{"title":"For Scanning at Home - Gift Guide","description":"","products":[{"product_id":"promounter-35mm-slide-mounting-machine-cs-ii-for-24x36-5x5","title":"Pro Mounter 35mm Slide Mounting Machine","description":"\u003cdiv class=\"p-rich_text_section\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eUsing a slide mounter is the best way to quickly and accurately mount your 35mm slides. The \u003cstrong\u003eAP Pro Mounter 35mm Slide Mounting Machine\u003c\/strong\u003e features a \"C\" battery-powered diffused light source and magnifier, which allows you to inspect your backlit images and determine which ones you want mounted.\u003c\/div\u003e\n\u003cdiv class=\"p-rich_text_section\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"p-rich_text_section\" data-mce-fragment=\"1\"\u003eThe film is pulled along the track using the knurled advancing knob. Arrow-shaped indexes and a captive cutter bar ensure accurate, precise cuts in between the frames. A single pinching and pulling motion on the hinged portion of the slide mount snaps the mount shut, ready for projection through your slide projector. \u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e","brand":"AP Photo","offers":[{"title":"35mm Slide Mounter","offer_id":31912764440650,"sku":"AP-Promounter-35","price":99.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/s-l1600_52c406e4-20fb-4207-b6e5-297112754346.jpg?v=1724193331"},{"product_id":"promount-35mm-slide-mounts-cs-100-pack-24x36-5x5","title":"Pro Mount 35mm Archival Slide Mounts, 100 Pack","description":"\u003cdiv class=\"p-rich_text_section\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eDesigned for use with the AP Pro Mounter 35mm Slide Mounting Machine, the \u003cstrong\u003eAP Pro Mount 35mm Slide Mounts \u003c\/strong\u003eare made of durable plastic and can be used for mounting any type of 35mm transparency. They can close by simply pressing around the sides of the mount and re-opened with a conveniently-positioned fingernail groove. Four internal pins ensure correct slide placement. Fastest\/most convenient mounting method is with\u003c\/span\u003e the \u003cmeta charset=\"utf-8\"\u003e\n\u003ca title=\"Promount Slide Mounter\" href=\"https:\/\/cinestillfilm.com\/products\/promounter-35mm-slide-mounting-machine-cs-ii-for-24x36-5x5?variant=31912764440650\" data-mce-href=\"https:\/\/cinestillfilm.com\/products\/promounter-35mm-slide-mounting-machine-cs-ii-for-24x36-5x5?variant=31912764440650\" target=\"_blank\"\u003eAP Pro Mounter Slide Mounting Machine\u003c\/a\u003e. \u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\n\u003c\/div\u003e","brand":"AP Photo","offers":[{"title":"100 Mounts","offer_id":31917403275338,"sku":"AP-Pro-35mount-100","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/810523_00_87b1f0cc-b79c-415a-aa33-97b314a71be2.png?v=1715722861"},{"product_id":"sunray-copybox-iii-panorama-negative-slide-holders-camera-scanning-starter-kit-lightbox-for-slide-negative-film-scans","title":"Sunray Box III Panorama Lightbox Bundle","description":"\u003cp\u003eThe SKIER brand is well-known for high quality camera scanning equipment made in Taiwan. Skier's Sunray line of camera scanning equipment is made with ease-of-use in mind and is the perfect starting point for exceptional quality film scanning at home.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003eCineStill is excited to offer you this incredible starter bundle at an amazing price! This \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003ebundle allows precise, high quality scanning from the comfort of your home \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003eusing\u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003e \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003eSkier's\u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003eSunray Box III Panorama LED Lightbox\u003c\/span\u003e\u003c\/strong\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003e \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003eand\u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003e \u003cstrong\u003eCS700\u003c\/strong\u003e \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003e\u003cstrong\u003eFoldable Copy Stand\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eIncludes:\u003cbr\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eCS700 Foldable Copy Stand\u003c\/li\u003e\n\u003cli\u003eSunray Box III Panorama LED Lightbox \u003c\/li\u003e\n\u003cli\u003e135 film holder for 35mm, XPan film and slide mounts\u003c\/li\u003e\n\u003cli\u003e120 f\u003cspan\u003eilm holder\u003c\/span\u003e for 6x6-6x12cm film and medium format slide mounts\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003e(available ONLY in \"135+120\" or \"135+120+4x5\" product variant)\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e4x5 film holder for large format negatives and transparencies\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003e(available ONLY in \"135+120+4x5\" product variant)\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eMicrofiber anti-static gloves x 2 pairs\u003c\/li\u003e\n\u003cli\u003eDust blower bulb\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\n\u003cbr role=\"presentation\"\u003e\u003cstrong\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003eSunray Box III Panorama LED Lightbox\u003c\/span\u003e\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/AAA520_135_160x160.jpg?v=1682618839\"\u003e\u003cbr role=\"presentation\"\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003eTo begin camera scanning, \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003eit’s \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003eessential to have a great light source. The \u003c\/span\u003e\u003cstrong\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003eSkier \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003eSunray Box III Panorama LED Lightbox\u003c\/span\u003e\u003c\/strong\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003e is the perfect starting point to efficiently scan your film in all its \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003eanalog glory! With a full spectrum, \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003edaylight-strength \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003elight source and multi-format film \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003eholders, all you need is to mount \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003ea \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003edigital camera above \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003ethe \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003eilluminated film \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003eand \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003eyou’re \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003eready to go!\u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003e \u003cbr\u003e\u003c\/span\u003e\u003cbr role=\"presentation\"\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003eThis handcrafted bamboo light box features uniform diffusion with a blindingly\u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003e \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003ebright \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003e(2800\u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003e \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003eLumens) LED light array for faster capture, and\u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003e \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003ea high color rendering \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003eindex \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003e(CRI \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003e96+ \/ TLCI 99) for accurate color. The ability to toggle\u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003e \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003ebetween\u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003e \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003e3 brightness \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003elevels\u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003e \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003eallows you to view and capture your film in any environment.\u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003e \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003eThe \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003ebrilliant\u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003e \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003eillumination allows you to set your\u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003e \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003eaperture\u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003e \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003eto \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003ef\/8 - f\/11 at faster\u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003e \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003eshutter \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003espeeds, which gives you the best resolution with minimum chance of camera shake. \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003eP\u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003erecise and sturdy multi-format film holders, made with 5 axis CNC machines, \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003ewill\u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003e hold mounted slides\u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003e, roll film,\u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003e or \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003esheet \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003efilm flat for scanning. Also compatible with most other film holders on the market. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eCRI (Ra) : 96 \/ TLCI : 99\u003c\/li\u003e\n\u003cli\u003eLumens : 2800 lm\u003c\/li\u003e\n\u003cli\u003eLuminous efficiency : 118 (lm\/w)\u003c\/li\u003e\n\u003cli\u003eColor temperture : 5600K\u003c\/li\u003e\n\u003cli\u003eVoltage :\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eAC 100-240V 50\/60Hz\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003ewith US plug\u003c\/li\u003e\n\u003cli\u003eWattage: \u003cspan\u003e22W\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eDimensions : 9 x 5.7 x 2.5 in\u003c\/li\u003e\n\u003cli\u003eWeight : 1.5 lbs\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cstrong\u003e\u003cspan role=\"presentation\" dir=\"ltr\"\u003eCS700 Foldable Copy Stand\u003cbr\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Skier_CopyStand_160x160.gif?v=1693260731\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CS700_FoldableCopyStand_6_6fdd7a3c-8b35-49be-9dce-8d8d14f01c4f_160x160.jpg?v=1693422265\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cdiv style=\"text-align: left;\"\u003eThe\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eCS700\u003c\/strong\u003e \u003cstrong\u003eFoldable Copy Stand\u003c\/strong\u003e is made to firmly hold your digital camera perfectly flat over your light source for scanning your film. The camera pitch angle knob allows for easy adjustment to ensure perfect flatness. \u003cmeta charset=\"utf-8\"\u003eThe telescopic center column allows users to adjust the height of the camera within a working height range of 12 to 28 inches for the most efficient scans. The quick release plate is able to support camera systems up to 7 lbs. Stabilizing legs fold away for easier storage or transportation in the included carrying case. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003ch3\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/AAA520AK1_1024x1024.jpg?v=1590536225\"\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/SkierNS_013__MG_7664_1024x1024.jpg?v=1589251724\"\u003e\u003cem\u003eNegative Supply film carriers sold separately \u003cbr\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/AAA520BK1_10_2048x2048.gif?v=1601601945\" alt=\"\"\u003e▲ 70x32\u003c\/span\u003emm is suitable for full frame and panorama negative and positive film.\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/AAA520A_11_1024x1024.jpg?v=1588897596\"\u003e▲ Reverse side of film holder is for 135 slide mounts.\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/AAA520CK1_2_2048x2048.gif?v=1601602001\" alt=\"\"\u003e▲ Adjustable 120 mask between 60-120x56mm, for \u003cspan\u003e6x6, 6x7, 6x9, and 6x12\u003c\/span\u003e.\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/AAA520A_12_1024x1024.jpg?v=1588897900\"\u003e▲ Reverse side of holder is for 6x4.5, 6x6, 6x7 slide mounts.\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/AAA520D_2_2048x2048.jpg?v=1601673831\" alt=\"\"\u003e\u003cspan\u003e▲ 4x5 inch holder keeps sheet film suspended flat above the light source.\u003c\/span\u003e \u003c\/div\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/AAA520BK1_8_1024x1024.jpg?v=1601602186\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left;\"\u003e \u003cbr\u003e\n\u003c\/div\u003e\n\u003ch1\u003eRecommended Accessories\u003c\/h1\u003e\n\u003cdiv id=\"block-yui_3_17_2_1_1581176015367_9515\" data-block-type=\"2\"\u003e\n\u003cdiv\u003e\n\u003ch3\u003eCamera \u0026amp; Lens\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCamera Body\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eJust about any semi-modern interchangeable camera will work great for camera scanning. There are many mirrorless or DSLR options to choose from, with the most convenient offering tethered live view capture to your computer. The Canon T2i is probably the cheapest option out there with tethering and large lens selection, and new cameras like the Sony A7 series are now very affordable with great IQ. High end setups may even use the new full frame Panasonic mirrorless cameras with pixel stitching for insane resolution.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMacro Lens\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFor camera scanning, the one real requirement is that your lens focuses close enough to capture the entire frame, without having to digitally crop. For full frame cameras and capturing 35mm film, the term 1:1 designates a lens that will reproduce the 35mm frame exactly onto the full frame digital sensor. With crop bodies, 1:1 focus even closer. There are also options to use extension tubes for older macro lenses. We have had excellent results with an inexpensive Nikon 55mm macro from the film days or using a simple extension tube to get 1:1 on our full frame bodies. Higher end, yet affordable options include the excellent Sigma 70mm ART Macro. Outside of reproduction factor (1:1), also look out for lenses that are sharp, have good color reproduction, limit internal reflections (modern coatings), and have very little vignetting. Finally, it’s generally best to use your lens stopped down 2-3 stops from wide open, as this gives a good combination between depth of field and brightness.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"block-yui_3_17_2_1_1581176015367_69291\" data-block-type=\"2\"\u003e\n\u003cdiv\u003e\n\u003ch3\u003e\n\u003cbr\u003eSoftware for Negative Conversion\u003c\/h3\u003e\n\u003cp\u003eThere are a few plugins and standalone programs for converting negatives into positives. Some older and some newer, all of them try to harness the color science based in darkroom paper to various degrees. Many professional scanners have used LaserSoft applications or some proprietary\/built-in software to emulate darkroom printing. After all, even a professional lab scanner is simply a digital camera and a light source. The applications below do the same thing for converting negatives captured with you digital camera rather than a digital camera built into a scanner. We recommend choosing the one that best suits your workflow. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ctable width=\"100%\" style=\"height: 137.197px; width: 99.9523%;\"\u003e\n\u003ctbody\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003cstrong\u003eSOFTWARE\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003e\u003cstrong\u003eREQUIRES\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003e\u003cstrong\u003eCONTROL\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e\u003cstrong\u003eCOST\u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"width: 30.4352%; height: 19.5996px;\"\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs-negative-convert-tools?_pos=3\u0026amp;_sid=24433e98f\u0026amp;_ss=r\u0026amp;variant=44455499497644\"\u003e\u003cstrong\u003eCS Negative+\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 28.0801%; height: 19.5996px;\"\u003eAdobe CC\/Mobile\u003c\/td\u003e\n\u003ctd style=\"width: 22.8834%; height: 19.5996px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eProsumer\u003c!-- notionvc: 91cc1315-550c-4cf6-ab47-4f4fc3720375 --\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 17.6969%; height: 19.5996px;\"\u003eFREE\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca rel=\"noopener\" href=\"https:\/\/shop.filmomat.eu\/products\/smartconvert-mac\" target=\"_blank\"\u003e\u003cstrong\u003eSmartConvert\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eMac\/PC\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eConsumer\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\n\u003cstrong\u003e\u003ca href=\"https:\/\/developandfix.com\/filmlab-desktop\/\" target=\"_blank\"\u003eFilmLab\u003c\/a\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\n\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eMac\/PC\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eConsumer \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.negativelabpro.com\/\" target=\"_blank\"\u003e\u003cstrong\u003eNegative Lab Pro\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eAdobe Lr Classic\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eProsumer \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.silverfast.com\/highlights\/negafix\/en.html\" target=\"_blank\"\u003e\u003cstrong\u003eLaserSoft NegaFix\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eSilverFast HDR 8\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eProfessional \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.colorperfect.com\/colorperfect.html?lang=en\" target=\"_blank\"\u003e\u003cstrong\u003eColorPerfect\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eAdobe Ps\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eProfessional\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e","brand":"Skier Pro System","offers":[{"title":"135 Holder Only","offer_id":40853819818156,"sku":"skier-combo-135-start","price":379.0,"currency_code":"USD","in_stock":false},{"title":"135+120 Holders Only","offer_id":37560255250604,"sku":"skier-combo-135-120-start","price":419.0,"currency_code":"USD","in_stock":false},{"title":"135+120+4x5 Holders","offer_id":37560259838124,"sku":"skier-combo-120-4x5-start","price":479.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CS700_FoldableCopyStand_2_e7d5a586-d122-4352-8e2c-b00fad59b919.jpg?v=1726092218"},{"product_id":"archival-vue-all-3-ring-binder-1-5-black","title":"Archival 3-Ring Binder 1.5\"","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eStore your precious negatives in the \u003cstrong\u003eVue-All Archival Safe-T-Binder\u003c\/strong\u003e with 1\" O-Rings. The archival quality storage binder is a durable way to store and protect your prints, slides or negatives. The binder is fully enclosed all around, utilizing two flexible hinge snap locks that seal to protect from dust and moisture.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c\/style\u003e","brand":"Vue-All","offers":[{"title":"Black Binder","offer_id":38035540050092,"sku":"vueall-archival-binder-1.5-black","price":15.99,"currency_code":"USD","in_stock":true},{"title":"White Binder","offer_id":41171866550444,"sku":"vueall-archival-binder-1.5-White","price":15.99,"currency_code":"USD","in_stock":true},{"title":"Gray Binder","offer_id":41171914064044,"sku":"vueall-archival-binder-1.5-Gray","price":15.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/GPP520_396881b4-cfe1-418a-88a5-56434283c53b.png?v=1725650275"},{"product_id":"archival-negative-preservers-film-storage-pages-35mm","title":"35mm Archival Negative Preservers","description":"\u003cp\u003e\u003cspan\u003eArchival film storage has been a long time concern \u003cmeta charset=\"utf-8\"\u003efor photographers who want to ensure the permanence of their irreplaceable negatives. \u003cstrong\u003ePrint File Archival Preservers\u003c\/strong\u003e are made from high-clarity, a\u003c\/span\u003erchival quality polyethylene - NO PVC - safe for long-term storage. W\u003cspan\u003eith a 3 mil top sheet and 1.8 mil bottom sheet (\u003c\/span\u003e8 mil top sheet, 4 mil bottom sheet on slide pages) \u003cspan\u003ethe t\u003c\/span\u003e\u003cspan\u003ehin backing coupled with high clarity provides excellent resolution when proofing without the need to remove the negatives from the preserver. No other manufactured preserver has this feature! \u003cmeta charset=\"utf-8\"\u003eAlso, continuous seams eliminate the problem of negatives hanging up in the sleeve itself, making loading and unloading Print File preservers easier and faster.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cstyle\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c\/style\u003e","brand":"Print File","offers":[{"title":"6 Strips 6 Frames (35-6HB25) \/ 25 Pages","offer_id":39467283087532,"sku":"PF356HB25","price":9.95,"currency_code":"USD","in_stock":false},{"title":"6 Strips 6 Frames (35-6HB100) \/ 100 Pages","offer_id":39467329618092,"sku":"PF356HB100","price":35.95,"currency_code":"USD","in_stock":false},{"title":"7 Strips 6 Frames (35-7BXW25) \/ 25 Pages","offer_id":39467195859116,"sku":"PF357BXW25","price":12.99,"currency_code":"USD","in_stock":true},{"title":"7 Strips 5 Frames (35-7B25) \/ 25 Pages","offer_id":39467195793580,"sku":"PF357B25","price":9.95,"currency_code":"USD","in_stock":true},{"title":"7 Strips 5 Frames (35-7B100) \/ 100 Pages","offer_id":39467195826348,"sku":"PF357B100","price":35.95,"currency_code":"USD","in_stock":true},{"title":"Slide Mounts 20 Slides (2×2-20B25) \/ 25 Pages","offer_id":39467196088492,"sku":"PF2X220B25","price":6.99,"currency_code":"USD","in_stock":true},{"title":"Slide Mounts 20 Slides (2×2-20B25) \/ 100 Pages","offer_id":39467196055724,"sku":"PF2X220B100","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/35mm-Printfile_52d8ad48-3ec9-4bf7-a362-1547950f4e0c.jpg?v=1725650285"},{"product_id":"archival-negative-slide-preservers-120","title":"120 Archival Negative Preservers","description":"\u003cp\u003e\u003cspan\u003eArchival film storage has been a long time concern for photographers who want to ensure the permanence of their irreplaceable negatives. \u003cstrong\u003ePrint File Archival Preservers\u003c\/strong\u003e are made from high-clarity, a\u003c\/span\u003erchival quality polyethylene - NO PVC - safe for long-term storage. W\u003cspan\u003eith a 3 mil top sheet and 1.8 mil bottom sheet, \u003c\/span\u003e\u003cspan\u003ethe t\u003c\/span\u003e\u003cspan\u003ehin backing coupled with high clarity provides excellent resolution when proofing without the need to remove the negatives from the preserver. No other manufactured preserver has this feature! Also, continuous seams eliminate the problem of negatives hanging up in the sleeve itself, making loading and unloading Print File preservers easier and faster.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cstyle\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c\/style\u003e","brand":"Print File","offers":[{"title":"4 Strips (120-4B (25) 12 - 6x6 Frames) \/ 25 Pages","offer_id":41145648808108,"sku":"PF1204B25","price":9.95,"currency_code":"USD","in_stock":true},{"title":"4 Strips (120-4B 12 - 6x6 Frames) \/ 100 Pages","offer_id":41145678561452,"sku":"PF1204B100","price":35.95,"currency_code":"USD","in_stock":true},{"title":"3 Strips (120-3HB(25) 12 - 6x6 Frames) \/ 25 Pages","offer_id":39467237507244,"sku":"PF1203HB25","price":9.95,"currency_code":"USD","in_stock":true},{"title":"3 Strips (120-3HB 12 - 6x6 Frames) \/ 100 pages","offer_id":39467237540012,"sku":"PF1203HB100","price":29.99,"currency_code":"USD","in_stock":true},{"title":"4 Strips (120-4UB 12 - 6x7 Frames) \/ 100 Pages","offer_id":41145705660588,"sku":"PF1204UB100","price":35.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/120_Printfile_c0be1655-2367-46c8-a6d2-63287d638611.jpg?v=1726090387"},{"product_id":"valoi360-complete-bundle-for-camera-scanning","title":"360 Complete Bundle","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e“Valoi” is a Finnish word meaning light and creation — a nod to the creativity of analog photography. \u003c\/span\u003e\u003cspan\u003eThe Scandinavian roots of VALOI are visible in the minimalist and functional design. VALOI 360 is a film holder system that provides an affordable way to digitize your rolls of 35mm and 120 medium format film using a digital camera, without compromising on features. \u003c\/span\u003e\u003cspan\u003eThis system will help you scan film quicker and, with the right setup, with higher quality than traditional flatbed scanners.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eVALOI 360 Complete Bundle\u003c\/strong\u003e\u003cspan\u003e includes just about everything you need to get started\u003c\/span\u003e camera scanning 35mm and 120 medium format film with the VALOI 360 system and CineStill CS-LITE \u003cspan style=\"text-decoration: underline;\"\u003eOR\u003c\/span\u003e CS-LITE+ light source \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e(select from \"Light Source\" drop-down menu).