-bypass-color-negative-film-at-home-powder-concentrate-c-41-chemistry","title":"Cs41 \"Bleach-Bypass\" 2-Bath Bundle for Color Negative Film at Home, Powder Concentrate(C-41 Chemistry)","description":"\u003cp\u003e\u003cstrong\u003eBleach-Bypass color negative film with these 2 simple chemistry mixtures!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe \"Bleach-bypass\" color process, also known as skip bleach or silver retention, is a process of skipping the step of bleaching during processing of color films. By doing this, silver is retained in the emulsion along with color dyes. The result is a black and white image over a color image. The images usually have reduced saturation along with increased contrast and graininess. And if you ever want to remove the effect you can simply process it in the Bf41 bath included in our \u003ca href=\"https:\/\/cinestillfilm.com\/collections\/product-catalog\/products\/cs41-simplified-color-processing-at-home-quart-kit-c-41-chemistry\"\u003eCs41 2-Bath Kits\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003eMotion Picture \"Bleach-bypass\" was first used in cinematography by Japanese filmmaker Hiroshi Inagaki in film Rickshaw Man (1957). Kazuo Miyagawa, as Daiei Film's cameraman, invented bleach-bypass for Inagaki's film, inspired by the color rendition in the original release of Moby-Dick (1956), printed using dye-transfer Technicolor, and was achieved through the use of an additional black and white overlay. Actually, this is a throwback to pre-1944 Technicolor, which incorporated a silver-containing \"blank receiver\". Despite this early foray into the technique, it remained overlooked for the most part until its use by Roger Deakins for 1984 (1984). The effect has subsequently become a regular development tool in labwork, and has remained in widespread use. Practitioners include cinematographers Rodrigo Prieto, Remi Adefarasin, Darius Khondji, Dariusz Wolski, Walter Carvalho, Oliver Stapleton, Newton Thomas Sigel, Park Gok-ji, Shane Hurlbut, Steven Soderbergh (as \"Peter Andrews\"), Tom Stern, Vittorio Storaro, and Janusz Kamiński (notably on Steven Spielberg's Saving Private Ryan and Minority Report.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThese two-bath bleach-bypass kits can be used at a variety of temperatures with the same equipment you already process your black and white film with at home. No darkroom or automated processor required! \u003c\/span\u003eReusable solutions develop 24+ rolls color film and can be reused following the Cs41 instructions.\u003c\/p\u003e\n\u003cp\u003eFeatures: \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFor Bleach-Bypass processing any color negative (C-41) film\u003c\/li\u003e\n\u003cli\u003ePowder ships without Limited Quantity Hazardous (ORM-D) regulations \u003c\/li\u003e\n\u003cli\u003eEasy to mix concentrates make 1 liter\/quart of working solution \u003c\/li\u003e\n\u003cli\u003e2 bath process (just like most black and white processing)\u003c\/li\u003e\n\u003cli\u003eNo special processor needed (use standard processing tanks and reels)\u003c\/li\u003e\n\u003cli\u003eFlexible processing temperatures\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003eAll you need to do is replace the the Bleach\u0026amp;Fix chemical with F96 when following the \u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CS41powder_Instructions_Complete.pdf?14374404616962145803\"\u003eCs41 instructions\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eInstructions for processing and Push\/Pull processing included \u003c\/li\u003e\n\u003cli\u003eReusable for up to 24 rolls of film\u003c\/li\u003e\n\u003cli\u003eLong lasting shelf life\u003c\/li\u003e\n\u003cli\u003eFully archival\u003c\/li\u003e\n\u003cli\u003eAffordable!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/0csb207-R1-E001_17_480x480.jpg?v=1622679303\" alt=\"\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em; display: block; margin-left: auto; margin-right: auto;\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003eIf you already process your own black and white film, there is no reason not to process C-41 color negative film at home as well! It is specially formulated without compromise for modern color films, not requiring a stabilizer bath. Modern emulsions were designed so that one-hour photo labs wouldn't need haz-mat training for formaldehyde, and have built-in dye stabilizers and hardeners that are released through the simplified 2-bath process. You can have beautifully developed, bleached and fixed color negatives, ready to scan or print. All you need is water, a thermometer and any simple tank and reel system! \u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003eThis chemistry is classified as \"Limited Quantity Hazardous\" (ORM-D) and can only be shipped via Ground within the Continental United States due to DOT regulations. \u003c\/em\u003e\u003cem\u003e\"Limited Quantity Hazardous\" (ORM-D) items cannot be shipped to PO boxes.\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca title=\"Cs41 Complete Instructions\" href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CS41powder_Instructions_Complete.pdf?14374404616962145803\" target=\"_blank\"\u003eDownload Cs41 Powder Kit Complete PDF Instructions\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/10213P_CINESTILL_F96_RTU_RAPID_FIXER_POWDER_2.20.19.pdf?343\" target=\"_blank\"\u003eDownload F96 Rapid Fixer Safety Data Sheet\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca title=\"Photochemical Waste Management\" href=\"https:\/\/cinestillfilm.com\/pages\/photo-waste-management\" target=\"_blank\"\u003e\u003cstrong\u003ePhotochemical Waste Management\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cstyle\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c\/style\u003e","brand":"CineStill","offers":[{"title":"1000ml\/Quart (24 rolls)","offer_id":32222598168650,"sku":"Bb41-P-1000ml","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Cs41-Powder_Bleach-Bypass_312eadce-7fb9-46b9-b815-837e687e6c6f.jpg?v=1735883099"},{"product_id":"labbox-daylight-pro-lid","title":"Pro Lid","description":"\u003cp\u003e\u003cspan\u003eSince 2004 ars-imago has been on a mission to offer innovative products for analog photography enthusiasts, starting with the \u003ca href=\"https:\/\/cinestillfilm.com\/products\/labbox-daylight-developing-tank?variant=28877542653986\"\u003e\u003cstrong\u003eLAB-BOX Daylight Developing Tank\u003c\/strong\u003e\u003c\/a\u003e. This\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e multi-format tank allows users to develop film in full daylight, without the need for a darkroom or changing bag, and is a great introduction to home processing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eLAB-BOX\u003c\/strong\u003e \u003cstrong\u003eProfessional Lid\u003c\/strong\u003e is an optional accessory that can be used with any LAB-BOX developing tank. It includes a built-in timer and thermometer, making it a professional alternative to the standard lid.\u003c\/p\u003e\n\u003cp\u003eThe Pro Lid is especially useful for processes like color negative (C-41) and color reversal (E-6), which need a special attention to temperature. The lid has a stainless steel probe which can measure the liquid temperature inside the tank during the process to help you control and manage development.\u003c\/p\u003e\n\u003cp\u003eThe Professional Lid also has an integrated timer that can be set in 15 second increments. Users can also save 3 different times which can immediately be set through the T1, T2, T3 buttons.\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"http:\/\/www.lab-box.it\/\" target=\"_blank\"\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003cem\u003e\u003cstrong\u003e\u003ca href=\"http:\/\/www.lab-box.it\/\" target=\"_blank\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"Ars-Imago","offers":[{"title":"Black","offer_id":39567340994732,"sku":"LB4030","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Prolidtop_1_a10ce35c-ad72-42b2-9bf2-67be15950f5a.png?v=1737500602"},{"product_id":"cs2-cine-simplified-ecn-2-bath-kit-low-contrast-motion-picture-color-negatives-for-ecp-scanning","title":"Cs2 “Cine Simplified” ECN 2-Bath Kit, for Low-Contrast Motion Picture Color Negatives For ECP \u0026 Scanning","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eAfter years of research \u0026amp; development, CineStill has now formulated the only safe and consistent way to process stills with the same characteristics Hollywood expects, from the comfort of your home with the Cs2 “Cine Simplified” ECN 2-Bath Kit. \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFor those who wish to dabble in the motion picture workflow we have formulated some original at-home solutions, which are accurate to Eastman Kodak sensitometric standards. This 2-bath process simplifies the original 10+ step ECN-2 process, with uncompromised quality and accurate characteristic curves, while making it safe and foolproof for at-home use. Any motion or still photography film can be processed in this simplified 2-bath powder kit, resulting in a low-contrast color negative that is suitable for the motion picture workflow and scanning.  \u003cbr\u003e\u003cbr\u003eOur Cn2 “COLOR NEGATIVE” developer is combined with the prebath accelerant (which kicks off development) to produce proper ECN-2 density. The bleach and fixer baths are combined with the stop and wash baths in our single Bf2 “BLEACH\u0026amp;FIX+STOP” bath, to reduce risks to health \u0026amp; safety and processing defects caused from hazardous chemical carryover. After a final washing of your film you will have CineStill negatives matching Kodak’s characteristic curves for proper motion picture processing.