\u003c\/span\u003e \u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003ch3\u003e\u003cstrong\u003eIncludes: \u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e1x \u003ca href=\"\/products\/valoi360-advancer?_pos=3\u0026amp;_sid=564b8fc3a\u0026amp;_ss=r\u0026amp;variant=39622833176748\"\u003eAdvancer V2\u003c\/a\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e1x \u003ca href=\"\/products\/valoi360-film-duster\"\u003eDuster\u003c\/a\u003e \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e1x \u003ca href=\"\/products\/valoi360-light-adapter\"\u003eLight Adapter\u003c\/a\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e1x \u003ca href=\"\/products\/cs-litecamera-scanning-light-source-1?variant=42245876646060\"\u003eCS-LITE\u003c\/a\u003e\u003c\/span\u003e \u003cspan style=\"text-decoration: underline;\"\u003eOR\u003c\/span\u003e \u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs-lite-plus-spectracolor-camera-scanning-light-source?_pos=2\u0026amp;_sid=2980ca437\u0026amp;_ss=r\"\u003eCS-LITE+\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e1x \u003ca href=\"\/products\/cs-litebrite-130-light-collimating-sheets?variant=42473150021804\"\u003eCS-LiteBrite+\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e1x \u003ca href=\"\/products\/valoi360-35mm-film-holder\"\u003e35mm film holder\u003c\/a\u003e \u003c\/li\u003e\n\u003cli\u003e1x \u003ca href=\"\/products\/valoi360-120-film-holder\"\u003e120 film holder\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e1x \u003ca href=\"\/products\/valoi360-film-masks?variant=39623068123308\"\u003e6x4.5 120 film mask\u003c\/a\u003e \u003c\/li\u003e\n\u003cli\u003e1x \u003ca href=\"\/products\/valoi360-film-masks?variant=39623068156076\"\u003e6x6 120 film mask\u003c\/a\u003e \u003c\/li\u003e\n\u003cli\u003e1x \u003ca href=\"\/products\/valoi360-film-masks?variant=39623068188844\"\u003e6x7 120 film mask\u003c\/a\u003e \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e\u003ca href=\"\/products\/valoi360-advancer?_pos=3\u0026amp;_sid=564b8fc3a\u0026amp;_ss=r\u0026amp;variant=39622833176748\"\u003e\u003cstrong\u003eAdvancer V2\u003c\/strong\u003e\u003c\/a\u003e\u003c\/h3\u003e\n\u003cdiv class=\"_2bafp animating-screenIn-exit\" data-testid=\"richTextElement\" data-angle=\"0\" data-angle-style-location=\"style\" style=\"text-align: left;\"\u003e\n\u003ca href=\"\/products\/valoi360-advancer?_pos=3\u0026amp;_sid=564b8fc3a\u0026amp;_ss=r\u0026amp;variant=39622833176748\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/VALOI_AdvancerV2_1_160x160.jpg?v=1723665404\" style=\"margin-bottom: 16px; float: left;\"\u003e\u003c\/a\u003eThe VALOI Advancer significantly upgrades your at-home film scanning experience. Paired with the VALOI film holders, it allows you to \u003cmeta charset=\"utf-8\"\u003escan quicker and more precisely with precision film-advancing knobs rather than manually pushing\/pulling the film through the holders. \u003cmeta charset=\"utf-8\"\u003eThe sturdy steel construction features four rubberized and threaded feet for ensuring the film holders are perfectly level. Additionally, the Advancer raises your film off of the light source for more even illumination. \u003cspan\u003eWhile best used with uncut rolls of film, it can also be used with cut strips as short as 3 frames. \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" class=\"_2bafp animating-screenIn-exit\" data-testid=\"richTextElement\" data-angle=\"0\" data-angle-style-location=\"style\"\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_2bafp animating-screenIn-exit\" data-testid=\"richTextElement\" data-angle=\"0\" data-angle-style-location=\"style\" style=\"text-align: left;\"\u003e\n\u003ch3 class=\"font_8\"\u003e\u003cstrong\u003e\u003ca href=\"\/products\/valoi360-film-duster\"\u003eDuster\u003c\/a\u003e \u003c\/strong\u003e\u003c\/h3\u003e\n\u003cbr\u003e\n\u003cp class=\"font_8\"\u003e\u003ca href=\"\/products\/valoi360-film-duster\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/VALOI-new-duster_3_1_e2068a60-ced8-4d70-b446-bb29981d6ab6_160x160.jpg?v=1723576135\" style=\"float: left;\"\u003e\u003c\/a\u003eWe all know dust can be a big problem in film scanning. And wiping away dust can generate static, which just attracts more dust! That's why the VALOI 360 Film Duster was to made to screw right onto the back of the VALOI Advancer with two included thumbscrews. Its anti-static brushes will capture most of the dust without generating static electricity and give you a significantly cleaner scan.\u003cspan class=\"wixGuard\"\u003e \u003c\/span\u003eThis is the perfect anti-dust solution for anyone with the Advancer.\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e \u003c\/p\u003e\n\u003ch3 class=\"font_8\"\u003e\u003cstrong\u003e\u003ca href=\"\/products\/valoi360-light-adapter\"\u003eLight Adapter\u003c\/a\u003e \u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"font_8\"\u003e\u003ca href=\"\/products\/valoi360-light-adapter\"\u003e\u003cimg style=\"float: left;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CS-Lite_Holder_2_1_160x160.jpg?v=1683314672\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003eThe CineStill CS-LITE slides into the VALOI 360 Light Adapter and is secured with a set screw from the side. The Advancer can then be screwed into the top of the Light Adapter. Four adjustable rubber feet provide a firm grip onto the scanning surface and can be used to level the apparatus for perfectly sharp scans.\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" class=\"_2bafp animating-screenIn-exit\" data-testid=\"richTextElement\" data-angle=\"0\" data-angle-style-location=\"style\"\u003e\n\u003ch3 class=\"font_8\"\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/h3\u003e\n\u003ch3 class=\"font_8\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003ca href=\"\/products\/cs-litecamera-scanning-light-source-1?variant=42245876646060\"\u003eCineStill CS-LITE\u003c\/a\u003e \u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"font_8\"\u003e\u003ca href=\"\/products\/cs-litecamera-scanning-light-source-1?variant=42245876646060\"\u003e\u003cimg style=\"float: left;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CS-Lite_5_controller_160x160.jpg?v=1683314763\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003eThe CS-LITE light is a compact light source specifically designed for scanning 35mm and 120 film with a digital camera. It features a CRI of 95+ for high color accuracy and a brightness of EV 15+ to provide sufficient illumination for even the densest of negatives. The color temperature can be adjusted to properly suit different types of film, such as color negative, color positive, and black and white using the built-in remote control. \u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e \u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e \u003c\/p\u003e\n\u003ch3 class=\"font_8\"\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs-lite-plus-spectracolor-camera-scanning-light-source?_pos=2\u0026amp;_sid=2980ca437\u0026amp;_ss=r\"\u003e\u003cstrong\u003eCineStill CS-LITE+ \u003c\/strong\u003e\u003c\/a\u003e\u003c\/h3\u003e\n\u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs-lite-plus-spectracolor-camera-scanning-light-source?_pos=2\u0026amp;_sid=2980ca437\u0026amp;_ss=r\"\u003e\u003cimg style=\"margin-bottom: 16px; float: left;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CS-LITE__12_160x160.jpg?v=1763667351\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003cp class=\"font_8\"\u003eThe CS-LITE+ incorporates our proprietary SpectraCOLOR™ technology, specifically calibrated to covert the color layers of film into the three color channels of a digital raw file, without color contamination or cross-talk, using any standard bayer-pattern (or similar) tri-color sensor. This allows your digital sensor to see negative film the way it was intended to be seen, resulting in the purest, most high-fidelity film to digital conversions achievable.\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" class=\"_2bafp animating-screenIn-exit\" data-testid=\"richTextElement\" data-angle=\"0\" data-angle-style-location=\"style\"\u003e\n\u003ch3 class=\"font_8\"\u003e\u003cstrong\u003e\u003ca href=\"\/products\/cs-litebrite-130-light-collimating-sheets?variant=42473150021804\"\u003eCineStill CS-LiteBrite+\u003c\/a\u003e \u003c\/strong\u003e\u003c\/h3\u003e\n\u003ca href=\"\/products\/cs-litebrite-130-light-collimating-sheets?variant=42473150021804\"\u003e\u003cimg style=\"margin-bottom: 16px; float: left;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CS-LiteBrite__V2_1_160x160.jpg?v=1747758951\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003cp class=\"font_8\"\u003eThe CS-LiteBrite+ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ec\u003c\/span\u003e\u003cspan\u003eontains 2 light enhancement sheets \u003cspan data-token-index=\"0\" class=\"notion-enable-hover\"\u003eand 1 color negative calibration sheet. \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan data-token-index=\"0\" class=\"notion-enable-hover\"\u003eThe light enhancement sheets are\u003c\/span\u003e designed to increase directional light output for camera scanning, which reduces spill light and enhances diffusion uniformity. Use a single CS-LiteBrite+ sheet placed directly on any diffused light source to increase brightness by more than 60%, or use both sheets correctly to get 130% increased light output for diffused light sources. That’s \u003cstrong\u003e2.3X\u003c\/strong\u003e brighter, resulting in sharper and higher quality scans. \u003c\/span\u003e\u003cspan\u003e\u003cspan data-token-index=\"0\" class=\"notion-enable-hover\"\u003eThe color negative calibration sheet increases color accuracy, making converting color negatives a breeze. Slide the color negative calibration sheet underneath the light enhancement sheets for enhanced color accuracy with color negative film. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"_2bafp animating-screenIn-exit\" data-testid=\"richTextElement\" data-angle=\"0\" data-angle-style-location=\"style\" style=\"text-align: left;\"\u003e\u003ca href=\"\/products\/valoi360-35mm-film-holder\"\u003e\u003cstrong\u003e35mm Film Holder\u003c\/strong\u003e\u003c\/a\u003e\u003c\/h3\u003e\n\u003cdiv style=\"text-align: left;\" class=\"_2bafp animating-screenIn-exit\" data-testid=\"richTextElement\" data-angle=\"0\" data-angle-style-location=\"style\"\u003e\n\u003cp class=\"font_8\"\u003e\u003cspan\u003e\u003ca href=\"\/products\/valoi360-35mm-film-holder\"\u003e\u003cimg style=\"margin-bottom: 16px; float: left;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/VALOI-35mm-holder_1_1_c773649b-7640-4c01-a247-7288b4a2604f_160x160.jpg?v=1723578867\"\u003e\u003c\/a\u003eThe VALOI 360 film holders are the foundation of the 360 system. \u003c\/span\u003e\u003cspan\u003eThe double S-curved track keeps the film exceptionally flat for the highest quality scans. The 35mm Film Holder is optimized for full, uncut rolls of standard 35mm film with a \u003c\/span\u003e\u003cspan\u003eframe size of 24x36mm (no sprockets are shown). Cut strips can be used, but flatness may vary. \u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 class=\"_2bafp animating-screenIn-exit\" data-testid=\"richTextElement\" data-angle=\"0\" data-angle-style-location=\"style\" style=\"text-align: left;\"\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/h3\u003e\n\u003ch3 class=\"_2bafp animating-screenIn-exit\" data-testid=\"richTextElement\" data-angle=\"0\" data-angle-style-location=\"style\" style=\"text-align: left;\"\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/h3\u003e\n\u003ch3 class=\"_2bafp animating-screenIn-exit\" data-testid=\"richTextElement\" data-angle=\"0\" data-angle-style-location=\"style\" style=\"text-align: left;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003ca href=\"\/products\/valoi360-120-film-holder\"\u003e120 Film Holder\u003c\/a\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cdiv style=\"text-align: left;\" class=\"_2bafp animating-screenIn-exit\" data-testid=\"richTextElement\" data-angle=\"0\" data-angle-style-location=\"style\"\u003e\n\u003cp class=\"font_8\"\u003e\u003ca href=\"\/products\/valoi360-120-film-holder\"\u003e\u003cimg style=\"float: left;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/VALOI-120-holder_5_9c4934e5-8a7f-4231-b4b0-90d70248277d_160x160.jpg?v=1731356297\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLike the 35mm Film Holder, the 120 version features a double S-curve that keeps the film flat for high quality scans. It can accomodate frames up to 6x9 in size for single capture scanning. Film Format Masks for 6x4.5, 6x6, and 6x7 are available separately for cutting down on excess spill light. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" class=\"_2bafp animating-screenIn-exit\" data-testid=\"richTextElement\" data-angle=\"0\" data-angle-style-location=\"style\"\u003e\n\u003ch3 class=\"font_8\"\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/h3\u003e\n\u003ch3 class=\"font_8\"\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/h3\u003e\n\u003ch3 class=\"font_8\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003ca href=\"\/products\/valoi360-film-masks?variant=39623068123308\"\u003e120 Film Masks\u003c\/a\u003e \u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"font_8\"\u003e\u003ca href=\"\/products\/valoi360-film-masks?variant=39623068123308\"\u003e\u003cimg style=\"float: none;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/VALOI-mask-6x4.5_160x160.png?v=1682547028\"\u003e\u003c\/a\u003e\u003ca href=\"\/products\/valoi360-film-masks?variant=39623068156076\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/VALOI-mask-6x6_160x160.png?v=1682547055\"\u003e\u003c\/a\u003e\u003ca href=\"\/products\/valoi360-film-masks?variant=39623068188844\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/VALOI-mask-6x7_160x160.png?v=1682547075\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eThe VALOI 360 120 Film Masks reduce glare that can be caused by excess light outside of the image area when scanning 120 film formats smaller than the full 6x9 image area, especially with older macro lenses. Available in 6x4.5, 6x6, and 6x7 sizes, they are not necessary for everyone but can increase the quality of your 120 scans.  \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv id=\"block-yui_3_17_2_1_1581176015367_6739\" data-block-type=\"2\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-block-type=\"2\" id=\"block-yui_3_17_2_1_1581176015367_6739\"\u003e\n\u003cdiv\u003e\n\u003ch1\u003eCamera Scanning Considerations:\u003cbr\u003e\n\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-block-type=\"2\" id=\"block-yui_3_17_2_1_1581176015367_9515\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eCamera Body\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eJust about any semi-modern, interchangeable-lens digital camera will work great for camera scanning. There are many mirrorless or DSLR options to choose from with large lens catalogs, tethered capture capability, and excellent image quality. Some high end cameras can even use pixel stitching to deliver extremely high levels of resolution.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eMacro Lens\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"notion-enable-hover\" data-token-index=\"0\"\u003eFor camera scanning, the one real requirement is that your lens focuses close enough to capture the entire frame. For full frame cameras and capturing 35mm film, the term “1:1” designates a lens that will reproduce the 35mm frame exactly onto the full frame digital sensor. With crop-sensor bodies, 1:1 lenses focus even closer. Outside of reproduction factor (1:1), also look out for lenses that are sharp, have good color reproduction, limit internal reflections (modern coatings), and have very little vignetting. Finally, it’s generally best to use your macro lens stopped down 2-3 stops from wide open, as this gives a good combination of depth of field and sharpness.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-block-type=\"2\" id=\"block-yui_3_17_2_1_1581176015367_69291\"\u003e\n\u003ch3\u003e\n\u003cbr\u003eSoftware for Negative Conversion\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"notion-enable-hover\" data-token-index=\"0\"\u003eThere are a few plugins and standalone programs for converting captured negatives into positive images. Some older and some newer, all of them try to harness the color science based in darkroom paper to various degrees. After all, even a professional lab scanner is essentially a digital camera and a light source. Most of the options presented here allow you to download a demo version to try before you buy and determine which one best suits your workflow.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-block-type=\"2\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ctable style=\"height: 137.197px; width: 99.9523%;\" width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003cstrong\u003eSOFTWARE\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003e\u003cstrong\u003eREQUIRES\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003e\u003cstrong\u003eCONTROL\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e\u003cstrong\u003eCOST\u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"width: 30.4352%; height: 19.5996px;\"\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs-negative-convert-tools?_pos=3\u0026amp;_sid=24433e98f\u0026amp;_ss=r\u0026amp;variant=44455499497644\"\u003e\u003cstrong\u003eCS Negative+\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 28.0801%; height: 19.5996px;\"\u003eAdobe CC\/Mobile\u003c\/td\u003e\n\u003ctd style=\"width: 22.8834%; height: 19.5996px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eProsumer\u003c!-- notionvc: 91cc1315-550c-4cf6-ab47-4f4fc3720375 --\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 17.6969%; height: 19.5996px;\"\u003eFREE\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/shop.filmomat.eu\/products\/smartconvert-mac\" rel=\"noopener\" target=\"_blank\"\u003e\u003cstrong\u003eSmartConvert\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eMac\/PC\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eConsumer\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\n\u003cstrong\u003e\u003ca href=\"https:\/\/developandfix.com\/filmlab-desktop\/\" target=\"_blank\"\u003eFilmLab\u003c\/a\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\n\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eMac\/PC\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eConsumer \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.negativelabpro.com\/\" target=\"_blank\"\u003e\u003cstrong\u003eNegative Lab Pro\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eAdobe Lr Classic\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eProsumer \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.silverfast.com\/highlights\/negafix\/en.html\" target=\"_blank\"\u003e\u003cstrong\u003eLaserSoft NegaFix\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eSilverFast HDR 8\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eProfessional \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.colorperfect.com\/colorperfect.html?lang=en\" target=\"_blank\"\u003e\u003cstrong\u003eColorPerfect\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eAdobe Ps\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eProfessional\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"VALOI","offers":[{"title":"CS-LITE 95CRI Camera Scanning Light","offer_id":40611600695468,"sku":"VALOI-complete-bundle","price":539.99,"currency_code":"USD","in_stock":false},{"title":"CS-LITE+ SpectraCOLOR™ Light Source","offer_id":45017436782764,"sku":"VALOI-complete-plus-bundle","price":569.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Valoi_CompleteBundleNew_1_bc2f681d-e85b-4a72-8f7b-82e80f48db07.jpg?v=1737605676"},{"product_id":"duster-silicone-black","title":"Dust Blower","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNothing spoils the results of your artistic efforts when scanning or printing like dusty film negatives. Blow off dust and particles from the surface of your film with the \u003cstrong\u003eCineStill Dust Blower. \u003c\/strong\u003eMade of flexible black silicone, it is very powerful and easy to use \u003c\/span\u003efor cleaning negatives or other photographic equipment.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e​​​​​\u003cbr data-mce-fragment=\"1\"\u003e\u003cscript\u003eif(function rt(){return!!window.Ember||(!!window.Vue||(!!window.Meteor||(!(!window.React\u0026\u0026!document.querySelector(\"[data-reactroot], [data-reactid]\"))||!!(window.angular||document.querySelector(\".ng-binding, [ng-app], [data-ng-app], [ng-controller], [data-ng-controller], [ng-repeat], [data-ng-repeat]\")||document.querySelector('script[src*=\"angular.js\"], script[src*=\"angular.min.js\"]')))))}()){window.postMessage({singlePageAppCheck:true})}else{window.postMessage({singlePageAppCheck:false})}\u003c\/script\u003e\u003c\/p\u003e\n\u003cstyle\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c\/style\u003e","brand":"CineStill","offers":[{"title":"Blower","offer_id":41177025806508,"sku":"kinghome-blower-black","price":5.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/products\/BlackBlower_f45e06d8-e8c5-47f1-8d14-c5f01e824a14.jpg?v=1683325937"},{"product_id":"cs-litecamera-scanning-light-source-1","title":"CS-LITE Camera Scanning Light Source","description":"\u003cp\u003e\u003cstrong\u003eFILM SCANNING BRIGHTER THAN EVER: Introducing the CineStill CS-LITE!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAn affordable, easy-to-use light source for digital camera scanning.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe \u003c\/span\u003e\u003cb data-stringify-type=\"bold\"\u003eCS-LITE Camera Scanning Light Source\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003eis a compact LED light source specifically \u003c\/span\u003e\u003cspan\u003edesigned to provide film photographers with higher-quality light output and improved color management when\u003c\/span\u003e\u003cspan\u003e scanning their favorite 35mm and medium format films with a digital camera.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe CS-LITE features a CRI of 95+ for high color accuracy and a brightness of EV 15+ to provide sufficient illumination for even the densest of negatives. What sets the CS-LITE apart from other light sources on the market is its ability to adjust color temperatures to properly suit different types of film, such as color negative, color positive, and B\u0026amp;W. These are controlled directly from the built-in remote control of the CS-LITE.\u003cbr\u003e\u003c\/p\u003e\n\u003ctable style=\"width: 100%;\" width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 31.8547%;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eCS-LITE Color Temperature:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 65.1204%;\"\u003e\u003cstrong\u003eCalibrated for:\u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 31.8547%;\"\u003e\u003cstrong\u003e\u003cspan style=\"color: #00aaff;\"\u003eCool Light mode\u003c\/span\u003e\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 65.1204%;\"\u003eColor Negative film\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 31.8547%;\"\u003e\u003cspan style=\"color: #b3b3b3;\"\u003e\u003cstrong\u003eWhite Light mode\u003c\/strong\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 65.1204%;\"\u003eB\u0026amp;W film, Slide film processed in CineStill D9 DynamicChrome 1st Developer 1:1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 31.8547%;\"\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff8000;\"\u003eWarm Light mode\u003c\/span\u003e\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 65.1204%;\"\u003eSlide film processed in standard E6 chemistry or CineStill D6 DaylightChrome 1st Developer\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cbr\u003eThe \u003cstrong\u003eCool Light mode\u003c\/strong\u003e reduces the orange mask that is present in color negative film like CineStill 800T, 400D, and 50D, providing color-balanced scans with better color separation and less noise.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003e\u003cspan data-reactroot=\"\" class=\"notion-enable-hover\" data-token-index=\"1\"\u003eWhite Light mode\u003c\/span\u003e\u003c\/strong\u003e is ideal for scanning B\u0026amp;W, as well as slide film that has been processed with the warm-tone 1:1 dilution of the CineStill D9 DynamicChrome 1st Developer.\u003c\/p\u003e\n\u003cp\u003eLastly, the \u003cstrong\u003e\u003cspan data-reactroot=\"\" class=\"notion-enable-hover\" data-token-index=\"1\"\u003eWarm Light mode\u003c\/span\u003e \u003c\/strong\u003eis perfect for scanning \u003cmeta charset=\"utf-8\"\u003eslide film that has been processed with standard E6 chemistry (or the CineStill D6 DaylightChrome 1st Developer), as the tungsten-balanced light can produce richer tones and enhanced color separation, especially within the red channel.\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003e\u003ca title=\"CS-LITE Color Modes Make Camera Scanning Better\" href=\"\/blogs\/news\/why-the-cs-lite-color-modes-important-for-camera-scanning\"\u003eARTICLE: WHY THE CS-LITE COLOR MODES ARE IMPORTANT FOR CAMERA SCANNING\u003c\/a\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eThe \u003cspan data-token-index=\"0\" class=\"discussion-level-1 discussion-id-9dbc9177-32f1-43b4-b92c-061c6e226aca notion-enable-hover\" data-reactroot=\"\"\u003eCS-LITE also pairs perfectly with the include CS-LiteMask as well as the additional \u003cstrong\u003e\u003ca href=\"\/products\/cs-litebrite-130-light-collimating-sheets?variant=42473150021804\"\u003eCS-LiteBrite+\u003c\/a\u003e\u003c\/strong\u003e (sold separately).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eCS-LiteMask\u003c\/strong\u003e is our universal film carrier mask that pairs with pre-existing film carriers like those made by VALOI, \u003cmeta charset=\"utf-8\"\u003eNegative Supply, Lomography, and more. Masking around the edges of the carrier helps to eliminate excess spill light, reducing unwanted reflections and maintaining uniformity across the entirety of your scans. The VALOI 360 film carriers fit perfectly into the mask, creating a compact, stabilized digitizing platform. \u003cstrong\u003eThe CS-LiteMask comes included with the CS-LITE.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe \u003c\/span\u003e\u003cb data-stringify-type=\"bold\"\u003e\u003ca href=\"\/products\/cs-litebrite-130-light-collimating-sheets?variant=42473150021804\"\u003eCS-LiteBrite+\u003c\/a\u003e \u003c\/b\u003e\u003cspan\u003eis a set of\u003c\/span\u003e\u003cspan\u003e 2 light enhancement sheets designed to increase directional light output for camera scanning through collimation, which reduces spill light and enhances diffusion uniformity, \u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"notion-enable-hover\" data-token-index=\"0\"\u003eand our NEW Color Negative Calibration Sheet which increases color accuracy when scanning color negative film. \u003c\/span\u003eA single CS-LiteBrite+ sheet placed directly on any diffused light source will increase brightness by more than 60%. Stacking both sheets in the correct orientation yields 130% increased light output for diffused light sources. That’s \u003cstrong\u003e2.3X\u003c\/strong\u003e (about one stop) brighter, resulting in sharper and higher quality scans. \u003c\/span\u003e\u003cstrong\u003eThe CS-LiteBrite+ \u003cspan style=\"text-decoration: underline;\"\u003eis not\u003c\/span\u003e included with the CS-LITE.\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003e\u003cbr\u003eIncludes: \u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e1x CS-LITE Light Source\u003cbr\u003e1x \u003cspan\u003eCS-LiteMask\u003c\/span\u003e Universal Carrier Mask\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eExternal Unit Dimensions:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eLength: 6.5 in\u003cbr\u003eWidth: 4.4 in\u003cbr\u003eHeight: 0.8 in\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eIlluminated Area Dimensions:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eLength: 5 7\/8 in\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eWidth: 3 3\/4 in\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CS-LITE_Instruction_2022.pdf?v=1668714849\" title=\"CS-Lite Complete Instructions\"\u003e\u003cstrong\u003eDownload CS-LITE Complete PDF Instructions\u003c\/strong\u003e\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cdiv data-block-type=\"2\" id=\"block-yui_3_17_2_1_1581176015367_6739\"\u003e\n\u003cdiv\u003e\n\u003ch1\u003eCamera Scanning Considerations:\u003cbr\u003e\n\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-block-type=\"2\" id=\"block-yui_3_17_2_1_1581176015367_9515\"\u003e\n\u003ch3\u003e\u003cstrong\u003eCamera Body\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eJust about any semi-modern, interchangeable-lens digital camera will work great for camera scanning. There are many mirrorless or DSLR options to choose from with large lens catalogs, tethered capture capability, and excellent image quality. Some high end cameras can even use pixel stitching to deliver extremely high levels of resolution.\u003c!-- notionvc: 1e5fbed7-e892-49b7-a46e-c8960560b709 --\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eMacro Lens\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-token-index=\"0\" class=\"notion-enable-hover\"\u003eFor camera scanning, the one real requirement is that your lens focuses close enough to capture the entire frame. For full frame cameras and capturing 35mm film, the term “1:1” designates a lens that will reproduce the 35mm frame exactly onto the full frame digital sensor. With crop-sensor bodies, 1:1 lenses focus even closer. Outside of reproduction factor (1:1), also look out for lenses that are sharp, have good color reproduction, limit internal reflections (modern coatings), and have very little vignetting. Finally, it’s generally best to use your macro lens stopped down 2-3 stops from wide open, as this gives a good combination of depth of field and sharpness.\u003c\/span\u003e\u003c!-- notionvc: ce681754-4a7c-422d-80c4-7526f897891e --\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-block-type=\"2\" id=\"block-yui_3_17_2_1_1581176015367_69291\"\u003e\n\u003ch3\u003eSoftware for Negative Conversion\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-token-index=\"0\" class=\"notion-enable-hover\"\u003eThere are a few plugins and standalone programs for converting captured negatives into positive images. Some older and some newer, all of them try to harness the color science based in darkroom paper to various degrees. After all, even a professional lab scanner is essentially a digital camera and a light source. Most of the options presented here allow you to download a demo version to try before you buy and determine which one best suits your workflow.\u003c\/span\u003e\u003c!-- notionvc: 1234f5f7-da69-4ce4-8201-950f1ca120f1 --\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-block-type=\"2\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ctable style=\"height: 137.197px; width: 99.9523%;\" width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003cstrong\u003eSOFTWARE\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003e\u003cstrong\u003eREQUIRES\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003e\u003cstrong\u003eCONTROL\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e\u003cstrong\u003eCOST\u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"width: 30.4352%; height: 19.5996px;\"\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs-negative-convert-tools?_pos=3\u0026amp;_sid=24433e98f\u0026amp;_ss=r\u0026amp;variant=44455499497644\"\u003e\u003cstrong\u003eCS Negative+\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 28.0801%; height: 19.5996px;\"\u003eAdobe CC\/Mobile\u003c\/td\u003e\n\u003ctd style=\"width: 22.8834%; height: 19.5996px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eProsumer\u003c!-- notionvc: 91cc1315-550c-4cf6-ab47-4f4fc3720375 --\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 17.6969%; height: 19.5996px;\"\u003eFREE\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/shop.filmomat.eu\/products\/smartconvert-mac\" rel=\"noopener\" target=\"_blank\"\u003e\u003cstrong\u003eSmartConvert\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eMac\/PC\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eConsumer\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\n\u003cstrong\u003e\u003ca href=\"https:\/\/developandfix.com\/filmlab-desktop\/\" target=\"_blank\"\u003eFilmLab\u003c\/a\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\n\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eMac\/PC\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eConsumer \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.negativelabpro.com\/\" target=\"_blank\"\u003e\u003cstrong\u003eNegative Lab Pro\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eAdobe Lr Classic\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eProsumer \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.silverfast.com\/highlights\/negafix\/en.html\" target=\"_blank\"\u003e\u003cstrong\u003eLaserSoft NegaFix\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eSilverFast HDR 8\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eProfessional \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.colorperfect.com\/colorperfect.html?lang=en\" target=\"_blank\"\u003e\u003cstrong\u003eColorPerfect\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eAdobe Ps\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eProfessional\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"CineStill","offers":[{"title":"95 CRI","offer_id":42245876646060,"sku":"CS-LITE-V1","price":44.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CS-Lite_5_controller_65050ee9-1a15-4dd5-8ff8-d5d868c81384.jpg?v=1737485640"},{"product_id":"valoi360-starter-scanning-bundle","title":"360 Starter Scanning Bundles","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e“Valoi” is a Finnish word meaning light and creation — a nod to the creativity of analog photography. \u003c\/span\u003e\u003cspan\u003eThe Scandinavian roots of VALOI are visible in the minimalist and functional design. VALOI 360 is a film holder system that is an affordable way to digitize your film using a digital camera, without compromising on features. \u003c\/span\u003e\u003cspan\u003eThis system will help you scan film quicker and, with the right setup, with higher quality than traditional flatbed scanners.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eVALOI 360 Starter Scanning Bundles\u003c\/strong\u003e\u003cspan\u003e \u003cspan\u003eare a perfect entry point for at-home digital camera scanning, pairing one of the most affordable film holder systems with one of the best lights for digital camera scanning.\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIncludes:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/cinestillfilm.com\/products\/valoi360-35mm-film-holder\"\u003eVALOI 360 35mm Film Holder\u003c\/a\u003e \u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eOR\u003c\/span\u003e\u003c\/strong\u003e \u003ca href=\"https:\/\/cinestillfilm.com\/products\/valoi360-35mm-film-holder\"\u003eVALOI 360 35mm Film Holder\u003c\/a\u003e + \u003ca href=\"https:\/\/cinestillfilm.com\/products\/valoi360-120-film-holder\"\u003eVALOI 360 120 Film Holder\u003c\/a\u003e (select from \"Format\" drop-down menu)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCineStill \u003ca href=\"\/products\/cs-litecamera-scanning-light-source-1\"\u003eCS-LITE\u003c\/a\u003e \u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eOR\u003c\/strong\u003e\u003c\/span\u003e \u003ca href=\"\/products\/cs-lite-plus-spectracolor-camera-scanning-light-source\" title=\"CS-LITE+ SpectraCOLOR\"\u003eCS-LITE+ SpectraCOLOR™ Light Source\u003c\/a\u003e (select from \"Light Source\" drop-down menu)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/products\/valoi360-35mm-film-holder?variant=39622870794412\" rel=\"noopener\" target=\"_blank\"\u003e\u003cstrong\u003e35mm Film Holder\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/VALOI-35mm-holder_1_1_024be9c6-3d61-4473-9e56-fbdfced3eaa7_160x160.jpg?v=1723666316\"\u003e\u003c\/div\u003e\n\u003cp\u003eThe VALOI 360 film holders are the foundation of the VALOI 360 system. \u003cmeta charset=\"utf-8\"\u003eThe double S-curved track keeps the film exceptionally flat for the highest quality scans. The 35mm Film Holder is optimized for full, uncut rolls of 35mm film with a \u003cmeta charset=\"utf-8\"\u003eframe size of about 24x36mm (no sprockets are shown). Cut strips can be used, but flatness may vary. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener\" href=\"https:\/\/cinestillfilm.com\/products\/valoi360-120-film-holder\" target=\"_blank\"\u003e\u003cstrong\u003e120 Film Holder\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/VALOI-120-holder_5_d298fe06-b879-42c1-be53-9d62dc4cd3a2_160x160.jpg?v=1723666446\"\u003e\u003c\/div\u003e\n\u003cp\u003eLike the 35mm Film Holder, the 120 version features a double S-curve that keeps the film flat for high quality scans. It can accomodate frames up to 6x9 in size for single capture scanning. Film Format Masks for 6x4.5, 6x6, and 6x7 are available separately for cutting down on excess spill light. \u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2 dir=\"ltr\"\u003eCINESTILL \u003ca href=\"\/products\/cs-litecamera-scanning-light-source-1\"\u003eCS-LITE\u003c\/a\u003e OR\u003ca href=\"\/products\/cs-lite-plus-spectracolor-camera-scanning-light-source\"\u003e CS-LITE+ SPECTRACOLOR™\u003c\/a\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/h2\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs-litecamera-scanning-light-source-1\"\u003e\u003cimg style=\"margin-bottom: 16px; float: left;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CS-Lite_5_controller_1_160x160.jpg?v=1732650847\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe \u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs-litecamera-scanning-light-source-1\"\u003e\u003cstrong\u003eCineStill CS-LITE\u003c\/strong\u003e\u003c\/a\u003e \u003cmeta charset=\"utf-8\"\u003eis a compact, affordable, and high-quality camera scanning light source. \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIt features a CRI of 95+ for high color accuracy and a brightness of EV 15+ to provide sufficient illumination for even the densest of negatives. Three selectable color modes are available to best suit different types of film such as color negative, color positive, and B\u0026amp;W negative. \u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 31.8547%;\"\u003e\u003cspan\u003e\u003cstrong\u003eCS-LITE Color Temperature:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 65.1204%;\"\u003e\u003cstrong\u003eCalibrated for:\u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 31.8547%;\"\u003e\u003cstrong\u003e\u003cspan style=\"color: #00aaff;\"\u003eCool Light mode\u003c\/span\u003e\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 65.1204%;\"\u003eColor Negative film\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 31.8547%;\"\u003e\u003cspan\u003e\u003cstrong\u003eWhite Light mode\u003c\/strong\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 65.1204%;\"\u003eBlack and White film, Slide film processed in CineStill D9 DynamicChrome\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 31.8547%;\"\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff8000;\"\u003eWarm Light mode\u003c\/span\u003e\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 65.1204%;\"\u003eSlide film processed in standard E6 chemistry or CineStill D6 DaylightChrome\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eCool Light mode\u003c\/strong\u003e reduces the orange mask that is present in color negative film like CineStill 800T, 400D, and 50D, providing color balanced scans with better color separation and less noise.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003e\u003cspan data-token-index=\"1\" class=\"notion-enable-hover\" data-reactroot=\"\"\u003eWhite Light mode\u003c\/span\u003e\u003c\/strong\u003e is ideal for scanning black and white film, as well as slide film that has been processed with the warm-tone dilution of the CineStill D9 DynamicChrome 1st Developer.\u003c\/p\u003e\n\u003cp\u003eLastly, the \u003cstrong\u003e\u003cspan data-token-index=\"1\" class=\"notion-enable-hover\" data-reactroot=\"\"\u003eWarm Light mode\u003c\/span\u003e \u003c\/strong\u003eis perfect for scanning standard E6 (or CineStill D6 DaylightChrome) processed slide film, as the tungsten-balanced light can produce richer tones and enhanced color separation, especially within the red channel.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003e\u003ca title=\"CS-LITE Color Modes Make Camera Scanning Better\" href=\"\/blogs\/news\/why-the-cs-lite-color-modes-important-for-camera-scanning\"\u003eARTICLE: WHY THE CS-LITE COLOR MODES ARE IMPORTANT FOR CAMERA SCANNING\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs-lite-plus-spectracolor-camera-scanning-light-source\"\u003e\u003cimg style=\"margin-bottom: 16px; float: left;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CS-LITE__03_160x160.jpg?v=1763667351\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"s1\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eOR\u003c\/span\u003e choose to upgrade to the \u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs-lite-plus-spectracolor-camera-scanning-light-source\"\u003e\u003cstrong\u003eCineStill CS-LITE+\u003c\/strong\u003e\u003c\/a\u003e which incorporates our proprietary SpectraCOLOR™ technology, \u003c\/span\u003e\u003cspan class=\"s1\"\u003especifically calibrated to covert the color layers of film into the three color channels of a digital raw file, without color contamination or cross-talk, using any standard bayer-pattern (or similar) tri-color sensor. This allows your digital sensor to see negative film the way it was intended to be seen, resulting in the purest, most high-fidelity film to digital conversions achievable.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/blogs\/news\/meet-the-cs-lite-plus-with-spectracolor\"\u003e\u003cstrong\u003eARTICLE: MEET THE CS-LITE+: THE FIRST LIGHT SOURCE POWERED BY SPECTRACOLOR™\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExternal Unit Dimensions:\u003cbr\u003e\u003c\/strong\u003e\u003cspan\u003eLength: 6.5 in\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eWidth: 4.4 in\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHeight: 0.8 in\u003c\/span\u003e\u003cstrong\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eIlluminated Area Dimensions:\u003cbr\u003e\u003c\/strong\u003e\u003cspan\u003eLength: \u003c\/span\u003e\u003cspan\u003e5 7\/8 in \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eWidth: \u003c\/span\u003e\u003cspan\u003e3 3\/4 in\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ca title=\"CS-Lite Complete Instructions\" href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CS-LITE_Instruction_2022.pdf?v=1668714849\"\u003e\u003cstrong\u003eDownload CS-LITE Complete PDF Instructions\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e \u003ca rel=\"noopener noreferrer\" title=\"Cs41 Complete Instructions\" href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CineStill_CS-LITE_spectra_Instruction_4.25x5.5_WEB-2.pdf?v=1758573140\" target=\"_blank\"\u003eDownload CS-LITE+ SpectraCOLOR™ Light Source PDF Instruction Card\u003c\/a\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv id=\"block-yui_3_17_2_1_1581176015367_6739\" data-block-type=\"2\"\u003e\n\u003cdiv\u003e\n\u003ch1\u003eCamera Scanning Considerations:\u003cbr\u003e\n\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"block-yui_3_17_2_1_1581176015367_9515\" data-block-type=\"2\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eCamera Body\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eJust about any semi-modern, interchangeable-lens digital camera will work great for camera scanning. There are many mirrorless or DSLR options to choose from with large lens catalogs, tethered capture capability, and excellent image quality. Some high end cameras can even use pixel stitching to deliver extremely high levels of resolution.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eMacro Lens\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-token-index=\"0\" class=\"notion-enable-hover\"\u003eFor camera scanning, the one real requirement is that your lens focuses close enough to capture the entire frame. For full frame cameras and capturing 35mm film, the term “1:1” designates a lens that will reproduce the 35mm frame exactly onto the full frame digital sensor. With crop-sensor bodies, 1:1 lenses focus even closer. Outside of reproduction factor (1:1), also look out for lenses that are sharp, have good color reproduction, limit internal reflections (modern coatings), and have very little vignetting. Finally, it’s generally best to use your macro lens stopped down 2-3 stops from wide open, as this gives a good combination of depth of field and sharpness.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"block-yui_3_17_2_1_1581176015367_69291\" data-block-type=\"2\"\u003e\n\u003ch3\u003e\n\u003cbr\u003eSoftware for Negative Conversion\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-token-index=\"0\" class=\"notion-enable-hover\"\u003eThere are a few plugins and standalone programs for converting captured negatives into positive images. Some older and some newer, all of them try to harness the color science based in darkroom paper to various degrees. After all, even a professional lab scanner is essentially a digital camera and a light source. Most of the options presented here allow you to download a demo version to try before you buy and determine which one best suits your workflow.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-block-type=\"2\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ctable width=\"100%\" style=\"height: 137.197px; width: 99.9523%;\"\u003e\n\u003ctbody\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003cstrong\u003eSOFTWARE\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003e\u003cstrong\u003eREQUIRES\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003e\u003cstrong\u003eCONTROL\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e\u003cstrong\u003eCOST\u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"width: 30.4352%; height: 19.5996px;\"\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs-negative-convert-tools?_pos=3\u0026amp;_sid=24433e98f\u0026amp;_ss=r\u0026amp;variant=44455499497644\"\u003e\u003cstrong\u003eCS Negative+\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 28.0801%; height: 19.5996px;\"\u003eAdobe CC\/Mobile\u003c\/td\u003e\n\u003ctd style=\"width: 22.8834%; height: 19.5996px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eProsumer\u003c!-- notionvc: 91cc1315-550c-4cf6-ab47-4f4fc3720375 --\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 17.6969%; height: 19.5996px;\"\u003eFREE\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca rel=\"noopener\" href=\"https:\/\/shop.filmomat.eu\/products\/smartconvert-mac\" target=\"_blank\"\u003e\u003cstrong\u003eSmartConvert\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eMac\/PC\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eConsumer\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\n\u003cstrong\u003e\u003ca href=\"https:\/\/developandfix.com\/filmlab-desktop\/\" target=\"_blank\"\u003eFilmLab\u003c\/a\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\n\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eMac\/PC\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eConsumer \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.negativelabpro.com\/\" target=\"_blank\"\u003e\u003cstrong\u003eNegative Lab Pro\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eAdobe Lr Classic\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eProsumer \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.silverfast.com\/highlights\/negafix\/en.html\" target=\"_blank\"\u003e\u003cstrong\u003eLaserSoft NegaFix\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eSilverFast HDR 8\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eProfessional \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.colorperfect.com\/colorperfect.html?lang=en\" target=\"_blank\"\u003e\u003cstrong\u003eColorPerfect\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eAdobe Ps\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eProfessional\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"VALOI","offers":[{"title":"35mm \/ CS-LITE 95CRI Camera Scanning Light","offer_id":42246159302828,"sku":"CS-Lite-VAL-35","price":84.99,"currency_code":"USD","in_stock":false},{"title":"35mm \/ CS-LITE+ SpectraCOLOR™ Light Source","offer_id":45017390284972,"sku":"CS-Lite-Plus-VAL-35","price":134.99,"currency_code":"USD","in_stock":true},{"title":"35mm + 120 \/ CS-LITE 95CRI Camera Scanning Light","offer_id":42246159335596,"sku":"CS-Lite-VAL-35-120","price":132.99,"currency_code":"USD","in_stock":false},{"title":"35mm + 120 \/ CS-LITE+ SpectraCOLOR™ Light Source","offer_id":45017390317740,"sku":"CS-Lite-Plus-VAL-35-120","price":182.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CS-Lite_31_19b37598-f1f4-4ac4-b5cc-971734d78c38.jpg?v=1737603412"},{"product_id":"cs-litebrite-light-collimating-sheets","title":"CS-LiteBrite+ 2.3x Light Enhancement \u0026 Color Negative Calibration Sheets","description":"\u003cp\u003e\u003cstrong\u003eFILM SCANNING BRIGHTER AND MORE ACCURATE THAN EVER: Introducing the CineStill CS-LiteBrite+ 2.3x Light Enhancement \u0026amp; Color Negative Calibration Sheets\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAn affordable, easy way to upgrade your light source for digital camera scanning.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe \u003c\/span\u003e\u003cb data-stringify-type=\"bold\"\u003eCS-LiteBrite+ \u003c\/b\u003ec\u003cspan\u003eontains 2 light enhancement sheets \u003c\/span\u003eand 1 color negative calibration sheet.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"notion-enable-hover\" data-token-index=\"0\"\u003eThe light enhancement sheets are\u003c!-- notionvc: 68528e19-6ecd-4750-a436-73c0ab44ca72 --\u003e\u003c\/span\u003e\u003c!-- notionvc: f30908b5-6c7d-43f9-bbdb-1fdd94b93501 --\u003e designed to increase directional light output for camera scanning, which reduces spill light and enhances diffusion uniformity. Use a single CS-LiteBrite+ sheet placed directly on any diffused light source to increase brightness by more than 60%, or use both sheets correctly to get 130% increased light output for diffused light sources. That’s \u003cstrong\u003e2.3X\u003c\/strong\u003e brighter, resulting in sharper and higher quality scans. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"notion-enable-hover\" data-token-index=\"0\"\u003eAdditionally, the NEW Color Negative Calibration Sheet increases color accuracy with color negative film, allowing for higher fidelity inversion of negatives, making converting color negatives a breeze. Slide the color negative calibration sheet underneath the light enhancement sheets for enhanced color accuracy with color negative film. \u003c\/span\u003e\u003c!