\u003cbr\u003e\u003cbr\u003eIt may be a less complicated process than ECN-2, but Cs2 is actually more advanced chemistry, utilizing chemical compounds and technology which didn’t exist when ECN-2 was originally designed. ECN-2 was formulated around the mid-1970s, with the available technology of the day. Even though our Cs2 kit is simplified and safer, we didn’t skip or compromise any of the designed functions of the ECN-2 process. Whether it be with the color developing agents or the combined baths, we don’t settle for incomplete formulas that omit essential active components (e.g. Antifoggant to prevent base-fog buildup, Anti-Calcium to prevent precipitate and contamination, Ammonium Thiosulfate to fully clear silver and dyes, Development Stop to prevent color staining, etc). Proper ECN-2 negatives. No compromises. No BS. We’ve got you covered.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e* Not intend for RA-4 chromogenic printing.\u003cbr\u003e\u003c\/i\u003e\u003ci\u003e* If rem-jet is present, it can be manually removed under running water, after development.\u003c\/i\u003e\u003c\/p\u003e\n\u003ch3\u003e+ Cs2 Pros\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003c\/span\u003eGreat for extremely high contrast scenes or to achieve the low-contrast cinematic look of motion picture negatives\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003c\/span\u003eOptimized for motion picture logarithmic scanning and ECP film printing\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003c\/span\u003eAdvanced active chemical agents formulated for motion picture processing\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003c\/span\u003eSimplified and safer 2-bath solution\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003c\/span\u003eReduced risk to health \u0026amp; safety and processing defects caused from chemical carryover\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003c\/span\u003eNone of the caustic compounds or poisonous byproducts associated with ECN-2 processing (such as lye, sulfuric acid, hydrogen sulfide and sulfur dioxide fumes, or highly toxic cyanide gas)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003c\/span\u003eNo special processor or additional components needed\u003c\/li\u003e\n\u003cli\u003eUse standard processing tanks and reels\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003c\/span\u003eExcellent for bleach bypass processing with F96 rapid fixer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e- Cs2 Cons\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003c\/span\u003eNot compatible with still photography RA-4 chromogenic paper\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003c\/span\u003eMore difficult to maintain higher developing temperature than Cs41\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003c\/span\u003eLess film capacity than the \u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs41-simplified-color-processing-at-home-quart-kit-c-41-chemistry\"\u003eCs41 process\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003c\/span\u003eRecommended +1 stop of overexposure\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003c\/span\u003eThinner low-contrast negatives can be more difficult to scan\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e\n\u003ch2\u003eCs2 vs Cs41 Film Processing\u003c\/h2\u003e\n\u003cp\u003eECN-2 and C-41 processes were originally formulated back in the mid-1970s to produce negatives for different purposes. Large scale ECN-2 processing was designed to produce consistent, thin negatives for quick printing on high contrast ECP-2 film with short exposure duration, to save time and money. Denser C-41 negatives could take up to 8x as long to print or scan, and time is money when printing 24 frames per second. ECN-2 negatives have an optical density range of around 1.6, while C-41 film is about 2.2, inherent of the process rather than the emulsion itself. This equals up to a 30%+ increase in tonal and contrast range. The target contrast gamma of the Cs41 process is between .6 to .65, but Cs2 processed film is only .45 to .55. Even if you adjust the processing time to get a denser ECN-2 negative there will still not be enough of an increase in contrast or color separation to match the curves of a C-41 negative, since it also lifts the base density of the film. Films processed in Cs2 exhibit much lower color contrast, with muddy whites and blacks when printed on RA-4 color paper. Conversely, any film processed in Cs41 would have too much contrast and density range to be compatible with motion picture printing. When it comes to making a photograph, cross-printing is more of an issue than cross-processing.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Sensitometric_Curves_Small_e6f46c28-1473-4348-9cd4-bde75bc1c745_2048x2048.jpg?v=1607588302\"\u003e\u003cbr\u003e\u003cem\u003eAbove: 21-step Sensitometric Characteristic Curves.\u003cbr\u003eTop left: 800T with Cs41, Top right: 800T with Cs2\u003c\/em\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003eBottom left: 800T with Cs41 vs Cs2 neutral density curves,\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBottom right: Kodak’s target curves for 5219 match 800T with Cs2.