-- notionvc: b99a6d0d-8e3c-44ea-a1b6-d4c574fd0d71 --\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"notion-enable-hover\" data-token-index=\"0\"\u003eThese sheets work with 35mm, 120, and 4x5 film holders. Simply place on the surface of any diffused light source centered under the film holder. \u003c\/span\u003e\u003c\/span\u003eThough these sheets do not need to cover the entire light surface, they can be trimmed (as needed) to fit the dimensions of smaller light sources. A protective film on both sides of each sheet must be removed prior to use. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CS-Lite_Brite__Example_2272800f-db36-41c0-82a1-f789047289fc.jpg?v=1748454771\"\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eSTEPS:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eTrim\u003c\/strong\u003e to fit on light source (as needed)\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CS-LiteBrite_V2_Cut.gif?v=1753737442\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePeel\u003c\/strong\u003e off protective film from both sides of Light Enhancement Sheets\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CS-LiteBrite_V2_Peel.gif?v=1753737456\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAlign\u003c\/strong\u003e all sheets using notches in top right with the optional Color Negative Calibration Sheet on bottom \u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CS-LiteBrite_V2_Place.gif?v=1753737456\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrient\u003c\/strong\u003e sheets flat on surface of light, centered under film holder to enhance directional light\u003c\/p\u003e\n\u003cdiv id=\"block-yui_3_17_2_1_1581176015367_6739\" data-block-type=\"2\"\u003e\n\u003cdiv\u003e\n\u003ch1\u003e\u003cbr\u003e\u003c\/h1\u003e\n\u003ch1\u003eCamera Scanning Considerations:\u003cbr\u003e\n\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"block-yui_3_17_2_1_1581176015367_9515\" data-block-type=\"2\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eCamera Body\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eJust about any semi-modern, interchangeable-lens digital camera will work great for camera scanning. There are many mirrorless or DSLR options to choose from with large lens catalogs, tethered capture capability, and excellent image quality. Some high end cameras can even use pixel stitching to deliver extremely high levels of resolution.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eMacro Lens\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-token-index=\"0\" class=\"notion-enable-hover\"\u003eFor camera scanning, the one real requirement is that your lens focuses close enough to capture the entire frame. For full frame cameras and capturing 35mm film, the term “1:1” designates a lens that will reproduce the 35mm frame exactly onto the full frame digital sensor. With crop-sensor bodies, 1:1 lenses focus even closer. Outside of reproduction factor (1:1), also look out for lenses that are sharp, have good color reproduction, limit internal reflections (modern coatings), and have very little vignetting. Finally, it’s generally best to use your macro lens stopped down 2-3 stops from wide open, as this gives a good combination of depth of field and sharpness.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-block-type=\"2\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv id=\"block-yui_3_17_2_1_1581176015367_69291\" data-block-type=\"2\"\u003e\n\u003ch3\u003eSoftware for Negative Conversion\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-token-index=\"0\" class=\"notion-enable-hover\"\u003eThere are a few plugins and standalone programs for converting captured negatives into positive images. Some older and some newer, all of them try to harness the color science based in darkroom paper to various degrees. After all, even a professional lab scanner is essentially a digital camera and a light source. Most of the options presented here allow you to download a demo version to try before you buy and determine which one best suits your workflow.\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003ctable style=\"height: 137.197px; width: 99.9523%;\" width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003cstrong\u003eSOFTWARE\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003e\u003cstrong\u003eREQUIRES\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003e\u003cstrong\u003eCONTROL\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e\u003cstrong\u003eCOST\u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"width: 30.4352%; height: 19.5996px;\"\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs-negative-convert-tools?_pos=3\u0026amp;_sid=24433e98f\u0026amp;_ss=r\u0026amp;variant=44455499497644\"\u003e\u003cstrong\u003eCS Negative+\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 28.0801%; height: 19.5996px;\"\u003eAdobe CC\/Mobile\u003c\/td\u003e\n\u003ctd style=\"width: 22.8834%; height: 19.5996px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eProsumer\u003c!-- notionvc: 91cc1315-550c-4cf6-ab47-4f4fc3720375 --\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 17.6969%; height: 19.5996px;\"\u003eFREE\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/shop.filmomat.eu\/products\/smartconvert-mac\" rel=\"noopener\" target=\"_blank\"\u003e\u003cstrong\u003eSmartConvert\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eMac\/PC\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eConsumer\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\n\u003cstrong\u003e\u003ca href=\"https:\/\/developandfix.com\/filmlab-desktop\/\" target=\"_blank\"\u003eFilmLab\u003c\/a\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\n\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eMac\/PC\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eConsumer \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.negativelabpro.com\/\" target=\"_blank\"\u003e\u003cstrong\u003eNegative Lab Pro\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eAdobe Lr Classic\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eProsumer \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.silverfast.com\/highlights\/negafix\/en.html\" target=\"_blank\"\u003e\u003cstrong\u003eLaserSoft NegaFix\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eSilverFast HDR 8\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eProfessional \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.colorperfect.com\/colorperfect.html?lang=en\" target=\"_blank\"\u003e\u003cstrong\u003eColorPerfect\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eAdobe Ps\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eProfessional\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"CineStill","offers":[{"title":"Light Collimating Sheet","offer_id":42473150021804,"sku":"CS-LITEBRITE-PLUS","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CS-LiteBrite__V2_1_383901ed-ff48-4891-9b09-6f40ea15b88f.jpg?v=1749481279"},{"product_id":"valoi360-essential-copy-stand","title":"360 Essential Copy Stand V2","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e“Valoi” is a Finnish word meaning light and creation — a nod to the creativity of analog photography. \u003c\/span\u003e\u003cspan\u003eVALOI's Scandinavian roots are visible in the minimalism and functionality of their designs. VALOI 360 is a film holder system that provides an easy and effective way to digitize your film using a digital camera. \u003c\/span\u003e\u003cspan\u003eWith the right setup, the VALOI 360 system can deliver faster and higher quality scans than traditional flatbed scanners.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eConstructed of strong aluminum alloy, the \u003cstrong\u003eVALOI 360 Essential Copy Stand V2 \u003c\/strong\u003eprovides a solid, stable, and dedicated base for your digital camera scanning needs. Unlike a tripod, a copy stand is designed to point your camera down at a perfectly perpendicular angle for copy\/reproduction work. The wide base area provides plenty of space for your light source, VALOI 360 film holders, and accessories. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThe head of the stand is custom made and specially designed for the task of scanning. The wide shape and rubber surface material grips firmly to the entire base of the camera to keep it firmly secured. A 40mm diameter tripod screw is easy to tighten and loosen by hand with the included locking lever.\u003c\/p\u003e\n\u003cp\u003eRather than adjusting multiple tripod legs, the camera can be easily raised or lowered on the rail for different film formats using the locking lever. A rail extension is included for use with longer lenses. Standard rail length: 490mm. Extended length: 690mm. The extension is not needed if you only scan 35mm with normal focal length lenses. Please note that t\u003cspan\u003ehe extended setup is not suitable for use with heavy camera and lens combinations, such as a professional DSLR with a 100mm macro lens. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv id=\"block-yui_3_17_2_1_1581176015367_6739\" data-block-type=\"2\"\u003e\n\u003cdiv\u003e\n\u003ch1\u003eCamera Scanning Considerations:\u003cbr\u003e\n\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"block-yui_3_17_2_1_1581176015367_9515\" data-block-type=\"2\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eCamera Body\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eJust about any semi-modern, interchangeable-lens digital camera will work great for camera scanning. There are many mirrorless or DSLR options to choose from with large lens catalogs, tethered capture capability, and excellent image quality. Some high end cameras can even use pixel stitching to deliver extremely high levels of resolution.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eMacro Lens\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-token-index=\"0\" class=\"notion-enable-hover\"\u003eFor camera scanning, the one real requirement is that your lens focuses close enough to capture the entire frame. For full frame cameras and capturing 35mm film, the term “1:1” designates a lens that will reproduce the 35mm frame exactly onto the full frame digital sensor. With crop-sensor bodies, 1:1 lenses focus even closer. Outside of reproduction factor (1:1), also look out for lenses that are sharp, have good color reproduction, limit internal reflections (modern coatings), and have very little vignetting. Finally, it’s generally best to use your macro lens stopped down 2-3 stops from wide open, as this gives a good combination of depth of field and sharpness.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"block-yui_3_17_2_1_1581176015367_69291\" data-block-type=\"2\"\u003e\n\u003ch3\u003e\n\u003cbr\u003eSoftware for Negative Conversion\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-token-index=\"0\" class=\"notion-enable-hover\"\u003eThere are several plugins and standalone programs for converting digitally captured negatives into positive images. Most of the options presented here allow you to download a demo version to try before you buy and determine which one best suits your workflow.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-block-type=\"2\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ctable width=\"100%\" style=\"height: 137.197px; width: 99.9523%;\"\u003e\n\u003ctbody\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003cstrong\u003eSOFTWARE\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003e\u003cstrong\u003eREQUIRES\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003e\u003cstrong\u003eCONTROL\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e\u003cstrong\u003eCOST\u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"width: 30.4352%; height: 19.5996px;\"\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs-negative-convert-tools?_pos=3\u0026amp;_sid=24433e98f\u0026amp;_ss=r\u0026amp;variant=44455499497644\"\u003e\u003cstrong\u003eCS Negative+\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 28.0801%; height: 19.5996px;\"\u003eAdobe CC\/Mobile\u003c\/td\u003e\n\u003ctd style=\"width: 22.8834%; height: 19.5996px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eProsumer\u003c!-- notionvc: 91cc1315-550c-4cf6-ab47-4f4fc3720375 --\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 17.6969%; height: 19.5996px;\"\u003eFREE\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca rel=\"noopener\" href=\"https:\/\/shop.filmomat.eu\/products\/smartconvert-mac\" target=\"_blank\"\u003e\u003cstrong\u003eSmartConvert\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eMac\/PC\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eConsumer\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\n\u003cstrong\u003e\u003ca href=\"https:\/\/developandfix.com\/filmlab-desktop\/\" target=\"_blank\"\u003eFilmLab\u003c\/a\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\n\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eMac\/PC\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eConsumer \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.negativelabpro.com\/\" target=\"_blank\"\u003e\u003cstrong\u003eNegative Lab Pro\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eAdobe Lr Classic\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eProsumer \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.silverfast.com\/highlights\/negafix\/en.html\" target=\"_blank\"\u003e\u003cstrong\u003eLaserSoft NegaFix\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eSilverFast HDR 8\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eProfessional \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.colorperfect.com\/colorperfect.html?lang=en\" target=\"_blank\"\u003e\u003cstrong\u003eColorPerfect\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eAdobe Ps\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eProfessional\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"VALOI","offers":[{"title":"360 Essential Copy Stand V2","offer_id":42597354635436,"sku":"VALOI-Ess-Stand","price":188.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/EssentialCopyStand_V2_2_a19c683f-aad2-4ec1-b37e-d53c4bae8236.jpg?v=1733940652"},{"product_id":"sunray-cs700-foldable-copy-stand","title":"CS-700+ Foldable Copy Stand","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan role=\"presentation\" dir=\"ltr\" data-mce-fragment=\"1\"\u003eThe\u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\" data-mce-fragment=\"1\"\u003eSKIER brand is \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\" data-mce-fragment=\"1\"\u003ewell-known for \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\" data-mce-fragment=\"1\"\u003ehigh quality camera scanning equipment made in\u003c\/span\u003e\u003cbr role=\"presentation\" data-mce-fragment=\"1\"\u003e\u003cspan role=\"presentation\" dir=\"ltr\" data-mce-fragment=\"1\"\u003eTaiwan. Skier's Sunray line of camera scanning equipment is made with \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\" data-mce-fragment=\"1\"\u003eease-of-use \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\" data-mce-fragment=\"1\"\u003ein \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\" data-mce-fragment=\"1\"\u003emind and is the perfect starting point for\u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan role=\"presentation\" dir=\"ltr\" data-mce-fragment=\"1\"\u003eexceptional quality film scanning at home.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eA simple device for copying photographs, documents, flat art, and other objects, the\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003cstrong\u003eCS-700+\u003c\/strong\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFoldable Copy Stand\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e is made to firmly hold your digital camera perfectly flat over your light source for scanning your film. The camera pitch angle knob allows for easy adjustment to ensure perfect flatness. \u003cmeta charset=\"utf-8\"\u003eThe telescopic center column allows users to adjust the height of the camera within a working height range of 12 to 28 inches for the most efficient scans. \u003c\/span\u003eThe quick release plate is able to support camera systems up to 6.6 lbs. Stabilizing legs fold away for easier storage or transportation in the included carrying case. \u003c\/p\u003e","brand":"Skier Pro System","offers":[{"title":"Foldable Copy Stand","offer_id":42669169115308,"sku":"Skier-CS700","price":249.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Skier_C700plus_copystand_1.jpg?v=1740685826"},{"product_id":"adox-10x-loupe","title":"Precision 10x Loupe","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eADOX was founded in 1860 as the world's first photochemical factory. Over the next several decades, it \u003c\/span\u003e\u003cspan\u003ebecame one of the leading film producers in Europe. \u003c\/span\u003e\u003cspan\u003eToday, ADOX films, papers, and chemistry are proudly manufactured in Germany by an incredibly passionate team of film photography enthusiasts. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe \u003cstrong\u003eADOX Precision Loupe 10x\u003c\/strong\u003e is the perfect tool for the detail-oriented analog photography enthusiast. It features high quality coated glass elements (3 elements in two groups) for the best possible image quality all the way to the edges of the large covering area. A knurled diopter compensation ring allows the user to adjust the loupe to their vision. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFor non-backlit photographic materials like contact prints, a built-in LED ring light is built into the housing of the loupe. It is powered by four user-changeable watch batteries. The base has a removable \u003cmeta charset=\"utf-8\"\u003emicrometric scale (1\/10th of a mm). \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe 10x magnification is enough to effectively judge sharpness and grain of backlit negatives or the focus on the ground glass of a field camera without the significant cropping of loupes intended for jewelry or watches. A leather carrying case is included for safe transportation. \u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecifications:\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eMagnification: 10x\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDiameter: 42mm (45mm including focusing ring)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHeight: 50mm to 60mm (focusing thread retracted to fully extended)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWeight: 112 g\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e","brand":"ADOX","offers":[{"title":"10x Magnification","offer_id":42748139143340,"sku":"Adox-Loupe","price":71.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Adox_10xloupe_1.jpg?v=1726626457"},{"product_id":"easy35-film-scanning-kit","title":"easy35 Film Scanning Kit","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e“Valoi” is a Finnish word meaning light and creation — a nod to the creativity of analog photography. \u003c\/span\u003e\u003cspan\u003eThe Scandinavian roots of VALOI are visible in the minimalist and functional design. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eVALOI easy35\u003c\/strong\u003e is an innovative, compact, and self-contained 35mm film scanning system that features a built-in light source and attaches directly to a macro lens, \u003cmeta charset=\"utf-8\"\u003edelivering professional quality scans in a system the size of a water bottle, while requiring no copy stand or separate light source. \u003cspan\u003eIt is modular, compatible with most cameras, and\u003c\/span\u003e above all, easy to use! \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eIncludes:\u003cbr\u003e\n\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eVALOI easy35 body with built in light source\u003c\/li\u003e\n\u003cli\u003eVALOI easy35 Standard 35mm Holder\u003c\/li\u003e\n\u003cli\u003eVALOI easy35 Distance Tubes: 1x10mm, 1x20mm, 5x40mm (230mm total)\u003c\/li\u003e\n\u003cli\u003eVALOI filter thread adapters: 39mm, 46mm, 49mm, 52mm, 55mm, 58mm, 67mm \u003cstrong\u003e(filter thread adapters are not needed for lenses with a 62mm filter thread size, as this is the native thread size of the easy35)\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDoes not include digital camera or macro lens, which are required to scan film\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003ch3\u003eLight Source System\u003c\/h3\u003e\n\u003cp\u003eUnlike cheaper film scanning solutions, the easy35 is based around a powerful and high-quality light source.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePowerful light output, with shutter speeds typically between 1\/40s-1\/200s\u003c\/li\u003e\n\u003cli\u003e95 CRI rating for great color reproduction\u003c\/li\u003e\n\u003cli\u003eBi-colour LED adjustable to different colour temperatures\u003c\/li\u003e\n\u003cli\u003ePlexiglas© secondary diffuser specifically designed for LED diffusion guaranteed for 30 years against yellowing\u003c\/li\u003e\n\u003cli\u003e2-3 hour battery life\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eUSB-C charging; chargeable while on for long scanning sessions\u003c\/li\u003e\n\u003cli\u003eReplaceable light source unit for a long life time\u003c\/li\u003e\n\u003cli\u003eInternal reflector for an even light in a small footprint\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003ch3\u003eCompatibility\u003c\/h3\u003e\n\u003cp\u003eSuitable for scanning 35mm film right out of the box. The Standard 35mm Holder can be replaced with the \u003ca href=\"https:\/\/cinestillfilm.com\/products\/easy35-35mm-sprocket-holder?variant=42795027693740\"\u003eVALOI easy35 35mm Sprocket Holder\u003c\/a\u003e, which shows the sprockets of the film. Film holders for smaller sizes like \u003ca rel=\"noopener\" href=\"https:\/\/cinestillfilm.com\/products\/easy35-film-holders-sprocket-aps-126-110-minox-half-frame?variant=43592682209452\" target=\"_blank\"\u003e35mm Half-Frame\u003c\/a\u003e, \u003ca rel=\"noopener\" href=\"https:\/\/cinestillfilm.com\/products\/easy35-film-holders-sprocket-aps-126-110-minox-half-frame?variant=43407879340204\" target=\"_blank\"\u003eAPS\u003c\/a\u003e, \u003ca rel=\"noopener\" href=\"https:\/\/cinestillfilm.com\/products\/easy35-film-holders-sprocket-aps-126-110-minox-half-frame?variant=43407882059948\" target=\"_blank\"\u003e110\u003c\/a\u003e, \u003ca rel=\"noopener\" href=\"https:\/\/cinestillfilm.com\/products\/easy35-film-holders-sprocket-aps-126-110-minox-half-frame?variant=43407883337900\" target=\"_blank\"\u003e126\u003c\/a\u003e, and \u003ca rel=\"noopener\" href=\"https:\/\/cinestillfilm.com\/products\/easy35-film-holders-sprocket-aps-126-110-minox-half-frame?variant=43407885795500\" target=\"_blank\"\u003eMinox\u003c\/a\u003e are also available. \u003c\/p\u003e\n\u003cp\u003eMost interchangeable-lens digital cameras make for excellent scanning cameras. You will need a macro lens capable of focusing to 1:1 magnification to scan 35mm film. Most of those lenses available will be compatible. We generally do not recommend using lenses shorter or longer than the following focal lengths:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFull frame: Shorter than 55mm, Longer than 105mm\u003c\/li\u003e\n\u003cli\u003eAPS-C: Shorter than 40mm - Longer than 70mm\u003c\/li\u003e\n\u003cli\u003eM4\/3: Shorter than 40mm - Longer than 60mm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eLonger focal lenses can work, but we cannot guarantee there are enough included tubes to use the combination. Shorter focal length lenses can cause vignetting. \u003ca href=\"https:\/\/www.valoi.co\/easy35lens\" rel=\"noopener\" target=\"_blank\"\u003eHere are a few tested, recommended lenses. \u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003eAccessories\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eIn addition to alternative and interchangeable film format holders (APS, 110, 126, etc.), the \u003ca href=\"https:\/\/cinestillfilm.com\/products\/easy35-duster\"\u003eVALOI easy35 Duster\u003c\/a\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eattaches conveniently to the side of the easy35 body using two thumb screws. The double anti-static brush opening helps remove dust before the film enters the holder, without scratching the film. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv data-block-type=\"2\" id=\"block-yui_3_17_2_1_1581176015367_6739\"\u003e\n\u003cdiv\u003e\n\u003ch1\u003eCamera Scanning Considerations:\u003cbr\u003e\n\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-block-type=\"2\" id=\"block-yui_3_17_2_1_1581176015367_9515\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eCamera Body\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eJust about any semi-modern, interchangeable-lens digital camera will work great for camera scanning. There are many mirrorless or DSLR options to choose from with large lens catalogs, tethered capture capability, and excellent image quality. Some high end cameras can even use pixel stitching to deliver extremely high levels of resolution.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eMacro Lens\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"notion-enable-hover\" data-token-index=\"0\"\u003eFor camera scanning, the one real requirement is that your lens focuses close enough to capture the entire frame. For full frame cameras and capturing 35mm film, the term “1:1” designates a lens that will reproduce the 35mm frame exactly onto the full frame digital sensor. With crop-sensor bodies, 1:1 lenses focus even closer. Outside of reproduction factor (1:1), also look out for lenses that are sharp, have good color reproduction, limit internal reflections (modern coatings), and have very little vignetting. Finally, it’s generally best to use your macro lens stopped down 2-3 stops from wide open, as this gives a good combination of depth of field and sharpness.