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThe difference between Cs41 and Cn2 processed films is the contrast curves produced in development, not the color quality or the halides. The color developing step controls the contrast curves but leaves the dynamic range of the negative unaffected because the density range is increased with the contrast. The limit to dynamic range would only be in the cross-printing but not when scanning. Color developer pH and temperature shifts color from colder to warmer, because as it increases (from 102-106ºF) so does the depth and activity of the developer on the lower green and red-sensitive layers. The Cs2 process is warmer than the Cs41 process, and it also yields a warmer color temperature. Color temperature and density can easily be corrected in printing but contrast cannot.\u003cbr\u003e\u003cbr\u003eYou can always scan any type of film, processed by any method you prefer. C-41 films may be processed in Cs2 chemistry to achieve desired results and vice versa. You can’t however go back and make an ECN-2 negative into a C-41 negative for printing. Both can be scanned with a density range suited for the respective process, but ECN-2 negatives require added contrast and care. Cs2 processed film will exhibit a more flat, linear curve, whereas Cs41 will render a higher contrast S-curve with more color separation. The characteristic curves produced by each process are designed to match the target densities for printing. The Cs2 process is great for extremely high-contrast scenes or to achieve that “flat cinematic look”. A lower density range (below 2) logarithmic scan of a Cs2 processed negative and further color grading is recommended to create a pleasing still photograph. \u003cbr\u003e\u003cbr\u003eThe Cs2 process can perfectly match the published sensitometric curves for a motion picture negative, designed to be accurately printed as a positive on ECP-2 film or log scanned as a digital intermediate for color grading. Developing CineStill color films in Cs41 chemistry as intended yields contrast curves, color separation and density range that compliments chromogenic printing and scanning for still imaging, making it easier to make beautiful photographs.\u003c\/p\u003e\n\u003ch2\u003eCs2 is Safer than the ECN-2 Motion Picture Process\u003c\/h2\u003e\n\u003cp\u003eThe Eastman Color Negative motion picture process involves a specific mechanical and chemical process for motion picture labs to produce long lengths of motion picture negatives, which print consistently on ECP-2 print film for projection. Motion picture processing machines use caustic chemicals that you don’t want in your home, such as sodium hydroxide (lye) and sulfuric acid (battery acid), which can cause chemical burns from handling. In addition to PPE, industrial exhaust vents are needed to carry away dangerous vapors and provide for the safety of the lab operator. Emulsion acts like a sponge and carries color developer into the acidic color stop bath, generating poisonous hydrogen sulfide and sulfur dioxide fumes. Heat and any acid added to the ferricyanide bleach can liberate highly toxic cyanide gas, along with the forming of Prussian Blue deposits on film, reels and tanks. Simply bypassing the hazardous color stop bath and going into the ECN-2 bleach will oxidize the color developer remaining in the emulsion, and cause severe staining to the film. Safer B\u0026amp;W stop baths (e.g., citric or acetic acid) introduce byproducts that cause leuco-cyan dye problems in the red-sensitive emulsion layer (i.e., green images) and interfere with the bleaching step. Additionally, bleach carryover into the separate fixer causes the film to be mottled with smears of color. This is why the ECN-2 process also specifies Solution Crossover Devices with multi-stage countercurrent washes between steps. If you are going to follow the ECN-2 Specifications for Processing KODAK Motion Picture Films you must use all of the proper equipment as well. None of these byproducts occur in the CineStill Cs2 Process.\u003cbr\u003e\u003cbr\u003eWith the Eastman Color Negative process a Prebath step softens the rem-jet backing for removal and accelerates development. The removal must be done so that none of the backing material sticks to the emulsion surface, through the combined action of water jets and buffers contacting the base side, removing all of the backing and residual residue. The Color Developer agent reduces exposed silver halides in emulsion into metallic silver, oxidizing the dye couplers incorporated within each layer of the emulsion to produce color images. The Stop Bath halts development and prevents oxidation of the dye couplers when entering the bleach. The washes prevent chemical carryover between baths. Bleach converts metallic silver, formed during color development, to silver-halide compounds that can be removed by the fixer. Rapid Fixer then converts all silver-halide compounds to soluble silver thiosulfate complex salts that are removed from the film in the fixer and subsequent wash. The wash and Final Rinse removes residual soluble silver thiosulfate and chemicals from the film, and prevents water spots and biological growths.