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-block-type=\"2\" id=\"block-yui_3_17_2_1_1581176015367_69291\"\u003e\n\u003ch3\u003e\n\u003cbr\u003eSoftware for Negative Conversion\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"notion-enable-hover\" data-token-index=\"0\"\u003eThere are a few plugins and standalone programs for converting captured negatives into positive images. Some older and some newer, all of them try to harness the color science based in darkroom paper to various degrees. After all, even a professional lab scanner is essentially a digital camera and a light source. Most of the options presented here allow you to download a demo version to try before you buy and determine which one best suits your workflow.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-block-type=\"2\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ctable style=\"height: 137.197px; width: 99.9523%;\" width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003cstrong\u003eSOFTWARE\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003e\u003cstrong\u003eREQUIRES\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003e\u003cstrong\u003eCONTROL\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e\u003cstrong\u003eCOST\u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"width: 30.4352%; height: 19.5996px;\"\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs-negative-convert-tools?_pos=3\u0026amp;_sid=24433e98f\u0026amp;_ss=r\u0026amp;variant=44455499497644\"\u003e\u003cstrong\u003eCS Negative+\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 28.0801%; height: 19.5996px;\"\u003eAdobe CC\/Mobile\u003c\/td\u003e\n\u003ctd style=\"width: 22.8834%; height: 19.5996px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eProsumer\u003c!-- notionvc: 91cc1315-550c-4cf6-ab47-4f4fc3720375 --\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 17.6969%; height: 19.5996px;\"\u003eFREE\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/shop.filmomat.eu\/products\/smartconvert-mac\" rel=\"noopener\" target=\"_blank\"\u003e\u003cstrong\u003eSmartConvert\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eMac\/PC\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eConsumer\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\n\u003cstrong\u003e\u003ca href=\"https:\/\/developandfix.com\/filmlab-desktop\/\" target=\"_blank\"\u003eFilmLab\u003c\/a\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\n\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eMac\/PC\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eConsumer \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.negativelabpro.com\/\" target=\"_blank\"\u003e\u003cstrong\u003eNegative Lab Pro\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eAdobe Lr Classic\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eProsumer \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.silverfast.com\/highlights\/negafix\/en.html\" target=\"_blank\"\u003e\u003cstrong\u003eLaserSoft NegaFix\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eSilverFast HDR 8\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eProfessional \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.colorperfect.com\/colorperfect.html?lang=en\" target=\"_blank\"\u003e\u003cstrong\u003eColorPerfect\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eAdobe Ps\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eProfessional\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"VALOI","offers":[{"title":"35mm","offer_id":42716414935212,"sku":"VALOI-easy35","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Valoi_Easy35_13_e36eaf1b-1aa2-436b-9aa2-a6b154cc23b5.jpg?v=1732146246"},{"product_id":"ns-basic-film-carrier-35-120-mk2-combo","title":"Basic Film Carrier 35\/120 MK2 Combo","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNegative Supply exists to create tools for film photographers who want to spend more time photographing and less time scanning. Their products allow you to digitize negatives using your digital camera and a macro lens in just a few minutes. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eIntroducing the \u003cstrong\u003eNegative Supply Basic Film Carrier 35\/120 MK2 Combo\u003c\/strong\u003e. The perfect starting point for scanning cut strips or full rolls of 35mm and 120 film quickly, easily, and affordably whether you’re at home, on the go, or in the studio! Simply add a light source and copy stand or tripod, and you’re ready to go!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eIncluding both of the completely redesigned film carriers, the Basic Film Carrier 35 MK2 and Basic Film Carrier 120 MK2, this kit is perfect for someone who is just starting their film scanning journey, a DIY user who wants to get into the Negative Supply ecosystem, or if you own the previous MK1 carriers and want to upgrade.\u003c\/span\u003e\u003c\/p\u003e","brand":"Negative Supply","offers":[{"title":"Basic Film Carrier 35\/120 MK2 Combo","offer_id":42850821505196,"sku":"NS-BFCMK2C","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/BFCMK2C_1_ee8b833b-7beb-427f-9365-a8e20c1027a8.jpg?v=1729024535"},{"product_id":"ns-basic-riser-mk3","title":"Basic Riser MK3","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNegative Supply exists to create tools for film photographers who want to spend more time photographing and less time scanning. Their products allow you to digitize negatives using your digital camera and a macro lens in just a few minutes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe \u003cstrong data-mce-fragment=\"1\"\u003eNegative Supply Basic Riser MK3 \u003c\/strong\u003eis the direct replacement for the Basic Riser MK2, offering added height, rigidity, and a more solid steel baseboard to \u003cmeta charset=\"utf-8\"\u003eprovide a more stable, rigid scanning workflow. \u003cmeta charset=\"utf-8\"\u003eThe head is similar to the one found on the Pro Riser MK3 with a secure mounting system that uses a t-handle to snug the camera down. A window on the side of the head gives easy access to the 1\/4-20 mounting point and a locking screw on the back of the head to keep it at the set height. \u003cmeta charset=\"utf-8\"\u003eThe silver anodized column quickly attaches to the black powder coated, solid steel base with stainless steel hardware. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDesigned to support nearly all popular camera and macro lens combinations, from compact mirrorless cameras all the way to most digital medium format cameras, the Basic Riser MK3 is a supremely capable copy stand. With a maximum riser height of 23in, it s capable of scanning 4x5 with up to ~70mm full frame equivalent focal lengths, 120 film with over 100mm full frame equivalent focal lengths and 35mm film with nearly any macro lens. \u003c\/p\u003e","brand":"Negative Supply","offers":[{"title":"Basic Riser MK3","offer_id":42820439310508,"sku":"NS-BRISERMK3","price":349.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Basic_Riser_MK3_4_296fe4ba-53c8-47e3-b7b0-799552d2323a.jpg?v=1729024530"},{"product_id":"120-full-boarder-scanning-cassette-for-basic-and-pro-film-carriers-mk2","title":"120 Full Border Scanning Cassette for Basic and Pro Film Carriers MK2","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNegative Supply exists to create tools for film photographers around the world that want to spend more time photographing and less time scanning. Their products allow you to digitize negatives using your digital camera and a macro lens in as little as 5 minutes (or less).\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"utf-8\"\u003eScanning the full border of your medium format film is something many have wanted to do for some time, but it’s difficult to do while holding your film flat and while avoiding costly drum scans or finicky flatbed scanning solutions. The \u003cstrong\u003e120 Full Border Scanning Cassette for Basic and Pro Film Carriers MK2\u003c\/strong\u003e allows users to scan with full borders (out to the very edge) with their Basic Film Carrier 120 MK2 or Pro Film Carrier 120 MK2. \u003c\/p\u003e\n\u003cp class=\"\"\u003eThis all-new, custom designed film scanning cassette shows 100% of the 120\/220 film image area + border, including film stock information and frame number. An in-house finished micro-etched optical scanning acrylic ensure optimal film flatness, and a double S curve design further aligns and flattens the fiIm for professional results, every time. \u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eRequires: Basic Film Carrier 120 MK2 or carriers that use the same cassette system such as Pro Film Carrier 120 MK2. Not compatible with previous 120 carrier models, such as Basic Film Carrier 120 or Film Carrier 120.\u003c\/em\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Negative Supply","offers":[{"title":"Full Border 120","offer_id":43461008097452,"sku":"NS-120FBSC","price":79.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/NegativeSupply_Pro120_Fullborder_1.jpg?v=1722364179"},{"product_id":"film-killer-film-cutter","title":"Film Killer Film Cutter","description":"\u003cp\u003eOptik Oldschool are driven by their unwavering passion for the art of analog photography. Their first product, the\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eFilm Killer Film Cutter\u003c\/strong\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e,\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003c\/span\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e \u003c\/strong\u003eis the highest quality, most professional multi-format film cutter on the market.\u003c\/p\u003e\n\u003cp class=\"rich-text__heading rte inline-richtext h1 scroll-trigger animate--slide-in\"\u003e\u003cstrong\u003eMulti-Format Compatibility\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIntended for 35mm and medium format (120 \/ 220) film formats. Cut\u003c\/span\u003eting marks for standard 35mm, 6x4.5, 6x6, and 6x7 frame sizes appear on the diffusion material. Placing the cutter on top of a light source makes it easier to make extra precise cuts. \u003cspan\u003eOther formats can also be cut, though these don't have specific cutting marks for frame alignment. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"rich-text__heading rte inline-richtext h1 scroll-trigger animate--slide-in\"\u003e\u003cstrong\u003eSmooth, Non-Slip Film Transport\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAn extra heavy stainless steel driveshaft with format adjustable silicone O-rings \u003cmeta charset=\"utf-8\"\u003eprovides smooth, non-slip film transport. The driveshaft's ends are knurled for excellent grip, precise control, and long-term comfort during use. \u003c\/p\u003e\n\u003cp class=\"rich-text__heading rte inline-richtext h1 scroll-trigger animate--slide-in\"\u003e\u003cstrong\u003eGuillotine-Style Cutting Blade\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA sharp, guillotine-style cutting blade ensures precise cuts. Placing the cutter on top of a light source Say goodbye to jagged edges and uneven trims!\u003c\/p\u003e\n\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e","brand":"Optik Oldschool","offers":[{"title":"Film Cutter","offer_id":43486557405356,"sku":"Optik-FilmKiller-Cutter","price":49.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/OptikOldSchool_FilmKiller_1_ddf7ac3e-1589-4dcd-9c46-9ac0a61e5e5b.jpg?v=1735590855"},{"product_id":"easy120film-scanning-kit","title":"easy120 Film Scanning Kit","description":"\u003cp dir=\"ltr\"\u003eThe \u003cstrong\u003eVALOI easy120 \u003c\/strong\u003eprovides a comprehensive but easy-to-use scanning solution for most available roll film formats while requiring no copy stand or separate light source. It attaches directly to your macro lens using precision-machined aluminum distance tubes, perfectly aligning the film and sensor for sharp scans. The built-in CineStill \u003ca href=\"\/products\/cs-litecamera-scanning-light-source-1\" title=\"CS-LITE\"\u003eCS-LITE light source\u003c\/a\u003e is exceptionally bright and provides in-line control to switch between three different color temperature modes specifically made for different film types (C41, B\u0026amp;W, E6) \u003cspan style=\"text-decoration: underline;\"\u003eOR\u003c\/span\u003e upgrade to the \u003ca title=\"CS-LITE+ SpectraCOLOR\" href=\"\/products\/cs-lite-plus-spectracolor-camera-scanning-light-source\"\u003eCS-LITE+ SpectraCOLOR™ Light Source\u003c\/a\u003e option (installed in the universal Cool\/White Light Mode) offered exclusively through CineStillFilm.com to optimize color and fidelity with SpectraCOLOR™ when camera scanning your film.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e(Select from \"Light Source\" drop-down menu)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompact, Minimal Setup\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe VALOI easy120's design allows it to have a very small footprint, similar to a standard keyboard. Removing the distance tubes allows it to fit easily in a drawer for storage in between scanning sessions. \u003cspan\u003eNo bulky copy stand or separate light source needed.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eQuick, Easy to Use\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eA roll of film can be captured in as little as 1-2 minutes, thanks to the easy120's\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eclamp-less, pull-through film holder design. The film holders' double \u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eS-curve ensures perfectly flat film, providing you with great quality images. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eModular, Comprehensive Solution\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe easy120 is modular and multi-format oriented. It ships with a 120 Universal Holder (6x9 maximum size). Holders for \u003ca href=\"https:\/\/cinestillfilm.com\/products\/easy120-film-scanning-35mm-holder\/\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e35mm\u003c\/a\u003e, \u003ca href=\"https:\/\/cinestillfilm.com\/products\/easy120-film-scanning-medium-format-holders\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e120 Sub-Formats\u003c\/a\u003e, \u003ca href=\"https:\/\/cinestillfilm.com\/products\/easy120-film-scanning-35mm-slide-holder\"\u003e35mm Mounted Slides\u003c\/a\u003e are available for sale separately. Other accessories like the \u003ca rel=\"noopener noreferrer\" href=\"https:\/\/cinestillfilm.com\/products\/easy120-film-scanning-valoi-360-duster\" target=\"_blank\"\u003eDuster\u003c\/a\u003e and \u003ca rel=\"noopener noreferrer\" href=\"https:\/\/cinestillfilm.com\/products\/easy120-film-scanning-advancer\" target=\"_blank\"\u003eAdvancer\u003c\/a\u003e further improve the quality and efficiency of your scanning process. \u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\u003cspan\u003eIncludes\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli aria-level=\"1\" dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003eVALOI easy120 body with your choice of either the built-in CineStill \u003ca href=\"\/products\/cs-litecamera-scanning-light-source-1\"\u003eCS-LITE\u003c\/a\u003e \u003cspan style=\"text-decoration: underline;\"\u003eOR\u003c\/span\u003e \u003ca title=\"CS-LITE+ SpectraCOLOR\" href=\"\/products\/cs-lite-plus-spectracolor-camera-scanning-light-source\"\u003eCS-LITE+ SpectraCOLOR™ Light Source\u003c\/a\u003e (\u003cspan\u003einstalled in the universal Cool\/White Light Mode) inside\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli aria-level=\"1\" dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eVALOI easy120 120 Universal Holder (6x9 maximum size)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli aria-level=\"1\" dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eVALOI easy120 Distance Tubes: 1x 12mm, 1x 25mm, 1x 50mm, 2x 100mm\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli aria-level=\"1\" dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eVALOI filter thread adapters: \u003c\/span\u003e\u003cspan\u003e39mm, 46mm, 49mm, 52mm, 55mm, 58mm, 67mm, 72mm, 77mm \u003c\/span\u003e\u003cspan\u003e(compatible out of the box with lenses with these filter thread adapters - also compatible with 62mm filter threads as this is the native thread size of the easy35)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli aria-level=\"1\" dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eVALOI easy120 Camera Support Bracket\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli aria-level=\"1\" dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003e\u003c\/span\u003eeasy120 English manual, with other languages available online through a QR code\u003cb id=\"docs-internal-guid-c93d0c3b-7fff-a959-bfb4-186973aa5d8c\"\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2 dir=\"ltr\"\u003e\u003cspan\u003eCinestill \u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs-litecamera-scanning-light-source-1\"\u003eCS-LITE\u003c\/a\u003e or \u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs-lite-plus-spectracolor-camera-scanning-light-source\"\u003eCS-LITE+ SpectraCOLOR™\u003c\/a\u003e Inside\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBuilt into every easy120 is our \u003cstrong\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs-litecamera-scanning-light-source-1\"\u003eCineStill CS-LITE\u003c\/a\u003e\u003c\/strong\u003e, a tried-and-true LED film scanning light source already used by thousands of discerning VALOI 360 scanning system users. \u003c\/span\u003e\u003cspan\u003eThe CS-LITE is USB-powered and requires a 5V\/1.6A power brick (typically a phone charger) with USB-A. Even a small\/older one will power this unit.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe CS-LITE was chosen because it fulfills all the criteria of a great scanning light source: it has a CRI 95+ rating, variable color modes, and high brightness (EV 15+) with low heat-output. The\u003c\/span\u003e\u003cspan\u003e three in-line controlled pre-set color modes are optimized for scanning slides, B\u0026amp;W negatives, and color negatives. With the color negative mode, you will get improved color separation and noise levels from orange masked  color negative film.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cspan class=\"s1\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eOR\u003c\/span\u003e choose to upgrade to the \u003cstrong\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs-lite-plus-spectracolor-camera-scanning-light-source\"\u003eCineStill CS-LITE+\u003c\/a\u003e\u003c\/strong\u003e installed in the universal Cool\/White Light Mode, which incorporates our proprietary SpectraCOLOR™ technology, \u003c\/span\u003e\u003cspan class=\"s1\"\u003especifically calibrated to covert the color layers of film into the three color channels of a digital raw file, without color contamination or cross-talk, using any standard bayer-pattern (or similar) tri-color sensor. This allows your digital sensor to see negative film the way it was intended to be seen, resulting in the purest, most high-fidelity film to digital conversions achievable. \u003cstrong\u003eThe option with the CS-LITE+ comes with the \u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cstrong\u003eCS-LiteBrite+ Collimating Sheets pre-\u003cspan\u003einstalled in the universal Cool\/White Light Mode; which is suitable for scanning color negative, black and white or slides.\u003c\/span\u003e It does not, however, include the optional Color Negative or Color Positive Calibration Sheets.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003ch2 dir=\"ltr\"\u003e\u003cspan\u003eIn use\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTo use the easy120, you first attach the different lengths of distance tube to get the right framing for your film format of choice. Then, you add the end-cap with a 62mm filter thread and whatever (included) filter-thread adapter you need for your macro lens. Plug in the light source, turn it on, and insert a film holder by simply pushing it into the slot.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTo scan, push the film into the film holder's slit, adjust the focus, and start scanning. For most lenses, we recommend scanning in a horizontal setup with the included\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCamera Support Bracket. For internally focusing lenses you can also scan in a vertical position. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eOnce you have scanned your film, you import the digital images to a computer or phone and process them using one of the recommended pieces of software mentioned below.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003ch2 dir=\"ltr\"\u003e\u003cspan\u003eLens Compatibility\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe easy120 is compatible with all system cameras (cameras with interchangeable lenses), including digital medium format cameras. While fixed-lens cameras are generally not recommended, a\u003c\/span\u003e\u003cspan\u003ecceptable results can be achieved with high-end fixed-lens models like the Leica Q3 (28mm and 43mm) when scanning medium format.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe easy120 has two limitations on lens compatibility without additional adapters:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli aria-level=\"1\" dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003eThe filter thread on the lens must be one of the following filter threads: 39mm, 46mm, 49mm, 52mm, 55mm, 58mm, 62mm, 67mm, 72mm, 77mm\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli aria-level=\"1\" dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003eWhen focusing on the film you want to scan, the distance from the front of the lens to the film must be smaller than 310mm without the optional \u003ca href=\"\/products\/easy-precision-framing-helicoid\" title=\"VALOI easy Precision Framing Helicoid\"\u003eVALOI easy Precision Framing Helicoid\u003c\/a\u003e. You can test this on your own, by placing the format you want to scan on the table and trying to focus on it, then measure the distance from the front of the lens to the film.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMaximum extension from filter ring: 315mm*\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe following tubes are included and can be used to adjust the distance between film and lens:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli aria-level=\"1\" dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003e2x 100mm\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli aria-level=\"1\" dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003e1x 50mm\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli aria-level=\"1\" dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003e1x 25mm\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli aria-level=\"1\" dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cspan\u003e1x 12mm\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e*\u003c\/span\u003e\u003cspan\u003eThis number includes distances not related to the distance tubes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eApproximate compatible focal lengths\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eNote that because there are many factors at play, we cannot guarantee that your setup will be compatible - we will do our best to advise you but the safest way is to measure it yourself using your lens and desired film format (see above).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMaximum focal length for APS-C sensor: 70mm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMaximum focal length for FF sensor: 105mm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMaximum focal length on MFT sensor: 50mm (60mm lenses can be used for scanning 35mm only)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMaximum focal length for GFX\/Hasselblad X sensor: 120mm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eUsing shorter focal length lenses has the benefit of making for a more compact scanning setup. This can be practical if you have a smaller desk or want to travel with your scanning setup.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cdiv data-block-type=\"2\" id=\"block-yui_3_17_2_1_1581176015367_6739\"\u003e\n\u003cdiv\u003e\n\u003ch3 dir=\"ltr\"\u003e\u003cspan\u003eLens features and compatibility\u003c\/span\u003e\u003c\/h3\u003e\n\u003cdiv dir=\"ltr\" align=\"left\"\u003e\n\u003ctable\u003e\n\u003ccolgroup\u003e \u003ccol width=\"299\"\u003e \u003ccol width=\"303\"\u003e \u003c\/colgroup\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eFEATURE\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eCOMPATIBLE\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDedicated “macro” lens with fixed focal length (prime lens)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eYes\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eZoom lens with macro function\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eNo\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eManual focus lens\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eYes\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAuto focus lens\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eYes\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e1:1 macro lens\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eYes\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e1:2 macro lens\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eYes, only for 120 medium format (not for 35mm)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFilter thread size: 39mm, 46mm, 49mm, 52mm, 55mm, 58mm, 62mm, 67mm, 72mm, 77mm\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eYes\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMedium format digital camera\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eYes\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e100mm lens on APS-C sensor\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eNo, too long\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFixed lens camera\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eNot compatible in most cases, not recommended\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eEnlarger lens\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eNo, most enlarger lenses have a not-compatible filter thread on the front (often 40.5mm)*\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e*A 40.5mm to 62mm filter thread adapter can be purchased from a third party and the lens possibly used. Keep in mind that mounting an enlarger lens for use with the easy120 requires a sturdy helicoid. Using bellows is not recommended, as they might bend under the weight of the easy120.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch1\u003e\u003c\/h1\u003e\n\u003ch1\u003eCamera Scanning Considerations:\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-block-type=\"2\" id=\"block-yui_3_17_2_1_1581176015367_9515\"\u003e\n\u003ch3\u003e\u003cstrong\u003eCamera Body\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eJust about any semi-modern, interchangeable-lens digital camera will work great for camera scanning. There are many mirrorless or DSLR options to choose from with large lens catalogs, tethered capture capability, and excellent image quality. Some high end cameras can even use pixel stitching to deliver extremely high levels of resolution.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-block-type=\"2\" id=\"block-yui_3_17_2_1_1581176015367_69291\"\u003e\n\u003ch3\u003eSoftware for Negative Conversion\u003c\/h3\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan class=\"notion-enable-hover\" data-token-index=\"0\"\u003eThere are a few plugins and standalone programs for converting captured negatives into positive images. Some older and some newer, all of them try to harness the color science based in darkroom paper to various degrees. After all, even a professional lab scanner is essentially a digital camera and a light source. Most of the options presented here allow you to download a demo version to try before you buy and determine which one best suits your workflow.\u003c\/span\u003e\u003c\/p\u003e\n\u003ctable style=\"height: 137.197px; width: 99.9523%;\" width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003cstrong\u003eSOFTWARE\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003e\u003cstrong\u003eREQUIRES\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003e\u003cstrong\u003eCONTROL\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e\u003cstrong\u003eCOST\u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"width: 30.4352%; height: 19.5996px;\"\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs-negative-convert-tools?_pos=3\u0026amp;_sid=24433e98f\u0026amp;_ss=r\u0026amp;variant=44455499497644\"\u003e\u003cstrong\u003eCS Negative+\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 28.0801%; height: 19.5996px;\"\u003eAdobe CC\/Mobile\u003c\/td\u003e\n\u003ctd style=\"width: 22.8834%; height: 19.5996px;\"\u003e\n\u003cdiv\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/div\u003e\nProsumer\u003c!-- notionvc: 91cc1315-550c-4cf6-ab47-4f4fc3720375 --\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 17.6969%; height: 19.5996px;\"\u003eFREE\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/shop.filmomat.eu\/products\/smartconvert-mac\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e\u003cstrong\u003eSmartConvert\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eMac\/PC\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eConsumer\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\n\u003cstrong\u003e\u003ca href=\"https:\/\/developandfix.com\/filmlab-desktop\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eFilmLab\u003c\/a\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\n\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eMac\/PC\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eConsumer \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.negativelabpro.com\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cstrong\u003eNegative Lab Pro\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eAdobe Lr Classic\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eProsumer \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.silverfast.com\/highlights\/negafix\/en.html\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cstrong\u003eLaserSoft NegaFix\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eSilverFast HDR 8\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eProfessional \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.colorperfect.com\/colorperfect.html?lang=en\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cstrong\u003eColorPerfect\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eAdobe Ps\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003e\n\u003cdiv\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/div\u003e\nProfessional\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"VALOI","offers":[{"title":"CS-LITE 95CRI Camera Scanning Light","offer_id":43905906835628,"sku":"VALOI-easy120","price":659.99,"currency_code":"USD","in_stock":true},{"title":"CS-LITE+ SpectraCOLOR™ Light Source","offer_id":45017339461804,"sku":"VALOI-easy120-plus","price":709.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/VALOI_easy120_4_ed3e67b2-2781-4160-bd29-85c908df5287.jpg?v=1737605654"},{"product_id":"cs-negative-convert-tools","title":"CS Negative+ Convert Tools v1.2","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/2025_CSNEGATIVE_horizontalV1.png?v=1750040484\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eConverting your negatives doesn’t need to be complicated or time consuming. Our\u003cstrong\u003e CS Negative+ Convert Tools \u003c\/strong\u003eare designed to make film conversion easy, accurate, and enjoyable. Inspired and informed by the characteristic spectral sensitometric curves of traditional RA-4 darkroom prints and motion picture cinema projection prints. Built utilizing our SpectraCOLOR\u003cspan\u003e™ technology, d\u003c\/span\u003eeveloped over years of research to help improve digital camera scanning. These tools are designed to match the unique spectral dye-density curves of color negative print films to the RAW digital photography workflow, preserving the natural beauty of film as originally intended.  \u003c\/p\u003e\n\u003cp\u003eThese \u003cstrong\u003eFREE\u003c\/strong\u003e negative conversion tools live and work in the presets panel of Adobe Camera Raw in Bridge or Photoshop and in all current versions of Lightroom – including Lr Mobile (which is \u003cstrong\u003eFREE\u003c\/strong\u003e to use with cloud shared photos, or imported raster bitmap\/JPEG\/TIFF\/HEIF and DNG\/ProRAW files) – allowing for quick, integrated and non-destructive access to multiple color models and intuitive tools, while completely preserving native editing controls as well as all original RAW file data. This allows images to be easily shared or opened again in any Adobe CC applications at any time for further editing. \u003c\/p\u003e\n\u003cp\u003ePlease also consider selecting an option from the “Download” drop-down to make a contribution to help fund continued R\u0026amp;D and support for these tools as well as developing (pun intended) new technology to make digitizing your film easier and better!\u003cbr\u003e\u003cstrong\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Screenshot_2025-07-23_at_2.53.35_PM.png?v=1753307835\"\u003e\u003c\/strong\u003e\u003cbr\u003e\u003c!-- notionvc: 0e7b4e4d-b7f3-4aa8-a738-a844166403a7 --\u003e\u003c\/p\u003e\n\u003ch2\u003eIncludes:\u003c\/h2\u003e\n\u003cp\u003eThe CS \u003cb\u003eNegative+ Convert \u003c\/b\u003e(START) presets group offers all of the Color Models to choose from which convert the negatives to positives and set the -+ Tools to their best starting points.\u003c\/p\u003e\n\u003cul class=\"ul2\"\u003e\n\u003cli class=\"li1\"\u003eThe “\u003cb\u003ePRINT\u003c\/b\u003e” Color Models are optimized for working with a “COOL” (9000ºK+) light source – like our \u003cstrong\u003e\u003ca href=\"\/products\/cs-lite-plus-spectracolor-camera-scanning-light-source\"\u003eCS-LITE+ SpectraCOLOR\u003cb\u003e™ \u003c\/b\u003elight source\u003c\/a\u003e\u003c\/strong\u003e, the \u003ca href=\"\/products\/cs-litecamera-scanning-light-source-1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eCS-Lite\u003c\/b\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan class=\"s1\"\u003e \u003c\/span\u003eon the “COOL” light mode, or any white light source paired with our \u003ca href=\"\/products\/cs-litebrite-130-light-collimating-sheets\"\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003eCS-LiteBrite+\u003c\/b\u003e\u003c\/span\u003e\u003c\/a\u003e and the included Color Negative Calibration Sheet – to match traditional RA4 and cinema projection prints. The “PRINT” models allow for the better use of native “Edit” adjustment tools in Adobe CC resulting in higher fidelity and increased color accuracy with color negative print film.\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eThe “\u003cb\u003eSCAN\u003c\/b\u003e”\u003cb\u003e \u003c\/b\u003eColor Models may allow for easier conversion of color negatives scanned using cooler (6000-9000ºK) white light sources, and are designed to emulate commercial lab film scanners (which emulate traditional darkroom prints). These color models have many of the “-+ TOOLS” already applied to some extent to help reduce the orange mask in color print film and compensate for color crosstalk caused from high-CRI LEDs.\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eThe \u003cb\u003e“CONVERT” \u003c\/b\u003eColor Models are optimized for warmer (below 6000ºK) white light sources – like basic light boxes\/panels and video lights – and also help to reduce color casts in highlights and shadows, caused from poor quality light or oddball\/expired\/poorly exposed films. These color models have even more of the “-+ TOOLS” already applied including COLOR “Filters” and have a more subdued color pallet, reminiscent of Noritsu, Pakon or home film scanners.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe\u003cb\u003e \u003c\/b\u003eCS \u003cb\u003eNegative+ Tools \u003c\/b\u003e(PROCESS) presets group offers more fine adjustments of the color model chosen for your negative conversions, many of which have been already applied to some extent in the CS Negative+ Convert (START)\u003cb\u003e \u003c\/b\u003ecolor models.\u003c\/p\u003e\n\u003cp\u003eThe\u003cb\u003e \u003c\/b\u003eCS \u003cb\u003eNegative+ “BASIC” Convert Tools\u003c\/b\u003e presets group is a combination of the SCAN and CONVERT Color Models and Tools from the above preset groups for a quicker workflow or those just getting started.\u003c\/p\u003e\n\u003cp\u003eThe\u003cb\u003e \u003c\/b\u003eCS \u003cb\u003eNegative+ “LITE” Convert Tools \u003c\/b\u003epresets group is a refined and more robust combination of 3 Standard Color Models and Tools for a simple workflow with a little more control.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSample DNG\u003c\/b\u003e raw files and exported JPGs to practice with.\u003c\/p\u003e\n\u003cp\u003eFour \u003cb\u003eLUTs\u003c\/b\u003e which can be used with a compatible monitor or software to allow for live previews for “PRINT”, “SCAN”, “CONVERT” and “SILVER” color models.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eRich Text Format\u003c\/b\u003e instructions with descriptions of all tools. \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA download link will be provided to your email at checkout.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c!-- notionvc: 402161ea-3d76-4770-ba98-6512458f018e --\u003e\u003c\/p\u003e\n\u003ch2\u003e \u003c\/h2\u003e\n\u003ch2\u003eInstallation:\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eFor Adobe Camera Raw in Bridge (Br) or Photoshop (Ps), Lightroom (Lr), Lightroom Classic (LrC), and Lr Mobile (FREE with standard bitmap JPEG\/TIFF\/HEIF or DNG\/ProRAW files) :\u003c\/b\u003e \u003cbr\u003eOpen any raw photo and go to the “Presets” (two circles overlapping) panel (this is where the -+ CS Negative+ Convert Tools will live), click on the ellipses “…” and then click “Import Presets.” Select the .ZIP file (located in the folder you downloaded) starting with “-+” and import.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eAlternatively…\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eFor Lightroom Desktop (Lr) or Lightroom Classic (LrC):\u003c\/b\u003e \u003cbr\u003eSimply go to File and select “Import Profiles \u0026amp; Presets.” Select the .ZIP file (located in the unzipped folder you downloaded) starting with “-+” and import. Now you can locate your RAW files you wish to convert in Lr or in Br. These tools will live in the “Presets” (two circles overlapping) panel in all Adobe software.\u003c\/p\u003e\n\u003cp\u003e\u003c!-- notionvc: a68bcd55-fc0c-4aed-b58c-4316addca9d9 --\u003e\u003c\/p\u003e\n\u003ch2\u003e \u003c\/h2\u003e\n\u003ch2\u003eTo use:\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003e1. Select your image\u003c\/b\u003e(s) and go to the “Presets” panel tab (two circles overlapping in Lr, Lr Mobile \u0026amp; Camera Raw in Br and Ps). In Br, select your RAW files and choose “Open in Camera Raw”. Open any RAW files in Ps and they will open directly in Adobe Camera Raw.\u003cstrong\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Screenshot_2025-06-24_at_10.33.53_PM.png?v=1750834659\" alt=\"\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2.\u003c\/strong\u003e \u003cstrong\u003eConvert:\u003c\/strong\u003e Choose your preferred “-+ Convert” Color Model START point from the options beginning with “\u003cb\u003e-+\u003c\/b\u003e”. You can reset the Color Model at anytime by selecting one again.\u003cbr\u003e\u003cem\u003e\u003cstrong\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Screenshot_2025-06-24_at_11.14.24_PM.png?v=1750834804\" alt=\"\"\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003ci\u003eYou can also favorite (*) any Color Model to be able to easily access its develop settings directly in Br, or the Favorites group in Lr.\u003c\/i\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThe “\u003cb\u003ePRINT\u003c\/b\u003e”, “\u003cb\u003eSCAN\u003c\/b\u003e” \u0026amp; “\u003cb\u003eCONVERT\u003c\/b\u003e” color models each have their own unique looks and simple workflows:\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li2\"\u003e\n\u003cspan class=\"s1\"\u003eThe “\u003cb\u003ePRINT\u003c\/b\u003e” Color Models emulate the true colors and process of a darkroom paper or cinema film projection prints and are best if you want to preserve maximum fidelity using the native “Edit” tools. This model performs best with a COOL light source (9000K+), like the \u003ca href=\"\/products\/cs-litecamera-scanning-light-source-1\"\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003eCS-Lite\u003c\/b\u003e\u003c\/span\u003e\u003c\/a\u003e on the “COOL” light mode, or with a white light source with our \u003ca href=\"\/products\/cs-litebrite-130-light-collimating-sheets\"\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003eCS-LiteBrite+\u003c\/b\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan class=\"s3\"\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003eand the included Color Negative+ Calibration Sheet, which helps reduce the orange mask to get a neutral start point.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li2\"\u003e\u003cspan class=\"s1\"\u003eThe “\u003cb\u003eSCAN\u003c\/b\u003e” Color Models allow for cooler (6000-9000ºK) white light sources and emulate the results from film lab scanners.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eThe \u003cb\u003e“CONVERT”\u003c\/b\u003e Color Model is designed to help reduce color casts caused by warmer (below 6000ºK) white light sources, oddball\/expired film, overexposure, or poor processing and emulates film scanners.\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e“\u003cb\u003eLOG\u003c\/b\u003e” gives a flat invert start point for cross processed slides and “odd” or “difficult” negatives, especially high contrast films like Phoenix. This Color Model requires that more of the “TOOLS” below be applied manually instead of having them already applied like the other Convert start points. More of a raw option due to more manual edits.\u003c\/li\u003e\n\u003cli class=\"li2\"\u003e\u003cspan class=\"s1\"\u003e“\u003cb\u003eSILVER\u003c\/b\u003e” is for black and white conversions of color or black and white negatives. The ”TOOLS” below can be used to adjust exposure, contrast and tones, but the color dependent “TOOLS” should not be used.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e3. Density Check:\u003c\/strong\u003e After selecting your “Convert” Color Model, you may need to EDIT the native “Exposure” setting (which will adjust the brightness of your light source to a usable density) if the image appears too dark or too light. (Exposure and WB should always be set after choosing your color model.)\u003cspan class=\"notion-enable-hover\" data-token-index=\"1\"\u003e\u003cstrong\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/AdobeLightroom2025-06-23at5.39.45PM.jpg?v=1750727652\"\u003e\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003c!-- notionvc: 20904d15-7cea-4b71-bddb-e3ab179c5c01 --\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"notion-enable-hover\" data-token-index=\"1\"\u003e\u003cstrong\u003e4. Next, set your initial WB\u003c\/strong\u003e \u003c\/span\u003eand adjust the Color Temp, Tint and Exposure to taste. There are two basic methods for setting your initial white balance after selecting your START point\u003cspan class=\"notion-enable-hover\" data-token-index=\"1\"\u003e\u003c\/span\u003e\u003cspan class=\"notion-enable-hover\" data-token-index=\"1\"\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eWith WB on “\u003cb\u003ePRINT\u003c\/b\u003e” color models:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp class=\"p1\"\u003eInitial white balance may be set by using the White Balance eyedropper (”W” or “I” keyboard shortcut) on a neutral mid-tone and then balanced further using the Basic (Light and Color) “Temperature,” “Tint,” and “Exposure” sliders in the native Develop\/Edit Panel. The image can then be fine tuned to taste by using the native develop tools and\/or by continuing to the “-+ CS Negative+ Tools” (Basic -+ \u0026amp; Color -+) in the Presets panel to fine tune (PROCESS) the color model\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/AdobeLightroom2025-06-23at5.40.07PM.jpg?v=1750727653\"\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\"\u003e\u003cem\u003e*\u003c\/em\u003e\u003ci\u003eNote: If your image is still too cool after setting WB, try increasing the “COLOR -+ 85\/Warming Filter” TOOL to warm up the image and consider purchasing our “\u003c\/i\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs-litebrite-130-light-collimating-sheets\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003eCS-LiteBrite+\u003c\/i\u003e\u003c\/span\u003e\u003c\/a\u003e\u003ci\u003e” with the Color Negative+ Calibration Sheet\u003c\/i\u003e\u003cem\u003e.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eWith WB on “\u003cb\u003eSCAN\u003c\/b\u003e” \u0026amp; \u003cb\u003e“CONVERT” \u003c\/b\u003ecolor models:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe quick and easy way is to set your WB within the SCAN color models is by going directly down to the “-+ CS Negative+ Tools”, selecting “BASIC -+ Auto WB Adjust” and using the slider for a rough WB start point. Your color model can then be fine adjusted as needed using the “BASIC -+ Fine Adjust…” tools below.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/AdobeLightroom2025-06-23at5.33.36PM.jpg?v=1750727653\"\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAlternatively, if you wish to more easily switch between SCAN color models without resetting your color balance, WB may be selected in the native Develop\/Edit Panel by either choosing “White balance: Auto” or using the White Balance eyedropper tool (”W” or “I” keyboard shortcut) on a dark shadow point. WB and exposure can then be fine tuned to taste by using either the Basic (Light and Color) sliders in the native Develop\/Edit Panel and, if additional fine adjustments are needed, continuing to the “-+ CS Negative+ Tools” and using the “Basic -+ \u0026amp; Color -+” tools in the Presets panel.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/AdobeLightroom2025-06-23at5.41.13PM.jpg?v=1750727653\"\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\"\u003e\u003cem\u003e*Note: If your image is too warm after setting WB try reducing the “COLOR -+ 85\/Warming Filter” TOOL (this is turned on by default with the “SCAN” models) or switch to a “PRINT” color model.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"notion-enable-hover\" data-token-index=\"1\"\u003eA more “advanced” or “controlled” workflow for the “SCAN” color models:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAfter setting a general WB using either method above, the “Exposure” and “Contrast” sliders in the native Develop\/Edit Panel behave a bit differently in these color models so that “Exposure” can be used to set your shadow point and “Contrast” to set your highlight point, similar to Levels in Photoshop. With this approach, the “BASIC – Neutral Density Fine Adjust” -+ TOOL can be used to set your mid-tone point without clipping any highlights or shadows. This may be a preferable workflow for some.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan class=\"notion-enable-hover\" data-token-index=\"1\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/AdobeLightroom2025-06-23at5.34.51PM.jpg?v=1750727652\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"notion-enable-hover\" data-token-index=\"1\"\u003e\u003cstrong\u003e5. Final Review:\u003c\/strong\u003e At this point, you may be done but, if not, now is a good time to review and confirm which “SCAN” or “PRINT” color model you prefer to work with from the ”-+ CS Negative+ Convert” group or proceed to the rest of the “-+ CS Negative+ Tools” in the group below to fine adjust your color model. Also, feel free to use any of the native Adobe Raw “Profiles” in the Develop\/Edit Panel to match the color profile of your choice. “Adobe Color” and “Adobe Portrait” are quite nice for certain images.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/AdobeLightroom2025-06-23at5.42.21PM.jpg?v=1750727652\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"notion-enable-hover\" data-token-index=\"1\"\u003e\u003cem\u003e\u003cstrong\u003eFor batch editing \u003c\/strong\u003eyou can always \"Sync\" adjustments across many photos to match a scene or lift your customized -+ color model edits by Copy and Pasting the Develop\/Edit Settings from any photo. Just be sure to copy ALL settings including \"Masking\" (Exposure, WB and Crop are optional) and select “Replace” if prompted. Always check the exposure and WB for each image after batch editing. You can then continue to tweak each image as needed using the -+ TOOLS or settings native to Lr and Camera Raw.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"notion-enable-hover\" data-token-index=\"1\"\u003e\u003cem\u003e\u003cstrong\u003e-+ TOOLS Notes:\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cem\u003eA description of each -+ Tool is available in Adobe Camera Raw for Br or Ps by right clicking it and selecting “Preset Info.”\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eYou will notice that with most negatives, the native “Exposure“ Lr tool effects the red bias of the image a little (this is normal with the color curve of negative film) but the “BASIC – Neutral Density Fine Adjust” -+ TOOL, color remains neutral when adjusted.\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eThe “Basic -+” Temp and Tint Fine Adjust -+ Tools are just more fine tuned and inverted correctly.\u003c\/em\u003e\u003c\/li\u003e\n\u003cli style=\"font-style: italic;\"\u003e\u003cem\u003eIf desired, you can now continue to customize your conversion with the rest of the “-+ Tools” provided to make more custom fine-tune edits (or if you prefer the native tools in Lr) as you see fit. These “-+ Tools” can be especially helpful with underexposed, extremely overexposed, pushed and expired film.\u003c\/em\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/AdobeLightroom2025-06-23at7.24.41PM.jpg?v=1750732428\"\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c!-- notionvc: 81b841ae-f3a3-4cdb-b106-a79af6c699a9 --\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c!-- notionvc: f387910d-adc7-410e-8702-e8ed1d28b6a2 --\u003e\u003c\/p\u003e","brand":"CineStill","offers":[{"title":"-+ Free Download","offer_id":44455499497644,"sku":"CS-Negative-Plus","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CS-Negative__1000-1.jpg?v=1751334824"},{"product_id":"cs-lite-plus-spectracolor-camera-scanning-light-source","title":"CS-LITE+ SpectraCOLOR™ Light Source","description":"\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/2025_CS-LITE__lockupTM_V1.png?v=1753999559\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eCineStill CS-LITE+\u003c\/strong\u003e is a universal, compact light source; specifically designed for archival film scanning with any digital camera. Balanced light output with optimized color separation specifically calibrated for film!