\u003c\/p\u003e\n\u003cp\u003eSee more at, www.kodak.com\/uploadedfiles\/motion\/h2407.pdf\u003c\/p\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\u003cimg height=\"480x480\" width=\"480x480\" style=\"float: none;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Screen_Shot_2020-12-10_at_7.39.29_PM_480x480.png?v=1607658081\"\u003e\u003c\/div\u003e\n\u003cp\u003eIf you already process your own black and white film, with this kit, there is no reason not to process color negative film at home as well! It is specially formulated without compromise for modern color films. All you need is heated water, a thermometer and any simple tank and reel system!\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\u003cspan\u003eThis kit is classified as \"Limited Quantity Hazardous\" and can only be shipped via Ground within the Continental United States due to DOT regulations. \u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan\u003e\"Limited Quantity Hazardous\" \u003c\/span\u003eitems cannot be shipped to PO boxes.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca title=\"Cs2 Complete Instructions\" href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Cs2_powder_instructions.pdf?v=1606784127\"\u003e\u003cstrong\u003eDownload Cs2 ECN 2-Bath Kit PDF Instructions\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener\" title=\"CineStill Cs2 Powder SDS\" href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CineStill_Cs2_Chemistry_SDS.pdf?v=1739906223\" target=\"_blank\"\u003e\u003cstrong\u003eDownload Cs2 ECN 2-Bath Powder Kit Safety Data Sheet\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" title=\"Photochemical Waste Management\" href=\"https:\/\/cinestillfilm.com\/pages\/photo-waste-management\" target=\"_blank\"\u003e\u003cstrong\u003ePhotochemical Waste Management\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"CineStill","offers":[{"title":"Powder Concentrate \/ 1000ml\/Quart (16 rolls)","offer_id":32487168344138,"sku":"Cs2-P-1000ml","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Cs2_NewPackaging_1_7da444ed-825b-49d1-b37d-fcef74ef5e8b.jpg?v=1735878995"},{"product_id":"bwxx-double-x-bwxx-black-and-white-negative-film-iso-250-120-roll","title":"BwXX Black and White Negative Film, 120","description":"\u003ch3\u003eA Brand New Classic — Now available in medium format!\u003c\/h3\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCineStill BwXX 120\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eis a classic, panchromatic B\u0026amp;W negative film for both outdoor and studio use. It has a variable base sensitivity of ISO 250 under daylight (5500K) and ISO 200 under tungsten lighting (3200K), and can be rated up to ISO 1600 with the appropriate processing compensation (push-processing).\u003c\/p\u003e\n\u003cp\u003eIdeal for low light situations, \u003cmeta charset=\"utf-8\"\u003ethis film delivers rich blacks, a broad tonal range, high sharpness, and a fine grain structure. It is an excellent choice for those looking for a classic, cinematic B\u0026amp;W film stock. \u003c\/p\u003e\n\u003cp\u003eSome of the iconic movies filmed on this classic B\u0026amp;W motion picture film emulsion include:\u003c\/p\u003e\n\u003cp\u003eOppenheimer (2023), \u003cmeta charset=\"utf-8\"\u003eMalcolm \u0026amp; Marie (2021), The Lighthouse (2019), \u003cmeta charset=\"utf-8\"\u003eFrantz (2016), \u003cmeta charset=\"utf-8\"\u003eAferim! (2015), \u003cmeta charset=\"utf-8\"\u003eAmerican Horror Story (2011-2017), \u003cmeta charset=\"utf-8\"\u003eI'm Not There (2007), \u003cmeta charset=\"utf-8\"\u003eCasino Royale (2006), \u003cmeta charset=\"utf-8\"\u003eCinderella Man (2005), \u003cmeta charset=\"utf-8\"\u003eKill Bill: Vol. 1 (2003), \u003cmeta charset=\"utf-8\"\u003eMemento (2000), \u003cmeta charset=\"utf-8\"\u003eSchindler's List (1993), \u003cmeta charset=\"utf-8\"\u003eKafka (1991), \u003cmeta charset=\"utf-8\"\u003eStranger Than Paradise (1984), Raging Bull (1980), Manhattan (1979), and many many more.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eRecommended development:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e \u003ca rel=\"noopener noreferrer\" href=\"https:\/\/cinestillfilm.com\/products\/d96-bw-motion-picture-developer\" target=\"_blank\"\u003eCineStill D96 B\u0026amp;W Motion Picture Developer\u003c\/a\u003e or \u003ca rel=\"noopener noreferrer\" href=\"https:\/\/cinestillfilm.com\/products\/df96-developer-fix-b-w-monobath-single-step-solution-for-processing-at-home?variant=7367677247522\" target=\"_blank\"\u003eCineStill Df96 \"Developer\u0026amp;Fix\" B\u0026amp;W Monobath\u003c\/a\u003e, but is compatible with almost all other B\u0026amp;W film developers. For more detail, reference the \u003ca rel=\"noopener noreferrer\" href=\"https:\/\/cinestillfilm.com\/pages\/bwxx-dev-times?_pos=3\u0026amp;_sid=84bfe763d\u0026amp;_ss=r\" target=\"_blank\"\u003eCineStill BwXX Developing Times Chart\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStorage and handling:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eLoad and unload film in subdued light. Store unexposed film in a refrigerator at 13°C (55°F) or lower in the original sealed package. To avoid moisture condensation on film that has been refrigerated, allow the film to warm up to room temperature before opening the package. Process film as soon as possible after exposure. Protect processed film from strong light, and store it in a cool, dry place.\u003c\/p\u003e\n\u003cp\u003eIt is thanks to all the dedicated film shooters out there that we were able to bring such an exciting new film stock to the market. For all the silver halide enthusiasts out there, we hope you'll enjoy shooting this film as much as we do!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/ZYA5QoXNuto\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"CineStill","offers":[{"title":"Roll","offer_id":37512633385132,"sku":"bwxx-120","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/MOD01339-Edit_e2d43ea2-d52e-4481-a07e-9a0b557764bb.jpg?v=1726153058"},{"product_id":"cs2-cine-cn2-color-developer-bath-for-color-negative-bleach-bypass-powder-concentrate-ecn-2-chemistry","title":"Cn2 \"Color Negative\" ECN-2 Developer, Low-Contrast Motion Picture Color Negatives For ECP \u0026 Scanning","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eAfter years of research \u0026amp; development, CineStill has now formulated the only safe and consistent way to process stills with the same characteristics Hollywood expects, from the comfort of your home with the Cs2 “Cine Simplified” ECN 2-Bath Kit. \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFor those who wish to dabble in the motion picture workflow we have formulated some original at-home solutions, which are accurate to Eastman Kodak sensitometric standards. This 2-bath process simplifies the original 10+ step ECN-2 process, with uncompromised quality and accurate characteristic curves, while making it safe and foolproof for at-home use. Any motion or still photography film can be processed in this simplified 2-bath powder kit, resulting in a low-contrast color negative that is suitable for the motion picture workflow and scanning.  \u003cbr\u003e\u003cbr\u003eOur Cn2 “COLOR NEGATIVE” developer is combined with the prebath accelerant (which kicks off development) to produce proper ECN-2 density. The bleach and fixer baths are combined with the stop and wash baths in our single Bf2 “BLEACH\u0026amp;FIX+STOP” bath, to reduce risks to health \u0026amp; safety and processing defects caused from hazardous chemical carryover. After a final washing of your film you will have CineStill negatives matching Kodak’s characteristic curves for proper motion picture processing.\u003cbr\u003e\u003cbr\u003eIt may be a less complicated process than ECN-2, but Cs2 is actually more advanced chemistry, utilizing chemical compounds and technology which didn’t exist when ECN-2 was originally designed. ECN-2 was formulated around the mid-1970s, with the available technology of the day. Even though our Cs2 kit is simplified and safer, we didn’t skip or compromise any of the designed functions of the ECN-2 process. Whether it be with the color developing agents or the combined baths, we don’t settle for incomplete formulas that omit essential active components (e.g. Antifoggant to prevent base-fog buildup, Anti-Calcium to prevent precipitate and contamination, Ammonium Thiosulfate to fully clear silver and dyes, Development Stop to prevent color staining, etc). Proper ECN-2 negatives. No compromises. No BS. We’ve got you covered.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e* Not intend for RA-4 chromogenic printing.\u003cbr\u003e\u003c\/i\u003e\u003ci\u003e* If rem-jet is present, it can be manually removed under running water, after development.\u003c\/i\u003e\u003c\/p\u003e\n\u003ch3\u003e+ Cs2 Pros\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003c\/span\u003eGreat for extremely high contrast scenes or to achieve the low-contrast cinematic look of motion picture negatives\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003c\/span\u003eOptimized for motion picture logarithmic scanning and ECP film printing\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003c\/span\u003eAdvanced active chemical agents formulated for motion picture processing\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003c\/span\u003eSimplified and safer 2-bath solution\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003c\/span\u003eReduced risk to health \u0026amp; safety and processing defects caused from chemical carryover\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003c\/span\u003eNone of the caustic compounds or poisonous byproducts associated with ECN-2 processing (such as lye, sulfuric acid, hydrogen sulfide and sulfur dioxide fumes, or highly toxic cyanide gas)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003c\/span\u003eNo special processor or additional components needed\u003c\/li\u003e\n\u003cli\u003eUse standard processing tanks and reels\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003c\/span\u003eExcellent for bleach bypass processing with F96 rapid fixer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e- Cs2 