\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CINE8055.jpg?v=1754674682\"\u003e\u003c\/p\u003e\n\u003cp\u003eMost light sources currently available for film scanning are not intended for that purpose and, even at high CRI, fail to get the job done due to lack of control and generic design. \u003cspan class=\"s1\"\u003eThe CS-LITE+ utilizes ultra-bright single-band LEDs, driven by a standard 5V\/1.5A USB power supply. Using proprietary SpectraCOLOR™ technology, years in the making, the narrowband light is then transformed and shaped into separate ultra-narrowband \u003c\/span\u003e\u003cspan class=\"s2\"\u003emultispectral\u003c\/span\u003e\u003cspan class=\"s1\"\u003e wavelengths \u003c\/span\u003e\u003cspan class=\"s1\"\u003e– unachievable with traditional LED technology – specifically calibrated to covert the color layers of film into the three color channels of a digital raw file, without color contamination or cross-talk, using any standard bayer-pattern (or similar) tri-color sensor. This allows your digital sensor to see negative film the way it was intended to be seen, resulting in the purest, most high-fidelity film to digital conversions achievable.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CS-Lite_overlays-Recovered6.gif?v=1755035902\" alt=\"\"\u003e\u003cem\u003eFor more information or questions visit our \u003ca href=\"https:\/\/help.cinestillfilm.com\/hc\/en-us\/sections\/38677910346125-CS-LITE-Light-Source\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e\u003cstrong\u003eF.A.Q. Help Center\u003c\/strong\u003e\u003c\/a\u003e for the CS-LITE+.\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe CS-LITE+ can be setup in three different modes using the included \u003ca href=\"\/products\/cs-litebrite-light-collimating-sheets\" title=\"Replacement CS-LiteBrite+ Sheets\"\u003eCS-LiteBrite+ Light Collimating Sheets\u003c\/a\u003e and two different Color Calibration Sheets.\u003c\/p\u003e\n\u003ch3\u003eCS-LITE+ Color Modes:\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eColor Negative Mode (Color Negative Calibration Sheet)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CINE8027.jpg?v=1754699831\" alt=\"\"\u003e\u003cbr\u003eThis mode is designed to reduce the orange mask present in color negatives to allow for more neutral scans resulting in superior color separation with less noise due to excessive gain produced when shifting color temperature below 2800K in a raw file. Place the included Color Negative Calibration Sheet (blue color)  directly on the surface of the light, beneath the included two \u003ca href=\"\/products\/cs-litebrite-light-collimating-sheets\"\u003eCS-LiteBrite+\u003c\/a\u003e \u003cspan\u003e“Light Collimating” \u003c\/span\u003esheets (clear color), aligning the notched corners to the upper right of the light. Be sure to remove the protective film from both sides of the two clear “Light Collimating” sheets before using and to always place these sheets on top of the “Color Calibration” sheet for accurate use. The “Color Calibration” sheets have no protective film and are ready to use when placed beneath the two clear “Light Collimating” sheets.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCool\/White Light Mode (Maximum Output For B\u0026amp;W Film Scanning)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CINE8028.jpg?v=1754699899\" alt=\"\"\u003e\u003cbr\u003eStandard cool white light for scanning black and white negatives or white light dependent workflows. For this mode, place the included two \u003ca href=\"\/products\/cs-litebrite-light-collimating-sheets\"\u003eCS-LiteBrite+\u003c\/a\u003e “Light Collimating” sheets (clear color) directly on the light source surface, aligning the notched corner to the upper right of the light. \u003cspan\u003eBe\u003c\/span\u003e\u003cspan\u003e sure to remove the protective film from both sides of the two “Light Collimating” sheets before using\u003c\/span\u003e\u003cspan\u003e. \u003c\/span\u003eThis mode can also be used to scan color negative film for post-processing workflows developed for white-light scanning and may also be helpful for images taken on slide film under incandescent light.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eWarm Light Mode (Color Positive Calibration Sheet for Slide Film Scanning)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CINE8034.jpg?v=1754699928\" alt=\"\"\u003e\u003cbr\u003eSlide film is designed to be viewed with a warm, tungsten balanced backlight. To accomplish this, place the included “Color Positive Calibration Sheet” (yellow color) directly on the light surface, beneath the two \u003ca href=\"\/products\/cs-litebrite-light-collimating-sheets\"\u003eCS-LiteBrite+\u003c\/a\u003e “Light Collimating” sheets (clear color), aligning the notched corners to the upper right of the light. \u003cspan\u003eBe\u003c\/span\u003e\u003cspan\u003e sure to remove the protective film from both sides of the two clear “Light Collimating” sheets before using and to always place \u003c\/span\u003e\u003cspan\u003ethese sheets\u003c\/span\u003e\u003cspan\u003e on top of the “Color Calibration” sheet for accurate use. The “Color Calibration” sheets have no\u003c\/span\u003e\u003cspan\u003e protective film and are ready to use when placed beneath the two clear “Light Collimating” sheets. \u003c\/span\u003eThis setting also produces even richer tones on slides and enhanced color separation for more control when editing. Can be helpful on some color negatives without an orange mask or daylight film exposed in very warm tungsten light.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eIncluded Accessories: \u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CINE8008.jpg?v=1754700341\" alt=\"\"\u003e\u003cbr\u003e2x \u003ca href=\"\/products\/cs-litebrite-light-collimating-sheets\" title=\"Replacement CS-LiteBrite+ Sheets\"\u003eCS-LiteBrite+\u003c\/a\u003e Light Collimating Sheets (clear color)\u003cbr\u003e1x Color Negative Calibration Sheet (blue color)\u003cbr\u003e1x Color Positive Calibration Sheet (yellow color)\u003cbr\u003e1x CS-LiteMask Universal Carrier Mask\u003cbr\u003e1x \u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CineStill_CS-LITE_spectra_Instruction_4.25x5.5_WEB-2.pdf?v=1758573140\" rel=\"noopener noreferrer\" target=\"_blank\"\u003ePrinted Instructions\u003c\/a\u003e\u003cbr\u003e4x Rubber Feet\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"\/products\/cs-litebrite-light-collimating-sheets\" title=\"Replacement CS-LiteBrite+ Sheets\"\u003eCs-LiteBrite+\u003c\/a\u003e Collimating \u0026amp; Color Negative Calibration Sheets\u003c\/strong\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CINE8012.jpg?v=1754700204\" alt=\"\"\u003eThese replaceable prismatic “Light Collimating” sheets paired with the “Color Negative Calibration” sheet (blue in appearance) help reduce the orange mask found in color negative film, balancing the light to produce optimal results with a digital sensor while also offering increased directional light output, reducing spill light and enhancing diffusion uniformity. \u003cspan\u003eBe\u003c\/span\u003e\u003cspan\u003e sure to remove the protective film from both sides of the two clear “Light Collimating” sheets before using and to always place \u003c\/span\u003e\u003cspan\u003ethese sheets\u003c\/span\u003e\u003cspan\u003e on top of the “Color Calibration” sheet being used. The “Color Calibration” sheets have no\u003c\/span\u003e\u003cspan\u003e protective film and are ready to use when placed beneath the clear “Light Collimating” sheets.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCS-LiteMask - Universal Carrier Mask\u003c\/strong\u003e\u003cbr\u003eUse your favorite film carrier with the CS-LITE+ without annoying spill light. Spill light increases the chance of reflection and color contamination when scanning your film.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CineStill_CS-LITE_spectra_Instruction_4.25x5.5_WEB-2.pdf?v=1758573140\" target=\"_blank\" title=\"Cs41 Complete Instructions\" rel=\"noopener noreferrer\"\u003e\u003cstrong\u003eDownload CS-LITE+ SpectraCOLOR™ Light Source PDF Instruction Card\u003c\/strong\u003e\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003ca href=\"https:\/\/help.cinestillfilm.com\/hc\/en-us\/sections\/38677910346125-CS-LITE-Light-Source\" title=\"CS-LITE+ SpectraCOLOR FAQ\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eFrequently Asked Questions\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eArticles:\u003ca href=\"https:\/\/cinestillfilm.com\/blogs\/news\/introducing-spectracolor-unlocking-a-new-era-for-film-conversion\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/a\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/blogs\/news\/meet-the-cs-lite-plus-with-spectracolor\"\u003e\u003cstrong\u003eMeet the CS-LITE+: The First Light Source Powered by SpectraCOLOR™\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"\/blogs\/news\/the-camera-scanning-revolution-a-new-frontier\"\u003e\u003cstrong\u003eThe Camera Scanning Revolution: A New Frontier\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"\/blogs\/news\/introducing-spectracolor-unlocking-a-new-era-for-film-conversion\"\u003e\u003cstrong\u003eIntroducing SpectraCOLOR™: Unlocking a New Era for Film Conversion\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"\/blogs\/news\/film-is-better-in-spectracolor-cs-negative-convert-v1-2-update\"\u003e\u003cstrong\u003eFilm is better in SpectraCOLOR™: CS Negative+ Convert v1.2 Update\u003c\/strong\u003e\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eExternal Unit Dimensions:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eLength: 6.5 in\u003cbr\u003eWidth: 4.4 in\u003cbr\u003eHeight: 0.8 in\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eIlluminated Area Dimensions:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eLength: 5 7\/8 in\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eWidth: 3 3\/4 in\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CINE8126.jpg?v=1754700530\" alt=\"\"\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv id=\"block-yui_3_17_2_1_1581176015367_6739\" data-block-type=\"2\"\u003e\n\u003cdiv\u003e\n\u003ch2\u003eCamera Scanning Considerations:\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"block-yui_3_17_2_1_1581176015367_9515\" data-block-type=\"2\"\u003e\n\u003cp\u003e\u003cstrong\u003eCamera Body\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eJust about any semi-modern, interchangeable-lens digital camera will work great for camera scanning. There are many mirrorless or DSLR options to choose from with large lens catalogs, tethered capture capability, and excellent image quality. Some high end cameras can even use pixel stitching to deliver extremely high levels of resolution.\u003c!-- notionvc: 1e5fbed7-e892-49b7-a46e-c8960560b709 --\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMacro Lens\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan class=\"notion-enable-hover\" data-token-index=\"0\"\u003eFor camera scanning, the one real requirement is that your lens focuses close enough to capture the entire frame. For full frame cameras and capturing 35mm film, the term “1:1” designates a lens that will reproduce the 35mm frame exactly onto the full frame digital sensor. With crop-sensor bodies, 1:1 lenses focus even closer. Outside of reproduction factor (1:1), also look out for lenses that are sharp, have good color reproduction, limit internal reflections (modern coatings), and have very little vignetting. Finally, it’s generally best to use your macro lens stopped down 2-3 stops from wide open, as this gives a good combination of depth of field and sharpness.\u003c\/span\u003e\u003c!-- notionvc: ce681754-4a7c-422d-80c4-7526f897891e --\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"block-yui_3_17_2_1_1581176015367_69291\" data-block-type=\"2\"\u003e\n\u003cp\u003e\u003cstrong\u003eSoftware for Negative Conversion:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan class=\"notion-enable-hover\" data-token-index=\"0\"\u003eThere are a few plugins and standalone programs for converting captured negatives into positive images. Some older and some newer, all of them try to harness the color science based in darkroom paper to various degrees. After all, even a professional lab scanner is essentially a digital camera and a light source. Most of the options presented here allow you to download a demo version to try before you buy and determine which one best suits your workflow.\u003c\/span\u003e\u003c!-- notionvc: 1234f5f7-da69-4ce4-8201-950f1ca120f1 --\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-block-type=\"2\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ctable width=\"100%\" style=\"height: 137.197px; width: 99.9523%;\"\u003e\n\u003ctbody\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003cstrong\u003eSOFTWARE\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003e\u003cstrong\u003eREQUIRES\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003e\u003cstrong\u003eCONTROL\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e\u003cstrong\u003eCOST\u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"width: 30.4352%; height: 19.5996px;\"\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs-negative-convert-tools?_pos=3\u0026amp;_sid=24433e98f\u0026amp;_ss=r\u0026amp;variant=44455499497644\"\u003e\u003cstrong\u003eCS Negative+\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 28.0801%; height: 19.5996px;\"\u003eAdobe CC\/Mobile\u003c\/td\u003e\n\u003ctd style=\"width: 22.8834%; height: 19.5996px;\"\u003e\n\u003cdiv\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/div\u003e\nProsumer\u003c!-- notionvc: 91cc1315-550c-4cf6-ab47-4f4fc3720375 --\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 17.6969%; height: 19.5996px;\"\u003eFREE\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/shop.filmomat.eu\/products\/smartconvert-mac\" target=\"_blank\"\u003e\u003cstrong\u003eSmartConvert\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eMac\/PC\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eConsumer\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\n\u003cstrong\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/developandfix.com\/filmlab-desktop\/\" target=\"_blank\"\u003eFilmLab\u003c\/a\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\n\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eMac\/PC\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eConsumer \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/www.negativelabpro.com\/\" target=\"_blank\"\u003e\u003cstrong\u003eNegative Lab Pro\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eAdobe Lr Classic\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eProsumer \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/www.silverfast.com\/highlights\/negafix\/en.html\" target=\"_blank\"\u003e\u003cstrong\u003eLaserSoft NegaFix\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eSilverFast HDR 8\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eProfessional \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/www.colorperfect.com\/colorperfect.html?lang=en\" target=\"_blank\"\u003e\u003cstrong\u003eColorPerfect\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eAdobe Ps\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003e\n\u003cdiv\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/div\u003e\nProfessional\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"CineStill","offers":[{"title":"SpectraCOLOR™","offer_id":44612240900268,"sku":"CS-LITE-PLUS","price":99.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CS-LITE__12.jpg?v=1763667351"},{"product_id":"ns-scanning-kit-premium-35mm","title":"Premium Kit 35mm","description":"\u003cp\u003e\u003cspan\u003eNegative Supply exists to create tools for film photographers who want to spend more time photographing and less time scanning. Their products allow you to digitize negatives using your digital camera and a macro lens in just a few minutes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe \u003cstrong\u003eNegative Supply Premium Kit 35mm\u003c\/strong\u003e is \u003c\/span\u003eback due to high demand and combines essential, high-quality tools to allow you to scan 35mm strips or rolls as well as mounted slides\/transparencies at home or in studio with DSLR or mirrorless cameras.\u003cbr\u003e\u003cbr\u003eAt the core of this kit is the Pro Film Carrier 35 MK2, the latest and most advanced film carrier for 35mm rolls or strips of film. This carrier works with all conventional 35mm film formats with its included masks for half frame, standard frame, and panoramic\/Xpan formats.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eIncludes\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003ePro Film Carrier 35 MK2:\u003c\/strong\u003e the most advanced 35mm film scanning carrier on the market, capable of scanning all 35mm formats including half frame, full frame (standard 35mm), and panoramic sizes (X-Pan, Widlelux) in a single capture with included custom masks while maximizing film flatness.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBasic Mounted Slide Scanning Kit: \u003c\/strong\u003eAdjustable for both modern and vintage slides, it makes slide scanning a breeze. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLight Source Mini: \u003c\/strong\u003ePerfect for users who only scan 35mm and 120 film, and need a very bright, color accurate (97 CRI) light source that’s built to last.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIn-Line Power Switch:\u003c\/strong\u003e This accessory allows you to leave your light source plugged in and turn the light on and off via a toggle switch, preventing accidental movement of the light.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBasic Riser XL:\u003c\/strong\u003e Combines upgrades from the Basic Riser MK3 (solid steel base, anodized aluminum central column) with a longer baseboard to allow for cameras with grips to be used and an even taller column to allow for a wider range of macro lenses for 4x5 scanning. This is ideal for users looking to scan 35mm and 120 with nearly any camera and macro lens combination and even 4x5 with up to a 90mm macro lens.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePro Film Carrier 35 MK2 Adapter Plate for Light Source: \u003c\/strong\u003eAllows you to seamlessly mount your Pro Film Carrier 35 MK2 to mask off all extraneous light coming from the light below. It also stabilizes the carrier on the light source. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e35mm Full Border Scanning Cassette:\u003c\/strong\u003e Allows users to scan with full borders (including sprockets) using either the Basic Film Carrier 35 MK2 or Pro Film Carrier 35 MK2. This set includes everything needed to quickly switch out the standard 35mm scanning cassette.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e35mm Film Scanning Hood: \u003c\/strong\u003eSecurely mounts to the Pro Film Carrier 35 MK2 to reduce glare from overhead lights or windows, allowing for cleaner, higher quality scans.\u003c\/p\u003e\n\u003ch3\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/h3\u003e\n\u003ch3\u003e\u003cstrong\u003eDigital camera scanning is becoming popular because it’s an easy and resourceful way to scan your own work with equipment you may already have.\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eDSLR\/Mirrorless scanning is relatively new to film, but it gives added speed, convenience, and precision for capturing frames in full detail. Modern cameras with high resolution also capture slide film with better reproduction quality and color due to CMOS sensor technology.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“After having scanned all our film for over a decade using a professional Fuji Frontier minilab scanner (essentially a Camera Scanner), Epson v750 flatbed and various others, camera scanning is finally emerging as a premium workflow solution for scanning your own work in all formats. The Negative Supply products solve many of the initial struggles of camera scanning. It is now fast and reliable with potentially higher resolution in a much smaller package and simply more efficient in nearly every way.”\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e- Brandon Wright \u003ci class=\"\"\u003e\u003cspan class=\"\"\u003eCreator \u0026amp; Co-Founder of CineStill Film\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003eScanning film with a digital camera is the future digitization. Speed up scanning time by capturing entire rolls and advance between frames with a high quality stainless steel drive mechanism. Each frame can be precisely centered while capturing every detail quickly and efficiently. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv data-block-type=\"2\" id=\"block-yui_3_17_2_1_1581176015367_9515\"\u003e\n\u003ch3\u003e\u003cstrong\u003eCamera Body\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eJust about any semi-modern interchangeable camera will work great for camera scanning. There are many mirrorless or DSLR options to choose from, with the most convenient offering tethered live view capture to your computer. The Canon T2i is probably the cheapest option out there with tethering and large lens selection, and new cameras like the Sony A7 series are now very affordable with great IQ. High end setups may even use the new full frame Panasonic mirrorless cameras with pixel stitching.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eMacro Lens\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eFor camera scanning, the one real requirement is that your lens focuses close enough to capture the entire frame, without having to digitally crop. For full frame cameras and capturing 35mm film, the term 1:1 designates a lens that will reproduce the 35mm frame exactly onto the full frame digital sensor. With crop bodies, 1:1 focus even closer. There are also options to use extension tubes for older macro lenses. We have had excellent results with an inexpensive Nikon 55mm macro from the film days, using a simple extension tube to get 1:1 on our full frame bodies. Higher end, yet affordable options include the excellent Sigma 70mm ART Macro. The Outside of reproduction factor (1:1), also look out for lenses that are sharp, have good color reproduction, limit internal reflections (modern coatings), and have very little vignetting. Finally, it’s generally best to use your lens stopped down 2-3 from wide open, as this gives a good combination between depth of field and brightness.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-block-type=\"2\" id=\"block-yui_3_17_2_1_1581176015367_69291\"\u003e\n\u003cdiv\u003e\n\u003ch3\u003e\n\u003cbr\u003eSoftware for Negative Conversion\u003c\/h3\u003e\n\u003cp\u003eThere are a few plugins and standalone programs for converting negatives into positives. Some older and some newer, all of them try to harness the color science based in darkroom paper to various degrees. Many professional scanners have used LaserSoft applications or some proprietary\/built-in software to emulate darkroom printing. After all, even a professional lab scanner is simply a digital camera and a light source. The applications below do the same thing for converting negatives captured with you digital camera rather than a digital camera built into a scanner. We recommend choosing the one that best suits your workflow. \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ctable style=\"height: 137.197px; width: 99.9523%;\" width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003cstrong\u003eSOFTWARE\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003e\u003cstrong\u003eREQUIRES\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003e\u003cstrong\u003eCONTROL\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e\u003cstrong\u003eCOST\u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"width: 30.4352%; height: 19.5996px;\"\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs-negative-convert-tools?_pos=3\u0026amp;_sid=24433e98f\u0026amp;_ss=r\u0026amp;variant=44455499497644\"\u003e\u003cstrong\u003eCS Negative+\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 28.0801%; height: 19.5996px;\"\u003eAdobe CC\/Mobile\u003c\/td\u003e\n\u003ctd style=\"width: 22.8834%; height: 19.5996px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eProsumer\u003c!-- notionvc: 91cc1315-550c-4cf6-ab47-4f4fc3720375 --\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 17.6969%; height: 19.5996px;\"\u003eFREE\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/shop.filmomat.eu\/products\/smartconvert-mac\" rel=\"noopener\" target=\"_blank\"\u003e\u003cstrong\u003eSmartConvert\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eMac\/PC\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eConsumer\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\n\u003cstrong\u003e\u003ca href=\"https:\/\/developandfix.com\/filmlab-desktop\/\" target=\"_blank\"\u003eFilmLab\u003c\/a\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\n\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eMac\/PC\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eConsumer \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.negativelabpro.com\/\" target=\"_blank\"\u003e\u003cstrong\u003eNegative Lab Pro\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eAdobe Lr Classic\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eProsumer \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.silverfast.com\/highlights\/negafix\/en.html\" target=\"_blank\"\u003e\u003cstrong\u003eLaserSoft NegaFix\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eSilverFast HDR 8\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eProfessional \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.colorperfect.com\/colorperfect.html?lang=en\" target=\"_blank\"\u003e\u003cstrong\u003eColorPerfect\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eAdobe Ps\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eProfessional\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Negative Supply","offers":[{"title":"Premium Kit 35mm","offer_id":44999704936620,"sku":"NS-PR35SKITM2","price":899.