Cons\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003c\/span\u003eNot compatible with still photography RA-4 chromogenic paper\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003c\/span\u003eMore difficult to maintain higher developing temperature than Cs41\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003c\/span\u003eLess film capacity than the \u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs41-simplified-color-processing-at-home-quart-kit-c-41-chemistry\"\u003eCs41 process\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003c\/span\u003eRecommended +1 stop of overexposure\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003c\/span\u003eThinner low-contrast negatives can be more difficult to scan\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e\n\u003ch2\u003eCs2 vs Cs41 Film Processing\u003c\/h2\u003e\n\u003cp\u003eECN-2 and C-41 processes were originally formulated back in the mid-1970s to produce negatives for different purposes. Large scale ECN-2 processing was designed to produce consistent, thin negatives for quick printing on high contrast ECP-2 film with short exposure duration, to save time and money. Denser C-41 negatives could take up to 8x as long to print or scan, and time is money when printing 24 frames per second. ECN-2 negatives have an optical density range of around 1.6, while C-41 film is about 2.2, inherent of the process rather than the emulsion itself. This equals up to a 30%+ increase in tonal and contrast range. The target contrast gamma of the Cs41 process is between .6 to .65, but Cs2 processed film is only .45 to .55. Even if you adjust the processing time to get a denser ECN-2 negative there will still not be enough of an increase in contrast or color separation to match the curves of a C-41 negative, since it also lifts the base density of the film. Films processed in Cs2 exhibit much lower color contrast, with muddy whites and blacks when printed on RA-4 color paper. Conversely, any film processed in Cs41 would have too much contrast and density range to be compatible with motion picture printing. When it comes to making a photograph, cross-printing is more of an issue than cross-processing.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Sensitometric_Curves_Small_e6f46c28-1473-4348-9cd4-bde75bc1c745_2048x2048.jpg?v=1607588302\"\u003e\u003cbr\u003e\u003cem\u003eAbove: 21-step Sensitometric Characteristic Curves.\u003cbr\u003eTop left: 800T with Cs41, Top right: 800T with Cs2\u003c\/em\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003eBottom left: 800T with Cs41 vs Cs2 neutral density curves,\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBottom right: Kodak’s target curves for 5219 match 800T with Cs2.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThe difference between Cs41 and Cn2 processed films is the contrast curves produced in development, not the color quality or the halides. The color developing step controls the contrast curves but leaves the dynamic range of the negative unaffected because the density range is increased with the contrast. The limit to dynamic range would only be in the cross-printing but not when scanning. Color developer pH and temperature shifts color from colder to warmer, because as it increases (from 102-106ºF) so does the depth and activity of the developer on the lower green and red-sensitive layers. The Cs2 process is warmer than the Cs41 process, and it also yields a warmer color temperature. Color temperature and density can easily be corrected in printing but contrast cannot.\u003cbr\u003e\u003cbr\u003eYou can always scan any type of film, processed by any method you prefer. C-41 films may be processed in Cs2 chemistry to achieve desired results and vice versa. You can’t however go back and make an ECN-2 negative into a C-41 negative for printing. Both can be scanned with a density range suited for the respective process, but ECN-2 negatives require added contrast and care. Cs2 processed film will exhibit a more flat, linear curve, whereas Cs41 will render a higher contrast S-curve with more color separation. The characteristic curves produced by each process are designed to match the target densities for printing. The Cs2 process is great for extremely high-contrast scenes or to achieve that “flat cinematic look”. A lower density range (below 2) logarithmic scan of a Cs2 processed negative and further color grading is recommended to create a pleasing still photograph. \u003cbr\u003e\u003cbr\u003eThe Cs2 process can perfectly match the published sensitometric curves for a motion picture negative, designed to be accurately printed as a positive on ECP-2 film or log scanned as a digital intermediate for color grading. Developing CineStill color films in Cs41 chemistry as intended yields contrast curves, color separation and density range that compliments chromogenic printing and scanning for still imaging, making it easier to make beautiful photographs.\u003c\/p\u003e\n\u003ch2\u003eCs2 is Safer than the ECN-2 Motion Picture Process\u003c\/h2\u003e\n\u003cp\u003eThe Eastman Color Negative motion picture process involves a specific mechanical and chemical process for motion picture labs to produce long lengths of motion picture negatives, which print consistently on ECP-2 print film for projection. Motion picture processing machines use caustic chemicals that you don’t want in your home, such as sodium hydroxide (lye) and sulfuric acid (battery acid), which can cause chemical burns from handling. In addition to PPE, industrial exhaust vents are needed to carry away dangerous vapors and provide for the safety of the lab operator. Emulsion acts like a sponge and carries color developer into the acidic color stop bath, generating poisonous hydrogen sulfide and sulfur dioxide fumes. Heat and any acid added to the ferricyanide bleach can liberate highly toxic cyanide gas, along with the forming of Prussian Blue deposits on film, reels and tanks. Simply bypassing the hazardous color stop bath and going into the ECN-2 bleach will oxidize the color developer remaining in the emulsion, and cause severe staining to the film. Safer B\u0026amp;W stop baths (e.g., citric or acetic acid) introduce byproducts that cause leuco-cyan dye problems in the red-sensitive emulsion layer (i.e., green images) and interfere with the bleaching step. Additionally, bleach carryover into the separate fixer causes the film to be mottled with smears of color. This is why the ECN-2 process also specifies Solution Crossover Devices with multi-stage countercurrent washes between steps. If you are going to follow the ECN-2 Specifications for Processing KODAK Motion Picture Films you must use all of the proper equipment as well. None of these byproducts occur in the CineStill Cs2 Process.\u003cbr\u003e\u003cbr\u003eWith the Eastman Color Negative process a Prebath step softens the rem-jet backing for removal and accelerates development. The removal must be done so that none of the backing material sticks to the emulsion surface, through the combined action of water jets and buffers contacting the base side, removing all of the backing and residual residue. The Color Developer agent reduces exposed silver halides in emulsion into metallic silver, oxidizing the dye couplers incorporated within each layer of the emulsion to produce color images. The Stop Bath halts development and prevents oxidation of the dye couplers when entering the bleach. The washes prevent chemical carryover between baths. Bleach converts metallic silver, formed during color development, to silver-halide compounds that can be removed by the fixer. Rapid Fixer then converts all silver-halide compounds to soluble silver thiosulfate complex salts that are removed from the film in the fixer and subsequent wash. The wash and Final Rinse removes residual soluble silver thiosulfate and chemicals from the film, and prevents water spots and biological growths.\u003c\/p\u003e\n\u003cp\u003eSee more at, www.kodak.com\/uploadedfiles\/motion\/h2407.pdf\u003c\/p\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\u003cimg height=\"480x480\" width=\"480x480\" style=\"float: none;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Screen_Shot_2020-12-10_at_7.39.29_PM_480x480.png?v=1607658081\"\u003e\u003c\/div\u003e\n\u003cp\u003eIf you already process your own black and white film, with this kit, there is no reason not to process color negative film at home as well! It is specially formulated without compromise for modern color films. All you need is heated water, a thermometer and any simple tank and reel system!\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\u003cspan\u003eThis chemistry is classified as \"Limited Quantity Hazardous\" and can only be shipped via Ground within the Continental United States due to DOT regulations. \u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan\u003e\"Limited Quantity Hazardous\" \u003c\/span\u003eitems cannot be shipped to PO boxes.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca title=\"Cs2 Complete Instructions\" href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Cs2_powder_instructions.pdf?v=1606784127\"\u003e\u003cstrong\u003eDownload Cs2 ECN 2-Bath Kit PDF Instructions\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener\" title=\"CineStill Cs2 Powder SDS\" href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CineStill_Cs2_Chemistry_SDS.pdf?v=1739906223\" target=\"_blank\"\u003e\u003cstrong\u003eDownload Cs2 ECN 2-Bath Powder Kit Safety Data Sheet\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" title=\"Photochemical Waste Management\" href=\"https:\/\/cinestillfilm.com\/pages\/photo-waste-management\" target=\"_blank\"\u003e\u003cstrong\u003ePhotochemical Waste Management\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"CineStill","offers":[{"title":"1000ml\/Quart (16 rolls)","offer_id":37590933242028,"sku":"Cn2-P-1000ml","price":12.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Cn2_PowderDeveloper_e14ec4d0-a1e1-47cb-9d5e-635d4483035c.jpg?v=1736791598"}],"url":"https:\/\/kodak.cinestillfilm.com\/collections\/day.oembed","provider":"CineStill Film","version":"1.0","type":"link"}