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/NS-PR35SKITM2-1.jpg?v=1763478599"},{"product_id":"ns-scanning-kit-simple-35mm","title":"Simple 35 Film Scanning System","description":"\u003cp\u003e\u003cspan\u003eNegative Supply exists to create tools for film photographers who want to spend more time photographing and less time scanning. Their products allow you to digitize negatives using your digital camera and a macro lens in just a few minutes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe \u003cstrong\u003eNegative Supply Simple 35 Film Scanning System\u003c\/strong\u003e is the company's most affordable starting point for scanning cut strips or full rolls of 35mm film quickly \u0026amp; easily whether you’re at home, on the go, or in the studio.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eIncludes\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eBasic Film Carrier 35 MK2:\u003c\/strong\u003e offers superior film flatness and is capable of scanning all 35mm film formats including half frame, full frame (standard 35mm), and panoramic sizes in a single capture.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLight Source 35 with Power Supply: \u003c\/strong\u003ethe most compact light from Negative Supply, designed with 35mm in mind. This light source comes with a custom designed internal acrylic that drastically increases brightness, improves CRI rating, and boasts perfect light uniformity for 35mm film. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBasic Film Carrier 35 MK2 Stabilizing Mask:\u003c\/strong\u003e designed to seamlessly connect the Basic Film Carrier 35 MK2 to Light Source 35, offering greater stability and masking off extraneous light when scanning your film.\u003c\/p\u003e\n\u003ch3\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/h3\u003e\n\u003ch3\u003e\u003cstrong\u003eDigital camera scanning is becoming popular because it’s an easy and resourceful way to scan your own work with equipment you may already have.\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eDSLR\/Mirrorless scanning is relatively new to film, but it gives added speed, convenience, and precision for capturing frames in full detail. Modern cameras with high resolution also capture slide film with better reproduction quality and color due to CMOS sensor technology.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“After having scanned all our film for over a decade using a professional Fuji Frontier minilab scanner (essentially a Camera Scanner), Epson v750 flatbed and various others, camera scanning is finally emerging as a premium workflow solution for scanning your own work in all formats. The Negative Supply products solve many of the initial struggles of camera scanning. It is now fast and reliable with potentially higher resolution in a much smaller package and simply more efficient in nearly every way.”\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e- Brandon Wright \u003ci class=\"\"\u003e\u003cspan class=\"\"\u003eCreator \u0026amp; Co-Founder of CineStill Film\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003eScanning film with a digital camera is the future digitization. Speed up scanning time by capturing entire rolls and advance between frames with a high quality stainless steel drive mechanism. Each frame can be precisely centered while capturing every detail quickly and efficiently. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv id=\"block-yui_3_17_2_1_1581176015367_9515\" data-block-type=\"2\"\u003e\n\u003ch3\u003e\u003cstrong\u003eCamera Body\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eJust about any semi-modern interchangeable camera will work great for camera scanning. There are many mirrorless or DSLR options to choose from, with the most convenient offering tethered live view capture to your computer. The Canon T2i is probably the cheapest option out there with tethering and large lens selection, and new cameras like the Sony A7 series are now very affordable with great IQ. High end setups may even use the new full frame Panasonic mirrorless cameras with pixel stitching.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eMacro Lens\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eFor camera scanning, the one real requirement is that your lens focuses close enough to capture the entire frame, without having to digitally crop. For full frame cameras and capturing 35mm film, the term 1:1 designates a lens that will reproduce the 35mm frame exactly onto the full frame digital sensor. With crop bodies, 1:1 focus even closer. There are also options to use extension tubes for older macro lenses. We have had excellent results with an inexpensive Nikon 55mm macro from the film days, using a simple extension tube to get 1:1 on our full frame bodies. Higher end, yet affordable options include the excellent Sigma 70mm ART Macro. The Outside of reproduction factor (1:1), also look out for lenses that are sharp, have good color reproduction, limit internal reflections (modern coatings), and have very little vignetting. Finally, it’s generally best to use your lens stopped down 2-3 from wide open, as this gives a good combination between depth of field and brightness.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"block-yui_3_17_2_1_1581176015367_69291\" data-block-type=\"2\"\u003e\n\u003cdiv\u003e\n\u003ch3\u003e\n\u003cbr\u003eSoftware for Negative Conversion\u003c\/h3\u003e\n\u003cp\u003eThere are a few plugins and standalone programs for converting negatives into positives. Some older and some newer, all of them try to harness the color science based in darkroom paper to various degrees. Many professional scanners have used LaserSoft applications or some proprietary\/built-in software to emulate darkroom printing. After all, even a professional lab scanner is simply a digital camera and a light source. The applications below do the same thing for converting negatives captured with you digital camera rather than a digital camera built into a scanner. We recommend choosing the one that best suits your workflow. \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ctable width=\"100%\" style=\"height: 137.197px; width: 99.9523%;\"\u003e\n\u003ctbody\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003cstrong\u003eSOFTWARE\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003e\u003cstrong\u003eREQUIRES\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003e\u003cstrong\u003eCONTROL\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e\u003cstrong\u003eCOST\u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"width: 30.4352%; height: 19.5996px;\"\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs-negative-convert-tools?_pos=3\u0026amp;_sid=24433e98f\u0026amp;_ss=r\u0026amp;variant=44455499497644\"\u003e\u003cstrong\u003eCS Negative+\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 28.0801%; height: 19.5996px;\"\u003eAdobe CC\/Mobile\u003c\/td\u003e\n\u003ctd style=\"width: 22.8834%; height: 19.5996px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eProsumer\u003c!-- notionvc: 91cc1315-550c-4cf6-ab47-4f4fc3720375 --\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 17.6969%; height: 19.5996px;\"\u003eFREE\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca rel=\"noopener\" href=\"https:\/\/shop.filmomat.eu\/products\/smartconvert-mac\" target=\"_blank\"\u003e\u003cstrong\u003eSmartConvert\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eMac\/PC\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eConsumer\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\n\u003cstrong\u003e\u003ca href=\"https:\/\/developandfix.com\/filmlab-desktop\/\" target=\"_blank\"\u003eFilmLab\u003c\/a\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\n\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eMac\/PC\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eConsumer \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.negativelabpro.com\/\" target=\"_blank\"\u003e\u003cstrong\u003eNegative Lab Pro\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eAdobe Lr Classic\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eProsumer \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.silverfast.com\/highlights\/negafix\/en.html\" target=\"_blank\"\u003e\u003cstrong\u003eLaserSoft NegaFix\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eSilverFast HDR 8\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eProfessional \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.colorperfect.com\/colorperfect.html?lang=en\" target=\"_blank\"\u003e\u003cstrong\u003eColorPerfect\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eAdobe Ps\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eProfessional\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Negative Supply","offers":[{"title":"Simple 35 Kit","offer_id":45009220731052,"sku":"NS-S35S","price":159.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/NS-S35S-1.jpg?v=1763478770"},{"product_id":"easy35-v2-film-scanning-kit","title":"easy35 V2 Film Scanning Kit","description":"\u003cp\u003e\u003cstrong\u003eScanning Perfected: Professional Quality, Pocket-Sized Convenience.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eAchieve professional-grade scans at home with the \u003cstrong\u003eVALOI easy35 v2\u003c\/strong\u003e. Built on countless hours of development and refined through years of user feedback, it's engineered to streamline your workflow. This plug-and-play tool attaches directly to your macro lens, scanning 35mm film and smaller formats up to 10× faster than a flatbed. The easy35 v2 is a complete redesign of VALOI's most popular camera-scanning tool, featuring significant mechanical and illumination upgrades. By attaching directly to your macro lens, it eliminates bulky copy stands and tripods, providing a stable, light-tight environment for high-resolution digitizing.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3\u003e\n\u003cstrong\u003eeasy35 V2 \u003c\/strong\u003eKey Upgrades:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eUniversal Light Source (patent pending):\u003c\/strong\u003e A leap from 81% to 99% light uniformity. This ensures edge-to-edge illumination even with wide-angle lenses, effectively eliminating the \"orange corners\" and vignetting issues common in home scanning.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOptimized Color Balance:\u003c\/strong\u003e The fixed color temperature is tuned to pre-balance the orange mask of color negatives and works equally well for black-and-white negatives and positive film.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePrecision Engineering:\u003c\/strong\u003e The V2 transitions from 3D-printing to an injection-molded ABS body for the main unit and features an all-metal rotation mechanism, delivering 5–10× tighter tolerances overall. A 5-point spring-loaded ball-bearing system ensures your film holder locks perfectly in place, keeping film perfectly parallel to the sensor.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSmart Power Management:\u003c\/strong\u003e Battery life has been doubled to over 4 hours. The new Smart Battery Bypass allows you to run on direct USB-C power for marathon sessions without draining or heating the battery.\u003cbr\u003eMagnetic Accessory Mount: Now features a magnetic interface for the easy35 Duster, making it faster than ever to clean film on the fly.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cstrong\u003eUser Specifications:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eOut-of-the-Box:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eReady for standard 35mm film.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInterchangeable Holders for Multiple Formats:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eOptional holders available for 35mm Sprockets, 35mm Slides, 35mm half-frame, APS, 110, 126, and Minox.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBuild:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ePremium injection-molded ABS body with anodized, super-matte aluminum distance tubes\u003c\/li\u003e\n\u003cli\u003eFits most macro lenses\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhat's Included:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eVALOI easy35 V2 body with Universal Light Source\u003c\/li\u003e\n\u003cli\u003eStandard 35mm Film Holder\u003c\/li\u003e\n\u003cli\u003eDistance Tube Kit (1x 10mm, 1x 20mm, 5x 40mm, 230mm total)\u003c\/li\u003e\n\u003cli\u003eFull Set of Filter Thread Adapters: 39mm, 46mm, 49mm, 52mm, 55mm, 58mm, 67mm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003e(filter thread adapters are not needed for lenses with a 62mm filter thread size, as this is the native thread size of the easy35)\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003eUSB-C Charging Cable\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDoes not include digital camera or macro lens, which are required to scan film\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCompatibility\u003c\/h3\u003e\n\u003cp\u003eThe easy35 V2 works within the easy35 V2 system, including easy35 V2 accessories such as the \u003ca href=\"https:\/\/cinestillfilm.com\/products\/easy35-v2-duster\"\u003eeasy35 V2 Duster\u003c\/a\u003e and \u003ca href=\"https:\/\/cinestillfilm.com\/products\/easy35-v2-specialty-film-holders?variant=45358441103532\"\u003eeasy35 V2 Slide Holder\u003c\/a\u003e, as well as all other optional easy35 V2 format-specific holders (\u003ca href=\"https:\/\/cinestillfilm.com\/products\/easy35-v2-specialty-film-holders?variant=45358408564908\"\u003e35mm Sprockets\u003c\/a\u003e, \u003ca href=\"https:\/\/cinestillfilm.com\/products\/easy35-v2-specialty-film-holders?variant=45358408532140\"\u003e35mm Half Frame\u003c\/a\u003e, \u003ca href=\"https:\/\/cinestillfilm.com\/products\/easy35-v2-specialty-film-holders?variant=45358408630444\"\u003eAPS\u003c\/a\u003e, \u003ca href=\"https:\/\/cinestillfilm.com\/products\/easy35-v2-specialty-film-holders?variant=45358408663212\"\u003e126\u003c\/a\u003e, \u003ca href=\"https:\/\/cinestillfilm.com\/products\/easy35-v2-specialty-film-holders?variant=45358408597676\"\u003e110\u003c\/a\u003e, and \u003ca href=\"https:\/\/cinestillfilm.com\/products\/easy35-v2-specialty-film-holders?variant=45358408695980\"\u003eMinox\u003c\/a\u003e film formats). \u003cspan style=\"text-decoration: underline;\"\u003eIt is not backward compatible with the original easy35 system, easy120 or VALOI 360 system. easy35 V1 film holders can be used on the easy35 V2, but without the secure locking offered by the V2 holders\u003c\/span\u003e.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003eTechnical Specifications:\u003c\/span\u003e\u003c\/h3\u003e\n\u003ctable width=\"100%\" style=\"width: 97.9726%; height: 372.413px;\" height=\"173\"\u003e\n\u003ctbody\u003e\n\u003ctr style=\"height: 19.6007px;\"\u003e\n\u003ctd style=\"width: 25.0207%; height: 19.6007px;\"\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 25.0207%; height: 19.6007px;\"\u003e\u003cstrong\u003eeasy35 V2\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 49.3055%; height: 19.6007px;\"\u003e\u003cstrong\u003eeasy35 V1\u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.6007px;\"\u003e\n\u003ctd style=\"width: 25.0207%; height: 19.6007px;\"\u003e\u003cstrong\u003eLED CRI\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 25.0207%; height: 19.6007px;\"\u003e95+\u003c\/td\u003e\n\u003ctd style=\"width: 49.3055%; height: 19.6007px;\"\u003e95+\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.6007px;\"\u003e\n\u003ctd style=\"width: 25.0207%; height: 19.6007px;\"\u003e\u003cstrong\u003eLED Uniformity\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 25.0207%; height: 19.6007px;\"\u003e99%\u003c\/td\u003e\n\u003ctd style=\"width: 49.3055%; height: 19.6007px;\"\u003e81%\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 39.2014px;\"\u003e\n\u003ctd style=\"width: 25.0207%; height: 39.2014px;\"\u003e\u003cstrong\u003eOutput White Balance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 25.0207%; height: 39.2014px;\"\u003e6000K+\u003c\/td\u003e\n\u003ctd style=\"width: 49.3055%; height: 39.2014px;\"\u003e3150K - 5250K\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.6007px;\"\u003e\n\u003ctd style=\"width: 25.0207%; height: 19.6007px;\"\u003e\u003cstrong\u003eLED Count\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 25.0207%; height: 19.6007px;\"\u003e16\u003c\/td\u003e\n\u003ctd style=\"width: 49.3055%; height: 19.6007px;\"\u003e81\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.6007px;\"\u003e\n\u003ctd style=\"width: 25.0207%; height: 19.6007px;\"\u003e\u003cstrong\u003eBrightness\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 25.0207%; height: 19.6007px;\"\u003e17EV\u003c\/td\u003e\n\u003ctd style=\"width: 49.3055%; height: 19.6007px;\"\u003e16.5EV\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 39.2014px;\"\u003e\n\u003ctd style=\"width: 25.0207%; height: 39.2014px;\"\u003e\u003cstrong\u003eDiffusion Type\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 25.0207%; height: 39.2014px;\"\u003eReflective dome (pat. pending)\u003c\/td\u003e\n\u003ctd style=\"width: 49.3055%; height: 39.2014px;\"\u003eDirect diffusion\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.6007px;\"\u003e\n\u003ctd style=\"width: 25.0207%; height: 19.6007px;\"\u003e\u003cstrong\u003eCharging\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 25.0207%; height: 19.6007px;\"\u003eUSB-C\u003c\/td\u003e\n\u003ctd style=\"width: 49.3055%; height: 19.6007px;\"\u003eUSB-C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.6007px;\"\u003e\n\u003ctd style=\"width: 25.0207%; height: 19.6007px;\"\u003e\u003cstrong\u003eBattery Time\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 25.0207%; height: 19.6007px;\"\u003e4h+\u003c\/td\u003e\n\u003ctd style=\"width: 49.3055%; height: 19.6007px;\"\u003e2h+\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.6007px;\"\u003e\n\u003ctd style=\"width: 25.0207%; height: 19.6007px;\"\u003e\u003cstrong\u003eBattery Size\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 25.0207%; height: 19.6007px;\"\u003e4500 mAh\u003c\/td\u003e\n\u003ctd style=\"width: 49.3055%; height: 19.6007px;\"\u003e3000 mAh\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 39.2014px;\"\u003e\n\u003ctd style=\"width: 25.0207%; height: 39.2014px;\"\u003e\u003cstrong\u003eOperating Time When Plugged In\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 25.0207%; height: 39.2014px;\"\u003eUnlimited\u003c\/td\u003e\n\u003ctd style=\"width: 49.3055%; height: 39.2014px;\"\u003e5-6h from full charge\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.6007px;\"\u003e\n\u003ctd style=\"width: 25.0207%; height: 19.6007px;\"\u003e\u003cstrong\u003eHolder Attachment\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 25.0207%; height: 19.6007px;\"\u003eSpring loaded\u003c\/td\u003e\n\u003ctd style=\"width: 49.3055%; height: 19.6007px;\"\u003eHex key tool\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.6007px;\"\u003e\n\u003ctd style=\"width: 25.0207%; height: 19.6007px;\"\u003e\u003cstrong\u003eRotation Mechanism\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 25.0207%; height: 19.6007px;\"\u003eAluminum\u003c\/td\u003e\n\u003ctd style=\"width: 49.3055%; height: 19.6007px;\"\u003eNylon + aluminum\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 39.2014px;\"\u003e\n\u003ctd style=\"width: 25.0207%; height: 39.2014px;\"\u003e\u003cstrong\u003eBody Material\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 25.0207%; height: 39.2014px;\"\u003e\n\u003cdiv\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/div\u003e\nABS, Injection-molded\u003c\/td\u003e\n\u003ctd style=\"width: 49.3055%; height: 39.2014px;\"\u003eNylon, MJF\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.6007px;\"\u003e\n\u003ctd style=\"width: 25.0207%; height: 19.6007px;\"\u003e\u003cstrong\u003eDistance Tubes\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 25.0207%; height: 19.6007px;\"\u003eAluminum\u003c\/td\u003e\n\u003ctd style=\"width: 49.3055%; height: 19.6007px;\"\u003eAluminum\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv id=\"block-yui_3_17_2_1_1581176015367_6739\" data-block-type=\"2\"\u003e\n\u003cdiv\u003e\n\u003ch1\u003eCamera Scanning Considerations:\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"block-yui_3_17_2_1_1581176015367_9515\" data-block-type=\"2\"\u003e\n\u003ch3\u003e\u003cstrong\u003eCamera Body\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eJust about any semi-modern, interchangeable-lens digital camera will work great for camera scanning. There are many mirrorless or DSLR options to choose from with large lens catalogs, tethered capture capability, and excellent image quality. Some high end cameras can even use pixel stitching to deliver extremely high levels of resolution.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eMacro Lens\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan data-token-index=\"0\" class=\"notion-enable-hover\"\u003eFor camera scanning, the one real requirement is that your lens focuses close enough to capture the entire frame. For full frame cameras and capturing 35mm film, the term “1:1” designates a lens that will reproduce the 35mm frame exactly onto the full frame digital sensor. With crop-sensor bodies, 1:1 lenses focus even closer. Outside of reproduction factor (1:1), also look out for lenses that are sharp, have good color reproduction, limit internal reflections (modern coatings), and have very little vignetting. Finally, it’s generally best to use your macro lens stopped down 2-3 stops from wide open, as this gives a good combination of depth of field and sharpness.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"block-yui_3_17_2_1_1581176015367_69291\" data-block-type=\"2\"\u003e\n\u003ch3\u003eSoftware for Negative Conversion\u003c\/h3\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan data-token-index=\"0\" class=\"notion-enable-hover\"\u003eThere are a few plugins and standalone programs for converting captured negatives into positive images. Some older and some newer, all of them try to harness the color science based in darkroom paper to various degrees. After all, even a professional lab scanner is essentially a digital camera and a light source. Most of the options presented here allow you to download a demo version to try before you buy and determine which one best suits your workflow.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-block-type=\"2\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ctable width=\"100%\" style=\"height: 137.197px; width: 99.9523%;\"\u003e\n\u003ctbody\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003cstrong\u003eSOFTWARE\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003e\u003cstrong\u003eREQUIRES\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003e\u003cstrong\u003eCONTROL\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e\u003cstrong\u003eCOST\u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"width: 30.4352%; height: 19.5996px;\"\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs-negative-convert-tools?_pos=3\u0026amp;_sid=24433e98f\u0026amp;_ss=r\u0026amp;variant=44455499497644\"\u003e\u003cstrong\u003eCS Negative+\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 28.0801%; height: 19.5996px;\"\u003eAdobe CC\/Mobile\u003c\/td\u003e\n\u003ctd style=\"width: 22.8834%; height: 19.5996px;\"\u003e\n\u003cdiv\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/div\u003e\nProsumer\u003c!-- notionvc: 91cc1315-550c-4cf6-ab47-4f4fc3720375 --\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 17.6969%; height: 19.5996px;\"\u003eFREE\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/shop.filmomat.eu\/products\/smartconvert-mac\" target=\"_blank\"\u003e\u003cstrong\u003eSmartConvert\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eMac\/PC\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eConsumer\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\n\u003cstrong\u003e\u003ca href=\"https:\/\/developandfix.com\/filmlab-desktop\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eFilmLab\u003c\/a\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\n\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eMac\/PC\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eConsumer \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.negativelabpro.com\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cstrong\u003eNegative Lab Pro\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eAdobe Lr Classic\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eProsumer \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.silverfast.com\/highlights\/negafix\/en.html\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cstrong\u003eLaserSoft NegaFix\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eSilverFast HDR 8\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003eProfessional \u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$$$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5996px;\"\u003e\n\u003ctd style=\"height: 19.5996px; width: 30.4352%;\"\u003e\u003ca href=\"https:\/\/www.colorperfect.com\/colorperfect.html?lang=en\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cstrong\u003eColorPerfect\u003c\/strong\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 28.0801%;\"\u003eAdobe Ps\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 22.8834%;\"\u003e\n\u003cdiv\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/div\u003e\nProfessional\u003c\/td\u003e\n\u003ctd style=\"height: 19.5996px; width: 17.6969%;\"\u003e$\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"VALOI","offers":[{"title":"35mm","offer_id":45358333100204,"sku":"VALOI-easy35-v2","price":270.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/valoi_easy35_v2_2.jpg?v=1772109158"}],"url":"https:\/\/kodak.cinestillfilm.com\/collections\/for-scanning-at-home-gift-guide.oembed","provider":"CineStill Film","version":"1.0","type":"link"}